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See Terms & Conditions for p&p rates. | |  | Peter Philips: Cantiones Sacrae Quinis et Octonibus Vocibus
The Sarum Consort, Andrew Mackay Peter Philips was the most famous English composer of his time, and only Byrd, a generation older, had more compositions published. Much of Philips’s life was spent on the Continent, where he wrote music of intricate, text-conscious colour, both deeply expressive and architecturally powerful. His motets and anthems, whether celebratory, meditative or dramatic, embrace the widest range of feeling and texture. The much-admired Sarum Consort’s disc All the Queen’s Men (8572582) was praised for its ‘energy and aplomb’. (American Record Guide) “This music is difficult to balance well, but the Sarum Consort, with one voice to a part, achieves plangent harmony, especially in the glorious eight-voice, two-choir motet Ave Regina caelorum. Another advance in our understanding of the rich British choral repertory.” The Observer, 15th January 2012 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | The English Orpheus 17 - Motets by Peter Philips
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| |  | Anthems For America
Byrd: | Vigilate (from Cantiones sacrae 1589) | Finzi: | God is gone up, Op. 27 No. 2 | Harris, W: | Faire is the Heaven Bring us, O Lord God | Howells: | A Spotless Rose | Leighton: | Lully, lulla ('Coventry Carol'), Op. 25b | Philips, P: | Ave Jesu Christe Ecce vicit Leo | Purcell: | Jehova, quam multi sunt hostes, Z135 | Schütz: | Women, why weepest thou? The Pharisee and the Publican Selig sind die Toten, SWV391 | Stanford: | Coelos Ascendit Hodie, Op. 38 No. 2 | Weelkes: | Hosanna to the Son of David Alleluia, I heard a voice |
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