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See Terms & Conditions for p&p rates. | |  | Schumann/Heine Lieder
Schumann: | Liederkreis, Op. 24 Der arme Peter, Op. 53 No. 3 Die beiden Grenadiere, Op. 49 No. 1 Abends am Strand, Op. 45 No. 3 Die feindlichen Brüder, Op. 49 No. 2 Belsazar, Op. 57 Du bist wie eine Blume, Op. 25 No. 24 Was will die einsame Träne, Op. 25 No. 21 Die Lotosblume, Op. 25 No. 7 Tragödie Op. 64 No. 3 Es leuchtet meine Liebe, Op. 127 No. 3 Lehn deine Wang' Op. 142 No. 2 Dein Angesicht, Op. 127 No. 2 Mein Wagen rollet langsam, Op. 142 No. 4 |
ONYX is proud to present an exceptional Schumann recital by the outstanding Austrian baritone Florian Boesch. The recital consists of the greatest Heine settings, the op24 Liederkreis, plus many of the great Romances and Ballads including Belshazzar (Belsatzar). Boesch is rapidly becoming known as one of the most truthfully dramatic lieder interpreters of our day, and made a sensational debut at the Edinburgh Festival in 2005 with Martineau. Florian Boesch studied in Vienna with Robert Holl. In 2003 he made his operatic debut with Opernhaus Zürich as Papageno, and is now working with many of the world’s greatest conductors including Gergiev, Bychkov, Harnoncourt, Herreweghe, Viotti and Adam Fischer. Despite his opera work he is perhaps unusual in devoting much of his time to lieder with performances at London’s Wigmore Hall, Concertgebouw Amsterdam, Edinburgh Festival, Mozarteum Salzburg, Wiener Konzerthaus, Palais des Beaux-Arts Brussels, the Schubertiade Festival Schwarzenberg. “The Austrian baritone opens with an exquisitely gauged Liederkreis, Op 24, full of subtle emotional twists and turns. The rest is a carefully varied selection of settings of words by Heine.” Sunday Times, 3rd May 2009 **** “Having an accompanist as perceptive and exquisitely musical as Malcolm Martineau is a big asset, these are lieder performances of very high quality indeed.” The Guardian, 1st May 2009 **** “There is much to enjoy in Boesch's dramatic, intensely "lived" performances, and in the imaginative playing of Malcolm Martineau (ultra-sensitive in Schumann's secretive piano postludes).” Gramophone Magazine, Awards Issue 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Schumann - Dichterliebe & other Heine settings
Schumann: | Tragödie Op. 64 No. 3 Die beiden Grenadiere, Op. 49 No. 1 Abends am Strand, Op. 45 No. 3 Die feindlichen Brüder, Op. 49 No. 2 Der arme Peter, Op. 53 No. 3 Belsazar, Op. 57 Die Lotosblume, Op. 25 No. 7 Was will die einsame Träne, Op. 25 No. 21 Du bist wie eine Blume, Op. 25 No. 24 Lehn deine Wang' Op. 142 No. 2 song originally conceived for Dichterliebe Es leuchtet meine Liebe, Op. 127 No. 3 song originally conceived for Dichterliebe Dein Angesicht, Op. 127 No. 2 song originally conceived for Dichterliebe Mein Wagen rollet langsam, Op. 142 No. 4 song originally conceived for Dichterliebe Dichterliebe, Op. 48 |
Why another Dichterliebe recording? Because Gerald Finley has simply one of the greatest voices of his generation, and is an artist at the peak of his powers. He brings to this noble song cycle the supreme technical ability and penetrating musical understanding that characterize all his performances, whether on the concert platform, in the recording studio or on the great opera stages of the world. This is his fourth disc with collaborator Julius Drake, and the partnership has proved to be a uniquely rewarding one. This fine recital also includes many of Schumann’s other Heine settings. The extremes of elation and despair in Heine’s poetry stimulated Schumann to write some of his most poignant and unforgettable songs. This is truly a disc to treasure. “[Finley] brings eloquence to the text and maturity to his interpretations, but with a still youthful-sounding voice. Darker and more “bassy” of tone than Dieskau, he is especially impressive in the sardonic and bitter songs...Finley is a gripping narrator, too, in the tale of Belshazzar’s feast, and can refine his voice to the most arresting of internalised confidences in the love songs to Clara Wieck.” Sunday Times, 14th September 2008 **** “Finley is a much less knowing, more direct performer than Fischer-Dieskau, concentrating less on precise verbal nuance (though his German diction is wonderfully clear) than on more generalised expressive contours, but the effect is still overwhelmingly powerful.” Andrew Clements, The Guardian, 5th September 2008 ***** “Doubts as to whether the world needs yet another Dichterliebe are allayed by a performance that probes the extremes of Schumann's evocation of remembered, blighted love. Gerald Finley's burnished baritone is one of the most beautiful voices to have recorded the cycle.” The Telegraph, 6th September 2008 “Finley's performance gives huge pleasure and insight…” BBC Music Magazine, September 2008 **** “In close collusion with the ever-sentient Julius Drake, Gerald Finley gives one of the most beautifully sung an intensely experience performances on dic of Schumann's cycle of rapture, disillusion and tender regret. This is a Dichterliebe firmly in the past tense, the poet-lover achingly resigned from the outset. Singer and pianist are just as compelling in the other Heine settings here.” Gramophone Magazine, November 2008 “Isserlis's mobile, feeling but never gushing legato lines… Hough's winged, crystalline partnership.” BBC Music Magazine, December 2005 “[Finley] sings Schumann's great song-cycle with much tonal beauty and feeling, above all capturing the deep disillusion of Schumann's inspiration” Penguin Guide, 2010 edition **** “In close collusion with the ever-sentient Julius Drake, Gerald Finley gives one of the most beautifully sung and intensely experienced performances on disc of Schumann's cycle of rapture, disillusion and tender regret. This is a Dichterliebe firmly in the past tense, the poetlover achingly resigned from the outset. Finley sings the second song, 'Aus meinen Tränen', as if in a trance, and lingers luxuriantly, even masochistically, over the remembered 'Ich liebe dich' in 'Wenn ich' in deine Augen seh''. Yet here and elsewhere some dangerously slow tempi are vindicated by the acuity of his verbal and musical responses. Where most singers end 'Im Rhein' in wistful tenderness, Finley infuses his final words with a wry bitterness. The disenchantment of 'Ich grolle nicht' is already glimpsed. In the cycle's latter stages Finley veers between numb reverie and acerbic self-dramatisation.
The birds' assuaging response in 'Am leuchtenden Sommermorgen' is magical, barely breathed, the mounting trauma of the funereal dream-song 'Ich hab' im Traum geweinet' chillingly conveyed, the dissolving vision of the penultimate 'Aus alten Märchen' relived with ineffable sadness. Adding a cutting edge to his warm, mahogany baritone, Finley imbues the final song with savage irony, before the rueful, healing close. Throughout, Drake's playing is a model of clarity and acutely observed detail (he is more attentive than most to bass-lines), epitomised in his fluid, exquisitely voiced epilogue.
Singer and pianist are just as compelling in the other Heine settings here. The church acoustic is more resonant than is ideal for Lieder, though that hardly detracts from a glorious Schumann recital.” Gramophone Classical Music Guide, 2010 “Grotesquerie, beauty, irony, sentimentality and overwhelming passion mingle to breathtaking effect...His in-the-moment honesty is matched note-for-note by pianist Julius Drake, who partners him with a superb sense of drama and detail. It's a recital which can stand comparison with the greatest Schumann recordings.” METRO | | | In stock - usually despatched within 1 working day. |
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| |  | Romantic Ballads
Jensen, A: | Waldesgespräch, Op. 5 No. 4 | Loewe, C: | Kleiner Haushalt, Op. 71 Die Uhr, Op. 123 No. 3 Heinrich der Vogler, Op. 56 No. 1 Odins Meeresritt "Meister Oluf, der Schmied auf Helgoland", Op. 118 Prinz Eugen, der edle Ritter, Op. 92 Tom der Reimer, Op. 135 Archibald Douglas, Op. 128 Der Nöck, Op. 129 No. 2 | Mendelssohn: | Winterlied (Swedish folksong) Op. 19a No. 3 | Pfitzner: | Der Kuhne, Op. 9 No. 4 Sonst, Op. 15, No. 4 Nachtwanderer, Op. 7 No. 2 | Rubinstein: | Die Waldhexe, Op. 72 No. 3 | Schubert: | Heidenröslein, D257 Erlkönig, D328 Der König in Thule, D367 Der Zwerg, D771 (Collin) | Schumann: | Belsazar, Op. 57 Die beiden Grenadiere, Op. 49 No. 1 Die feindlichen Brüder, Op. 49 No. 2 Waldesgesprach (No. 3 from Liederkreis, Op. 39) | Wolf, H: | Der Sänger (No. 10 from Goethe-Lieder) |
Wolfgang Anheisser (baritone) & Julius Severin (piano) The early death of Wolfgang Anheisser (1929-1974) following an accident on stage in a New Year’s performance at the Cologne Opera tragically ended one of the most promising German baritone careers. This 2-CD set is taken from the small number of recordings that he made with his friend and producer Heinz Gietz. It includes a full disc of ballads by Carl Loewe, and songs by Mendelssohn, Adolf Jensen, Anton Rubinstein, Hugo Wolf, and Hans Pfitzner. In addition the collection features several of Schubert’s most popular lieder, Erlkönig amongst them, as well as Schumann’s Belsazar, Die beiden Grenadiere and others. | | | (also available to download from $21.00) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | An den Mond: Lieder by Schumann, Schubert & Zelter
Schubert: | Der Fischer, D225 (Goethe) Erster Verlust, D226 (Goethe) Meeres Stille, D216, Op. 3 No. 2 (Goethe) Der König in Thule, D367 Erlkönig, D328 Grenzen der Menschheit, D716 Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe) Wandrers Nachtlied I 'Der du von dem Himmel bist', D224 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 | Schumann: | Belsazar, Op. 57 Der Handschuh, Op. 87 Die feindlichen Brüder, Op. 49 No. 2 Liederkreis, Op. 39 | Zelter: | Der König von Tule Strophe 5-7 Wand'rers Nachtlied Der Du vom Himmel bist Uber allen Gipfeln |
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| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Schumann/Dvorak/Brahms - Lieder
Brahms: | Schwalbe, sag' mir an, Op. 107 No. 3 O schönste Schäfrin mein, WoO 33/1 Schwesterlein, WoO posth. 37 No. 1 Feinsliebchen, du sollst mir nicht barfuß gehen (No. 12 from Deutsche Volkslieder, WoO 33) Wie komm ich denn zur Tur herein (No. 34 from Deutsche Volkslieder, WoO 33) | Dvorak: | In Folk Tone - four songs, Op. 73 Liebeslieder (8), Op. 83 | Schumann: | Tragödie Op. 64 No. 3 Die beiden Grenadiere, Op. 49 No. 1 Die Lotosblume, Op. 25 No. 7 Die feindlichen Brüder, Op. 49 No. 2 Der Soldat, Op. 40, No. 3 Lehn deine Wang' Op. 142 No. 2 Rätsel, Op. 25 No. 16 Romanzen und Balladen III, Op. 53 Der arme Peter, Op. 53 No. 3 Belsazar, Op. 57 Schön ist das Fest des Lenzes, Op. 37 No. 7 Wiegenlied |
Dedicated and sold in aid of Cleft Children International (CCI) Foundation | | | Usually despatched in 2 - 3 working days. |
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| |  | Schumann - LiederkreisRomanzen & Balladen
Schumann: | Vier Husarenlieder Op. 117 Tragödie Op. 64 No. 3 Liederkreis, Op. 39 Die beiden Grenadiere, Op. 49 No. 1 Melancholie Op. 74 No. 6 (Francisco Saa de Miranda / Emanuel Geibel) Geständnis, Op. 74 No. 7 Der Contrabandiste Widmung, Op. 25 No. 1 Der Nussbaum, Op. 25 No. 3 Talismane, Op. 25 No. 8 Mein Herz ist schwer, Op. 25 No. 15 Du bist wie eine Blume, Op. 25 No. 24 Der Schatzgräber, Op. 45 No. 1 Aufträge, Op. 77 No. 5 Dein Angesicht, Op. 127 No. 2 Die feindlichen Brüder, Op. 49 No. 2 Leis' rudern hier mein Gondolier Wenn durch die Piazzetta die Abendluft weht Mein Wagen rollet langsam, Op. 142 No. 4 |
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| |  | Schumann - Lieder200th Anniversary Edition
Schumann: | Liederkreis, Op. 39 Olaf Bär (baritone), Geoffrey Parsons (piano) Dichterliebe, Op. 48 Olaf Bär (baritone), Geoffrey Parsons (piano) Liederkreis, Op. 24 Olaf Bär (baritone), Geoffrey Parsons (piano) Gedichte (12) von Justinus Kerner Op. 35 Olaf Bär (baritone), Geoffrey Parsons (piano) Frauenliebe und -leben, Op. 42 Janet Baker (mezzo), Daniel Barenboim (piano) Die Kartenlegerin, Op. 31 No. 2 Elisabeth Schwarzkopf (sop), Geoffrey Parsons (piano) Tragödie Op. 64 No. 3 Brigitte Fassbaender (mezzo), Erik Werba (piano) Aufträge, Op. 77 No. 5 Brigitte Fassbaender (mezzo), Erik Werba (piano) Der schwere Abend, Op. 90 No. 6 Brigitte Fassbaender (mezzo), Erik Werba (piano) Gedichte der Königin Maria Stuart, Op. 135 Nos. 1-5 Brigitte Fassbaender (mezzo), Erik Werba (piano) Drei Gedichte von Emanuel Geibel, Op. 30 Olaf Bär (bar), Helmut Deutsch (piano) Sechs Gedichte aus dem Liederbuch eines Malers, Op. 36 Olaf Bär (bar), Helmut Deutsch (piano) Romanzen und Balladen I, Op. 45 Olaf Bär (bar), Helmut Deutsch (piano) Die beiden Grenadiere, Op. 49 No. 1 Olaf Bär (bar), Helmut Deutsch (piano) Die feindlichen Brüder, Op. 49 No. 2 Olaf Bär (bar), Helmut Deutsch (piano) Die Nonne, Op. 49 No. 3 Olaf Bär (bar), Helmut Deutsch (piano) Der Handschuh, Op. 87 Olaf Bär (bar), Helmut Deutsch (piano) Romanzen und Balladen III, Op. 53 Olaf Bär (bar), Helmut Deutsch (piano) Belsazar, Op. 57 Olaf Bär (bar), Helmut Deutsch (piano) Lieder (5), Op. 40 Olaf Bär (bar), Helmut Deutsch (piano) Myrthen, Op. 25 Juliane Banse (sop), Olaf Bär (bar), Helmut Deutsch (piano) Zwölf Gedichte aus Liebesfrühling Op. 37 Juliane Banse (sop), Olaf Bär (bar), Helmut Deutsch (piano) Scenes from Goethe's Faust, WoO 3 für Soli, Chor & Orchester Chor des Städt. Musikvereins zu Düsseldorf, Bernhard Klee Spanische Liebeslieder Op. 138 Barbara Bonney (soprano), Anne Sofie von Otter (mezzo), Kurt Streit (tenor),
Olaf Bär (baritone); Helmut Deutsch & Bengt Forsberg (piano duet) Dein Angesicht, Op. 127 No. 2 Thomas Hampson (baritone), Wolfgang Sawallisch (piano) Lehn deine Wang' Op. 142 No. 2 Thomas Hampson (baritone), Wolfgang Sawallisch (piano) Wolfgang Sawallisch Es leuchtet meine Liebe, Op. 127 No. 3 Thomas Hampson (baritone), Wolfgang Sawallisch (piano) Wolfgang Sawallisch Mein Wagen rollet langsam, Op. 142 No. 4 Thomas Hampson (baritone), Wolfgang Sawallisch (piano) Wolfgang Sawallisch |
Celebrating Robert Schumann's 200th Anniversary with four new CD sets from EMI's catalogue performed by many of the world’s leading artists, orchestras and conductors. “In summary, this set can be warmly recommended to anyone wanting to explore this utterly essential corner of Schumann’s output. It’s particularly good if you’re a beginner, as it acts as a compendium of Schumann’s greatest achievements in song in performances that are at least dependable and often much more” MusicWeb International | | | In stock - usually despatched within 1 working day. |
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| |  | Robert Schumann: Lieder
Schumann: | Widmung, Op. 25 No. 1 Freisinn, Op. 25 No. 2 Der Nussbaum, Op. 25 No. 3 Aus dem Schenkenbuch im Divan I, Op. 25 No. 5 Aus dem Schenkenbuch im Divan II, Op. 25 No. 6 Die Lotosblume, Op. 25 No. 7 Talismane, Op. 25 No. 8 Hochländers Abschied, Op. 25 No. 13 Mein Herz ist schwer, Op. 25 No. 15 Rätsel, Op. 25 No. 16 Zwei Venetianische Lieder, Op. 25 Nos. 17 & 18 Hauptmanns Weib, Op. 25 No. 19 Was will die einsame Träne, Op. 25 No. 21 Niemand, Op. 25 No. 22 Du bist wie eine Blume, Op. 25 No. 24 Aus den östlichen Rosen, Op. 25 No. 25 Zum Schluß, Op. 25 No. 26 Lieder und Gesänge I, Op. 27 Drei Gedichte von Emanuel Geibel, Op. 30 Die Löwenbraut, Op. 31 No. 1 Die rote Hanne, Op. 31 No. 3 Sechs Gedichte aus dem Liederbuch eines Malers, Op. 36 Der Himmel hat eine Träne geweint, Op. 37 No. 1 Ich hab' in mich gesogen, Op. 37 No. 5 Flügel! Flügel! um zu fliegen, Op. 37 No. 8 Rose, Meer und Sonne , Op. 37 No. 9 Liederkreis, Op. 39 Lieder (5), Op. 40 Der Schatzgräber, Op. 45 No. 1 Frühlingsfahrt, Op. 45 No. 2 Der frohe Wandersmann, Op. 77 No. 1 Liederkreis, Op. 24 Gedichte (12) von Justinus Kerner Op. 35 Abends am Strand, Op. 45 No. 3 Dichterliebe, Op. 48 Die beiden Grenadiere, Op. 49 No. 1 Die feindlichen Brüder, Op. 49 No. 2 Auf dem Rhein, Op. 51 No. 4 Romanzen und Balladen III, Op. 53 Belsazar, Op. 57 Tragödie Op. 64 No. 3 Melancholie Op. 74 No. 6 (Francisco Saa de Miranda / Emanuel Geibel) Geständnis, Op. 74 No. 7 Der Kontrabandiste, Op. 74 No. 10 Aufträge, Op. 77 No. 5 Liederalbum für die Jugend, Op. 79 (extracts) Resignation, Op. 83 No. 1 Der Einsiedler, Op. 83 No. 3 Der Handschuh, Op. 87 Es stürmet am Abendhimmel, Op. 89 No. 1 Heimliches Verschwinden, Op. 89 No. 2 Herbstlied, Op. 89 No. 3 Abschied vom Walde, Op. 89 No. 4 Ins Freie, Op. 89 No. 5 Gedichte (6) und Requiem, Op. 90 An den Mond, Op. 95 Nachtlied, Op. 96 No. 1 Schneeglöckchen Op. 96 No. 2 (anonymous) Ihre Stimme Op. 96 No. 3 (August von Platen) Ballade des Harfners, Op. 98a No. 2 Wer nie sein Brot mit Tränen ass, Op. 98a No. 4 Wer sich der Einsamkeit ergibt, Op. 98a No. 6 An die Türen will ich schleichen, Op. 98a No. 8 Mein Schöner Stern! Op. 101 No. 4 Der Gärtner, Op. 107 No. 3 Abendlied, Op. 107 No. 6 Vier Husarenlieder Op. 117 Warnung Op. 119 No. 2 (Gustav Pfarrius) Die Meerfee Op. 125 No. 1 Jung Volkers Lied, Op. 125 No. 3 Husarenabzug, Op. 125 No. 2 Dein Angesicht, Op. 127 No. 2 Es leuchtet meine Liebe, Op. 127 No. 3 Spanische Liebeslieder Op. 138 (selection) Provencalisches Lied, Op. 139 No. 4 Trost im Gesang, Op. 142 No. 1 Lehn deine Wang' Op. 142 No. 2 Mein Wagen rollet langsam, Op. 142 No. 4 Schön Hedwig Op. 106 Vom Heideknaben Op. 122 Nos. 1 & 2 Sechs frühe Lieder, Op. post. (WoO 21) |
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| |  | Dietrich Fischer-Dieskau: The Great EMI Recordings
Brahms: | Die schöne Magelone, Op. 33 Sviatoslav Richter (piano) Feldeinsamkeit, Op. 86 No. 2 Daniel Barenboim (piano) Vier ernste Gesänge, Op. 121 Wolfgang Sawallisch (piano) | Cornelius: | Weihnachtslieder (6), Op. 8 Hermann Reutter (piano) | Grieg: | Zur Rosenzeit (No. 5 from Seks Sange, Op. 48) Hartmut Holl (piano) | Liszt: | Es rauschen die Winde, S294 Ständchen, S301 Über allen Gipfeln ist Ruh (Wandrers Nachtlied II), S.306 Wieder mocht’ ich dir begegnen Aribert Reimann (piano) | Loewe, C: | Der Erlkönig, Op. 1 No. 3 (Goethe) Herr Oluf "Herr Oluf reitet spät und weit", Op. 2/2 Der Schatzgräber, Op. 59 No. 30 Archibald Douglas, Op. 128 Tom der Reimer "Der Reimer Thomas lag am Bach", Op. 135a Gerald Moore (piano) | Mahler: | Lieder eines fahrenden Gesellen (4 songs, complete) Daniel Barenboim (piano) Rückert-Lieder (5 songs, complete) Daniel Barenboim (piano) Der Schildwache Nachtlied (Des Knaben Wunderhorn) Verlorne Müh' (Des Knaben Wunderhorn) Das irdische Leben (Des Knaben Wunderhorn) Des Antonius von Padua Fischpredigt (Des Knaben Wunderhorn) Rheinlegendchen (Des Knaben Wunderhorn) Wo die schönen Trompeten blasen (Des Knaben Wunderhorn) Lob des hohen Verstandes (Des Knaben Wunderhorn) Revelge (Des Knaben Wunderhorn) Der Tambourg'sell (Des Knaben Wunderhorn) Daniel Barenboim (piano) Revelge (Des Knaben Wunderhorn) London Symphony Orchestra, George Szell | Mendelssohn: | Neue Liebe, Op. 19a No. 4 Gruß, Op. 19a No. 5 Auf Flügeln des Gesanges, Op. 34 No. 2 Morgengruss (Heine) Op. 47 No. 2 Venetianisches Gondellied, Op. 57 No. 5 'Wenn durch die Piazetta' Nachtlied, Op. 71 No. 6 Der Mond, Op. 86 No. 5 Wolfgang Sawallisch (piano) | Schubert: | Die schöne Müllerin, D795 Gerald Moore (piano) Winterreise D911 Gerald Moore (piano) Schwanengesang, D957 Gerald Moore (piano) Du bist die Ruh D776 (Rückert) Nacht und Träume, D827 Rastlose Liebe, D138 Nachtviolen D752 (Mayrhofer) Der Einsame, D800 Auflösung, D807 Der Wanderer an den Mond D870 (Seidl) Der Wanderer, D489 An die Musik D547 Auf der Bruck, D853 Im Frühling, D882 An Sylvia, D891 Erlkönig, D328 Nachtstück, D672 (Mayrhofer) Gruppe aus dem Tartarus, second version, D583 (Schiller) Abendstern, D806 Sei mir gegrüsst! D741 (Rückert) Lachen und Weinen, D777 Heidenröslein, D257 Der Jüngling an der Quelle, D300 (Salis-Seewis) Litanei auf das Fest Allerseelen, D343 Seligkeit D433 (Holty) Der Tod und das Mädchen, D531 An die Laute D905 Im Abendrot, D799 Digitally remastered in 2003 Die Forelle, D550 Auf dem Wasser zu singen, D774 Fischerweise, D881 (Schlechta) Des Fischers Liebesgluck, D933 (Leitner) Der Schiffer, D536 (Mayrhofer) Der Winterabend (Es ist so still), D938 Einsamkeit, D620 Das Lied im Grünen, D917 Ständchen 'Horch! Horch! die Lerch!', D889 Wohin? (No. 2 from Die schöne Müllerin, D795) Gerald Moore (piano) Gute Nacht (No. 1 from Winterreise, D911) Gerald Moore (piano) | Schumann: | Liederkreis, Op. 39 Digitally remastered in 2004 Gerald Moore (piano) Romanzen und Balladen I, Op. 45 Digitally remastered in 2004 Liederkreis, Op. 24 Digitally remastered in 2005 Hertha Klunst (piano) Die beiden Grenadiere, Op. 49 No. 1 Gerald Moore (piano) Die feindlichen Brüder, Op. 49 No. 2 Hertha Klunst (piano) Der arme Peter, Op. 53 No. 3 Hertha Klunst (piano) Tragödie Op. 64 No. 3 Hertha Klunst (piano) | Strauss, R: | Zueignung, Op. 10 No. 1 Die Nacht, Op. 10 No. 3 Allerseelen, Op. 10 No. 8 Heimkehr, Op. 15 No. 5 Ständchen, Op. 17 No. 2 All mein Gedanken ... Op. 21 No. 1 Ruhe, meine Seele!, Op. 27 No. 1 Cäcilie, Op. 27 No. 2 Heimliche Aufforderung, Op. 27 No. 3 Morgen, Op. 27 No. 4 Traum durch die Dämmerung, Op. 29 No. 1 Nachtgang Op. 29 No. 3 Blauer Sommer, Op. 31 No. 1 Ich trage meine Minne, Op. 32 No. 1 Sehnsucht Op. 32 No. 2 Liebeshymnus, Op. 32 No. 3 Das Rosenband, Op. 36 No. 1 Meinem Kinde, Op. 37 No. 3 Befreit, Op. 39 No. 4 Freundliche Vision, Op. 48 No. 1 Winterliebe Op. 48 No. 5 Winterweihe, Op. 48 No. 4 Waldseligkeit, Op. 49 No. 1 Gefunden Op. 56 No. 1 Die heiligen drei Könige aus Morgenland Op. 56 No. 6 Einerlei, Op. 69 No. 3 Schlechtes Wetter, Op. 69 No. 5 Das Bächlein, Op. 88 No. 1 Gerald Moore (piano) | Verdi: | Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) New Philharmonic Orchestra, Sir John Barbirolli | Wagner: | Der Tannenbaum, WWV 50 Aribert Reimann (piano) | Wolf, H: | Der Freund (No. 1 from Eichendorff-Lieder) Der Musikant (No. 2 from Eichendorff-Lieder) Verschwiegene Liebe (No. 3 from Eichendorff-Lieder) Das Ständchen (No. 4 from Eichendorff-Lieder) Heimweh (No. 12 from Eichendorff-Lieder) Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder) Jägerlied (No. 4 from Mörike-Lieder) Der Tambour (No. 5 from Mörike-Lieder) Begegnung (No. 8 from Mörike-Lieder) Fussreise (No. 10 from Mörike-Lieder) Verborgenheit (No. 12 from Mörike-Lieder) Im Frühling (No. 13 from Mörike-Lieder) Auf ein altes Bild (No. 23 from Mörike-Lieder) In der Frühe (No. 24 from Mörike-Lieder) Gebet (No. 28 from Mörike-Lieder) An die Geliebte (No. 32 from Mörike-Lieder) Der Feuerreiter (No. 44 from Mörike-Lieder) Gesang Weylas (No. 46 from Mörike-Lieder) Storchenbotschaft (No. 48 from Mörike-Lieder) Abschied (No. 53 from Mörike-Lieder) Harfenspieler I (No. 1 from Goethe-Lieder) Harfenspieler II (No. 2 from Goethe-Lieder) Harfenspieler III (No. 3 from Goethe-Lieder) Anakreons Grab (No. 29 from Goethe-Lieder) Der Rattenfänger (No. 11 from Goethe-Lieder) Verborgenheit (No. 12 from Mörike-Lieder) Gerald Moore (piano) |
Plus extracts from two interviews recorded in 2000 and 2005: some parts of the interviews have previously been aired by the WFMT Radio Network and published by VAI and Gramophone, and those organisations have kindly agreed to their reissue here. However, much of this documentary has never been heard or published before. Sung texts with translations can be found on CD11 in pdf form, which can be accessed from any computer equipped with CD-ROM drive and Adobe Acrobat 6.0.
“All in all, this is a magnificent retrospective...Strongly recommended.” Gramophone Magazine, July 2010 | | | In stock - usually despatched within 1 working day. |
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