Ravel: Jeux d'eau

“There’s intelligent method in this two-disc mega-recital...Disc two ingeniously pairs four works from Liszt’s Années de pèlerinage collections with descriptive pieces by Bartok, Marco Stroppa, Ravel and Messiaen, highlighting poetic, formal, textural and gestural similarities galore. Aimard’s readings are characterised by a clarity that allows detail and shape rightful pre-eminence.” Sunday Times, 16th October 2011

“Bombarded as we are by Liszt recordings in his anniversary year, this is refreshingly different. Pianist Pierre-Laurent Aimard is also a skilled maker of programmes...Since large quantities of Liszt in one sitting can be indigestible, this is an excellent way into the B minor sonata and sections of Années de pèlerinage.” The Observer, 16th October 2011

“Aimard has long established himself as the thinking person’s pianist. His Liszt Project juxtaposes a selection of Liszt’s works with compositions by contemporaries and successors who were inspired by him...It’s a strong idea, sustained by the Frenchman’s fastidious pianism, but it comes across more as a lecture-recital than a satisfying listening experience.” Financial Times, 30th October 2011

“Aimard is a supremely intellectual pianist and his intense, rigorously thought-out playing illuminates the two programmes...Aimard's approach is purposefully cool in order to highlight the structural elements of the piece and while there's some exquisite hushed playing, the thunderous climaxes don't build with quite enough abandon.” Classic FM Magazine, February 2012 ****

“This impressive double album is surely one of the most intelligent recorded contributions to the Liszt Bicentenary of 2011...Nothing in Aimard's performances is done for mere effect: throughout, he projects Liszt with a solidity and refinement of invention. A superb achievement.” BBC Music Magazine, February 2012 *****

“In the main, the later the Liszt the more impressive Aimard is...he is ideally persuasive that no composer stayed younger in his desire to make something new...Aimard's reading of the B minor Sonata is distinguished - intellectually satisfying, as it should be, as the most intelligent and far-reaching of all post-Beethoven sonatas on a large scale.” Gramophone Magazine, December 2011

“Elegant, precise, borderline dry, then suddenly warmed with sunshine, Thibaudet's Ravel is preferred to Grimaud's indulgent Piano Concerto in G. At least her Concerto finale sparkles.” BBC Music Magazine, December 2011 ***

“Steven Osborne, ever a poised, technically impeccable virtuoso, combines clarity with heart. All a shimmering pleasure.” The Observer, 13th February 2011

“His tempos, kaleidoscopic tonal colouring, textual clarity, and amazing dynamic range and variety of touch manifest an innate empathy with the composer...These are inspired performances with Award Winner written all over them. The perfectly-voiced piano, the venue/acoustic, producer and engineer, and an artist who was born to play Ravel combine to make the best complete Ravel cycle on disc.” Classic FM Magazine, April 2011 *****

“[Gaspard] is technically immaculate...and gently seductive before turning on a more sinister pressure..."Alborada" from Miroirs is another striking success, where a trickster's ribaldry and high jinxs explode into violence, and in La Valse (suitably arranged and "orchestrated"), Osborne spins his dancers towards a visceral and devastating oblivion.” Gramophone Magazine, April 2011

“A precise and balanced interpretation” Financial Times, 12th March 2011

“Steven Osborne's survey of [Ravel] is an unqualified delight....His playing...is equally well suited to the delicate classicism of the Sonatine, the scene painting of Miroirs and the nostalgia for the 18th century in Le Tombeau de Couperin as it is to the more extrovert virtuosity of the Valses Nobles et Sentimentales.” The Guardian, 17th March 2011 ****

“Steven Osborne brings his masterly interpretative acumen to bear with a touch and temperament that combine eloquence and deftness. Landmark works are set alongside various less frequently heard miniatures in performances that live and breathe Ravel’s distinctive world of sound, radiating luminous patterns and scintillating colour.” The Telegraph, 25th March 2011 *****

“Ravel essentially reimagined how to write for the piano with each significant work. Osborne is more than up to the task...Throughout, [he] repeatedly demonstrates not merely that these performances stand with the best, but also that comparisons are superfluous in the face of such a compelling vision...His sustaining of the 'Epilogue' is magical, as if not wishing to relinquish the spell of this recital. It is over all too soon.” BBC Music Magazine, May 2011 *****