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See Terms & Conditions for p&p rates. | |  | The Very Best of Anne-Sophie Mutter
Bach, J S: | Violin Concerto No. 2 in E major, BWV1042 Leslie Pearson (harpsichord) English Chamber Orchestra, Salvatore Accardo Concerto for Two Violins in D minor, BWV1043 Salvatore Accardo (violin), Leslie Pearson (harpsichord) English Chamber Orchestra, Salvatore Accardo Violin Concerto No. 1 in A minor, BWV1041 Leslie Pearson (harpsichord) English Chamber Orchestra, Salvatore Accardo | Massenet: | Meditation (from Thais) Berliner Philharmoniker, Herbert von Karajan | Mozart: | Violin Concerto No. 4 in D major, K218 Philharmonia Orchestra, Riccardo Muti | Sarasate: | Zigeunerweisen, Op. 20 Orchestre National de France, Seiji Ozawa | Vivaldi: | The Four Seasons: Autumn, RV293 Wiener Philharmoniker, Herbert von Karajan |
Anne-Sophie Mutter (violin) | 
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| |  | Jascha Heifetz plays Bach & Mozart Violin Concertos
Bach, J S: | Violin Concerto No. 1 in A minor, BWV1041 Recorded 6th December, 1953 in Republic Pictures Studios, Hollywood Los Angeles Philharmonic, Alfred Wallenstein Violin Concerto No. 2 in E major, BWV1042 Recorded 6th December, 1953 in Republic Pictures Studios, Hollywood Los Angeles Philharmonic, Alfred Wallenstein Concerto for Two Violins in D minor, BWV1043 Recorded 14th and 19th October, 1946 in Hollywood Jascha Heifetz (both solo parts) RCA Victor Chamber Orchestra, Franz Waxman | Mozart: | Violin Concerto No. 5 in A major, K219 "Turkish" Recorded 29th-30th May, 1951 in EMI Abbey Road Studio No. 1, London (Cadenzas: Joseph Joachim) London Symphony Orchestra, Malcolm Sargent |
One of the great 20th century violinists, at his best Heifetz played the concerto and sonata repertoire with a strong command of structure, minute attention to detail and an unequalled sensuous beauty of tone. Although Heifetz regarded the music of Mozart and Bach as integral to his repertoire, his style was grounded in a Romantic sensibility that sometimes courted controversy. Of the Mozart Concertos, Heifetz favoured the D major, K218 (recorded on Naxos 8.110941) and the A major, K219, which is heard on this re-issue in the second of three he made. Heifetz recorded the two Bach solo concertos only once. On these and his first recording of the Double Concerto, Heifetz’s playing (of both parts) is typically elegant and emotionally charged. |
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Yehudi Menuhin Orchestre Symphonique de Paris, George Enescu These recordings were made in Paris in 1932–36 ‘A distinguished series of beautifully presented reissues.’ (Gramophone) | | | In stock - usually despatched within 1 working day. |
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| |  | Bach, Mozart & Mendelssohn - Violin Concertos
David Oistrakh (violin) The Philadelphia Orchestra, Eugene Ormandy Recorded 24th December 1955 All three works showcase what Gramophone describe as Oistrakh’s distinctive “composure, interpretative finesse, velvety tone and highly sophisticated musicianship.” | | | In stock - usually despatched within 1 working day. |
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| |  | Nigel Kennedy Plays Bach
Nigel Kennedy (violin) Irish Chamber Orchestra “As a soloist, he phrases with dash and poetry, his interpretations brimming with uncommon character.” Billboard magazine (US) | | | In stock - usually despatched within 1 working day. |
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| |  | J.S. Bach - Violin Concertos
Jaime Laredo (violin) Scottish Chamber Orchestra | | | In stock - usually despatched within 1 working day. |
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| |  | Bach, J S: | Violin Concerto No. 1 in A minor, BWV1041 Arthur Grumiaux (violin) Les Solistes Romands, Arpad Gerecz Violin Concerto No. 2 in E major, BWV1042 Arthur Grumiaux (violin) Les Solistes Romands, Arpad Gerecz Concerto for Two Violins in D minor, BWV1043 Arthur Grumiaux, Herman Krebbers (violins) Les Solistes Romands, Arpad Gerecz Concerto for Oboe & Violin in D minor, BWV1060 Arthur Grumiaux (violin), Heinz Holliger (oboe) New Philharmonia Orchestra, Edo de Waart |
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| |  | J S Bach - Concertos with Many Instruments
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| |  | Bach, J.S.: Violin Concertos
Kolja Blacher (violin), Christine Pichlmeier (violin), Lisa Stewart (violin) Cologne Chamber Orchestra, Helmut Muller-Bruhl "What you will hear is a performance and recording that is not unlike 'The Stokowski Sound.' Deep, rich and firm bass line, smooth strings and lushness around. The soloists are as romantic. The second movement of the double concerto is a love duet. It has a beauty that literally arrests you. Now, you simply must purchase this recording. It is just too beautiful not to hear."
- Classical.Net (Robert Stumpf II) April 2001 | | | In stock - usually despatched within 1 working day. |
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Roberto Michelucci (violin) I Musici | | | In stock - usually despatched within 1 working day. |
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