All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Lawrence Brownlee: The Heart That Flutters
| | Deep River (Negro spiritual) Recorded live at St John’s Smith Square, May 2010 Sometimes I feel like a motherless child arr Burleigh | Donizetti: | Ah! mes amis, quel jour de fête! (from La Fille du Régiment) Recorded live at St John’s Smith Square, May 2010 | Duparc: | Chanson triste Recorded live at St John’s Smith Square, May 2010 Le Manoir de Rosemonde Recorded live at St John’s Smith Square, May 2010 Extase Recorded live at St John’s Smith Square, May 2010 Phidylé Recorded live at St John’s Smith Square, May 2010 | Ginastera: | Cinco canciones populares argentinas Op. 10 | Liszt: | Sonetti di Petrarca (3) for voice & piano, S270 Recorded live at St John’s Smith Square, May 2010 | Moore, B: | I would in that sweet bosom be Recorded live at Wigmore Hall, September 2012 The Cloak, the Boat and the Shoes Recorded live at Wigmore Hall, September 2012 This Heart that Flutters Recorded live at Wigmore Hall, September 2012 The Lake Isle of Innisfree Recorded live at Wigmore Hall, September 2012 | Rossini: | Tu seconda il mio disegno (from Il Turco in Italia) Recorded live at Wigmore Hall, September 2012 |
With a Negro spiritual, spectacular bel canto, romantic song and comic opera, Lawrence Brownlee unveils the breadth of his repertoire and the lyric tenor voice that has won acclaim at the New York's Metropolitan Opera (for his 'agility, elegance and Rossinian style) and farther afield. One of the most sought-after bel canto tenors on the international scene. Includes songs by Duparc, Donizetti, Liszt (3 Petrach Sonnets), Rossini, Ginastera and American contemporary composer Ben Moore. “Brownlee has a prodigious technique in florid music...One does not have to listen beyond the first two lines of Duparc's Chanson triste to realize that Brownlee commands a laudable legato...This is a recital of many delights, with both Brownlee and Burnside on top form.” International Record Review, May 2013 | 
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| |  | Jeunesses Musicales du CanadaLooking to the Future
Bach, J S: | Violin Sonata in G major, BWV1021 James Ehnes (violin), Luc Beauséjour (piano), Benoit Loiselle (cello) | Brahms: | Two songs for contralto with viola obbligato, Op. 91 Marie-Nicole Lemieux (contralto), Michael MacMahon (piano), Nicolò Eugelmi (viola) | Chopin: | Fantasia in F minor, Op. 49 André Laplante (piano) | Duparc: | Chanson triste Jean-François Lapointe (baritone), Louise-Andre Baril (piano) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Marianne Fiset (soprano) Orchestre de la Francophonie, Jean-Pjilippe Tremblay | Piazzólla: | Cuarto Estaciones Porteñas Gryphon Trio | Rachmaninov: | Piano Sonata No. 2 in B flat minor, Op. 36 Nareh Arghamanyan (piano) | Salzedo: | Scintillation, Op. 31 Valérie Milot (harp) | Schubert: | Sonatina in D major, D384 (Op. posth. 137 No. 1) Angèle Dubeau (violin), Anton Kuerti (piano) | Strauss, R: | Don Juan, Op. 20 Orchestre de la Francophonie, Jean-Pjilippe Tremblay | Verdi: | Elle ne m'aime pas! (from Don Carlos) Joseph Rouleau (bass) Orchestra of the Royal Opera House, Covent Garden Cortigiani, vil razza dannata (from Rigoletto) Louis Quilico (baritone) Edmonton Symphony Orchestra | Vivaldi: | Concerto for 2 Flutes, Strings and Continuo in C, R533 Ensemble Caprice |
This anniversary collection by Jeunesses Musicales marks 60 years of service to the young: 60 years of excellence. The compilation presents some of the best recordings made at ANALEKTA by artists who toured under the aegis of JMC or have been associated with the Montreal International Musical Competition, founded in 2002. Discover some of the great performers of the Canadian music scene. | | | In stock - usually despatched within 1 working day. |
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| |  | Barbara Hendricks - Orchestral Songs
“An engaging set of French language orchestral songs, the juxtaposition of Berlioz's Les nuits d'été and Britten's Les Illuminations being especially rewarding. None of the performances are weak, but all are surpassed elsewhere.” BBC Music Magazine, January 2009 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Melodies Francaises pour Bariton
Chausson: | Les Papillons, Op. 2 No. 3 (Gautier) Le temps des lilas Le Colibri, Op. 2 No. 7 (de Lisle) Le Charme, Op. 2 No. 2 (Silvestre) | Debussy: | Auprès de cette grotte sombre Mandoline (Verlaine) | Duparc: | Chanson triste L'Invitation au voyage | Fauré: | Cinq Melodies 'de Venise', Op. 58 Clair de Lune, Op. 46 No. 2 Après un rêve, Op. 7 No. 1 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Arpège, Op. 76 No. 2 (Samain) En sourdine, Op. 58 No. 2 (Verlaine) L'horizon chimérique, Op. 118 | Ravel: | Histoires naturelles (5) Don Quichotte à Dulcinée with Paris Conservatoire Orchestra, Eduoard Lindberg |
Recorded 1950-1954 “France's equivalent of Fischer-Dieskau sings Fauré, Duparc and Ravel with characteristic expressive elegance that transcends the rather elderly recordings.” BBC Music Magazine, May 2006 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Henri Duparc - Songs
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| |  | Chausson / Ravel / Duparc - Felicity Lott
“Her impeccable command of Gallic language and style makes her ideally suited to this repertoire, more so, even, than Janet Baker…She is also blessed with one of the most magnificent of orchestral accompaniments,
the Suisse Romande Orchestra recalling its glory days under Ansermet in the range and depth of its playing under Armin Jordan.” BBC Music Magazine | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Henri Duparc - The Complete Songs
“Roger Vignoles is a most sympathetic accompanist, and virtuosic where virtuosity is called for, and the whole set is at one with Duparc's own evaluation of these magnificent songs” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | L'Art de Gabriel BacquierArias, Songs & Operetta
Bellini: | Ah! Per sempre io ti perdei (from I Puritani) | Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) La Damnation de Faust: Devant la maison Absence (from Les nuits d'été, Op. 7) | Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) | Debussy: | Les cloches (Paul Bourget) | Delibes: | Stances (from Lakmé) | Donizetti: | Vieni, amor...Leonora! A' piedi tuoi (from La Favorita) | Duparc: | Chanson triste La Vie antérieure | Fauré: | Clair de Lune, Op. 46 No. 2 Le secret Op. 23 No. 3 | Gounod: | Mab, la reine des mensonges (from Roméo et Juliette) Venise Premier jour de mai | Hahn, R: | Si mes vers avaient des ailes | Lecocq: | Certainement jamais Clairette (from La Fille de Mme Angot) Pour être fort, on se rassemble (from La Fille de Mme Angot) | Lehár: | Der Graf von Luxemburg (highlights) Die Lustige Witwe: Waltz | Massenet: | Bravo, mon cher...Epouse quelque brave fille (from Manon) Quelle priere de reconnaissance (from Werther) Comment peut-on penser du bien (from Don Quichotte) Riez, allez, riez du pauvre idéologue (from Don Quichotte) Elégie | Mozart: | Fin ch'han dal vino (from Don Giovanni) Deh! vieni alla finestra (from Don Giovanni) Vedro mentr'io sospiro (from Le nozze di Figaro) Madamina, il catalogo è questo (from Don Giovanni) | Offenbach: | Scintille, diamant (from Les Contes d'Hoffmann) Dans les rôles d’amoureux (from Les Contes d’Hoffmann) | Poulenc: | Voyage à Paris | Ravel: | Ronsard à son âme D’Anne qui me jecta de la neige | Sauguet: | Berceuse créole | Thomas, Ambroise: | Etre ou ne pas etre (from Hamlet) | Varney: | Pour faire un brave mousquetaire (from Les Mousquetaires au couvent) Gris, suis-je gris, vraiment ? (from Les Mousquetaires au couvent) | Verdi: | Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) O Carlo, ascolta (from Don Carlo) Pari siamo! (from Rigoletto) sung in French Cortigiani, vil razza dannata (from Rigoletto) sung in French | Yvain: | Porquerolle |
Gabriel Bacquier has already, in his lifetime, entered the hallowed halls of great French singers. An incomparable actor, endowed with exceptional vocal means and an unbelievably rich timbre, he carried the art of interpretation to the highest level. For the first time on CD, Decca have issued a collection highlighting this baritone’s remarkable career. | 
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| |  | Barry McDaniel sings Schubert, Schumann, Wolf, Duparc, Ravel & Debussy
Debussy: | Le promenoir des deux amants | Duparc: | Chanson triste Lamento Le Manoir de Rosemonde Extase Soupir Phidylé | Ravel: | Trois chansons madécasses Eberhard Finke (cello) & Karlheinz Zoeller (flute) | Schubert: | Der Winterabend (Es ist so still), D938 Herbst, D945 Dass sie hier gewesen! D775 (Rückert) Der Einsame, D800 Fahrt zum Hades, D526 (Mayrhofer) Der Jungling und der Tod, D545 (Spaun) Sprache der Liebe D410 (A W von Schlegel) Fischerweise, D881 (Schlechta) Über Wildemann D884 (Ernst Schulze) Auflösung, D807 | Schumann: | Gedichte (6) und Requiem, Op. 90 Nachtlied, Op. 96 No. 1 Der Spielmann, Op. 40, No. 4 Zigeunerliedchen I & II Verratene Liebe, Op. 40, No. 5 Provencalisches Lied, Op. 139 No. 4 Mein Schöner Stern! Op. 101 No. 4 Aus den hebräischen Gesängen, Op. 25 No. 15 Ihre Stimme Op. 96 No. 3 (August von Platen) | Wolf, H: | An eine Æolsharfe (No. 11 from Mörike-Lieder) Heimweh (No. 37 from Mörike-Lieder) Lebe wohl (No. 36 from Mörike-Lieder) Nimmersatte Liebe (No. 9 from Mörike-Lieder) Der Tambour (No. 5 from Mörike-Lieder) Abschied (No. 53 from Mörike-Lieder) |
Barry McDaniel (baritone), Hertha Klust (piano) & Aribert Reimann (piano) The American baritone Barry McDaniel was one of the outstanding singers of the post-war era. As a successful opera singer and Lieder interpreter, he enjoyed a long and eventful career, both in Germany and abroad. Despite numerous performances and many recordings for radio and television, he nonetheless remained largely unnoticed by the media, partly because his name almost vanished in the shadow of Dietrich Fischer-Dieskau, who was five years his senior. Unjustly so, since the two singers were equals as artists, albeit with different characters. Today, Barry McDaniel is hardly mentioned in specialist literature and one searches in vain for CDs since, until now, recordings from radio archives have not been phonographically processed. However, Audite now presents a première double CD of Lieder sung by Barry McDaniel. These studio recordings from the archives of Radio Berlin-Brandenburg (formally Sender Freies Berlin) were made between 1963 and 1974 with Hertha Klust and Aribert Reimann as accompanists. This selection of songs by Schubert, Schumann, Wolf, Duparc, Ravel and Debussy reveals diverse facets of McDaniel’s artistic personality. His interpretations are characterised by an interleaving of knowledge and naivety, feeling and craftsmanship, expression and impeccable singing. Apart from his immaculate technique, his accent-free German is particularly remarkable. Barry McDaniel moved from the USA to Germany in 1953 in order to further his studies. He then gave his first song recitals, together with Hermann Reutter, and later began a career as an opera singer. In 1961 he was engaged at the newly re-opened Deutsche Oper Berlin, where he remained for thirty-seven years. At the same time, he gave guest performances at the Vienna Staatsoper, the Metropolitan Opera New York, the Frankfurt Opera and the Munich Opera Festival, as well as broadcasting for radio and television. In addition, Barry McDaniel gave numerous song recitals, for example in Stuttgart, Karlsruhe, Hanover, Brunswick and Berlin, including, in the latter city, the first ever song recital at the newly built Philharmonie in 1963. Today, the 81-year-old baritone declares: “Whatever I sing, I have to believe in it.” That is exactly how these recordings sound. “The American Barry McDaniel inevitably sang in the shadow of Fischer-Dieskau; but this double CD reveals his deeply thoughtful baritone, in superbly accompanied Lieder and melodie.” BBC Music Magazine, June 2012 **** | | | (also available to download from $21.00) | Usually despatched in 3 - 4 working days. (Available now to download.) |
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