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See Terms & Conditions for p&p rates. | |  | The Hyperion Schubert Edition - Complete Songs Volume 12The Young Schubert
Schubert: | Der Vatermörder, D10 (Pfeffel) Der Geistertanz D15 (Matthisson) Die Advokaten, D37 Die Schatten, D50 Ein jügendlicher Maienschwung, D61 Verschwunden sind die Schmerzen, D88 Don Gayseros I, II & III Adelaide, D95 Trost: An Elisa, D97 Andenken, D99 Lied der Liebe, D109 Lied aus der Ferne, D107 Die Betende, D102 An Laura, als sie Klopstocks Auferstehungslied sang, D115 Sehnsucht, D123 Trost in Tränen, D120 Nachtgesang, D119 Ballade 'Ein Fraulein schaut vom hohen Turm', D134 Der Geistertanz D15a (Matthisson) |
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| |  | Schubert: Duette, Terzette, Quartette
Schubert: | Punschlied D277 (Schiller) Cantate zum Geburtstag des Sängers Michael Vogl D666 (Stadler) Gütigster, Bester, Weisester, D441 Verschwunden sind die Schmerzen, D88 Trinklied D148 (Castelli) Der Tanz D826 (Meerau?) Schicksalslenker, blicke nieder, D763 Hymne an den Unendichen D232 (Schiller) An die Sonne D439 (Uz) Nun laßt uns den Leib begraben (Begräbnis-Lied), D168 Gott im Ungewitter, D985 Gott der Weltschöpfer D986 (Uz) Die Geselligkeit (Lebenslust) D609 (Unger) Gebet (Du Urquell aller güte) D815 (Fouqué) Hermann und Thusnelda D322 (Klopstock) Antigone und Oedip D542 (Mayrhofer) Cronnan D282 ('Ossian') Sing-Übungen D619 (Wordless) Sekna und Selmar D286b (Klopstock) Licht und Liebe D352 (Collin) Hektors Abscheid, D312 Nur wer die Sehnsucht kennt, D877/4 Szene aus Faust D126 (Goethe) Die Befreier Europas in Paris, D104 (Mikan) Die Advokaten, D37 |
Schubert's reputation as a composer of solo lieder has tended to overshadow the works for two of more voices that he composed from the age of 14 to his last years. Some of these works includes four voices and choir, and they fall in to the category of domestic music making. The earliest date from his years as a pupil of Antonio Salieri, and may well have been intended as study works, others, such as the scena 'Antigone und Oedipe' D542 of 1817 was probably composed for friends, and is quite demanding of the performers. The singers on these CDs represent some of the very best Schubert interpreters of the period -- and the recordings date from 1973. The accompanist is the incomparable Gerald Moore. “They are expert duettists [Baker and Fischer-Dieskau], having sung together on other occasions and in other media; the result, with the ever-faithful, ever-skilful Gerald Moore, is all that one might expect” Gramophone Magazine, 1973 “it really is pretty well impossible to imagine finer performances...these are charming domestic pieces here performed by four of the greatest Lieder singers of the time: luxury casting indeed.” International Record Review, May 2011 | | | Usually despatched in 4 - 5 working days. |
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| |  | Schubert: Complete Part Songs for Male Voices, Vol. 3
Schubert: | Wein und Liebe D901 Ruhe, schönstes Glück der Erde D657 Verschwunden sind die Schmerzen, D88 Bardengesang, D147 Räuberlied, D435 No. 13 Nächtliches Ständchen D635 Ewige Liebe, D825a Flucht, D825b Wehmut, D825 Lacrimoso son io, D131 Das Leben ist ein Traum D269 (Wannovius) Die Nacht, D983c Nachtmusik, D848 Trinklied aus dem 16. Jahrhundert D847 Op. post. 155 Fruhlingslied D914 Das stille Lied, D916 Frühlingsgesang, D709 Grab und Mond, D893 |
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