Respighi: Il tramonto (The Sunset)

“A praiseworthy achievement in every respect … Carol Madalin sings both works beautifully” Gramophone Magazine

“A glorious work [and] a most lovely record. Recommended with all possible enthusiasm” Penguin Guide

“Pappano's gift to constantly delve well beyond the reputation these tone-poems have as technically brilliant display pieces devoid of deeper content. Try to listen, for instance, to the plangency of the woodwind playing at the rapt opening of 'Fountain of Valle Giulia', or the translucent sifting of textures in a magical 'Villa Medici Fountain', without becoming riveted.” BBC Music Magazine, November 2007 *****

“What more appropriate orchestra to record the three Roman colour-scapes of Respighi than Rome's greatest orchestra under its music director, Antonio Pappano? In every way this new version is more than a match for the fine Dutoit version of the trilogy (Decca). As in Italian opera, Pappano has a natural feeling for flexible phrasing without exaggeration, and here he has even more resilience in his springing of rhythms than Dutoit, while the fine EMI recording offers clean separation and a wide dynamic range to match even the brilliant Decca.
It adds to the attractions of the disc that as a bonus Pappano offers the lovely setting of Shelley in translation for mezzo and strings, Il tramonto ('The Sunset'), beautifully sung with clear, firm tone by Christine Rice. Dutoit puts the trilogy pieces in his chosen order while Pappano presents them in chronological order, ending with the noisiest – and least inspired – Roman Festivals.
Nonetheless, Pappano conducts that, as he does the earlier two pieces, with all the flamboyance needed for such boldly extrovert music.
These are unashamed picture-postcards in music, and the images they evoke are always exceptionally vivid. One slight reservation is that the recording of a nightingale that the adventurous Respighi includes towards the close of the 'The Pines of the Janiculum' is so faint you can barely hear it. Pappano's trilogy now stands as a model for a colourful and ideal coupling, particularly with such an apt fill-up as Iltramonto.” Gramophone Classical Music Guide, 2010

“What more appropriate orchestra to record the three Roman colour-scapes of Respighi than Rome's greatest orchestra under its music director, Antonio Pappano? As in Italian opera, Pappano has a natural feeling for flexible phrasing without exaggeration. ...while the fine EMI recording offers clean separation and a wide dynamic range to match even the brilliant Decca. ...as a bonus Pappano offers the lovely setting of Shelley in translation for mezzo and strings, Il tramonto ("The Sunset"), beautifully sung with clear, firm tone by Christine Rice.” Gramophone Magazine, November 2007

“Is an interesting collection of curiosities. The neglected piece of real interest here is Verdi's String Quartet in E minor… played with exemplary lucidity and feeling by the Leipzig Quartet… and immaculately recorded by MDG.” BBC Music Magazine, July 2008 ****

“What could be a more seductive five minutes that Puccini’s Crisantemi (Chrysanthemums), a lovely crystellisation of his idiom…….Verdi’s four-movement E minor quartet is substantial, original and unforgettable.” Sunday Times, 4th May 2008 ***

“Respighi’s heavenly Il tramonto, a ‘lyric poem’ (based on Shelley) for soprano and string quartet, shifts the stylistic points of reference forward to Richard Strauss and early Schoenberg. Once again the Leipzig Quartet sets the emotional temperature at precisely the right level, scoring interpretive points over most rivals by never overindulging the music’s natural opulence. Atmospheric, well-balanced sound too.” The Strad, August 2008

“The New Hellenic is reputedly the finest quartet in Greece, and their accounts of these two Respighi rarities are certainly accomplished...The recording is up to the high standards of the house.” Penguin Guide, 2011 edition

“Kozená has one of those voices that seem to go straight to the heart” (Gramophone)