Mozart: Adagio in F major, K410

“Forget any misgivings about their suitability for the French Suites because the Trio de Clarone's own imaginative arrangements in keys appropriate for transposing instruments, clear internal balance, expertly dextrous playing and thoughtful tonal shading ensure fetching results.” Gramophone Magazine, June 2010

“…such satisfying tone, and remarkably few intonation issues for a recording on period instruments.” BBC Music Magazine, October 2009

“Roberto Paternostro…encourages the hard-working Kassel stings (cellos and double bass well to the fore) to a notably brusque, angry performance of the C minor Fugue. The chorus sings with aptly robust enthusiasm; and Heo Yong-Hoon fields a pleasing, compact tenor...” Gramophone Magazine, August 2009

“This disc gathers together the music Mozart wrote for performance at his Masonic lodge in Vienna following his admission in 1784. The material ranges from lodge songs to ceremonial pieces to shortish but full-blown cantatas. Some of the music is constrained by its functionality, but none is negligible and all is characterised by Mozart's commitment to the order's ideology. The familiar Masonic Funeral Music remains the towering masterpiece, though the gnarled-sounding Adagio and Fugue in C minor is almost its equal in its depiction of spiritual struggle. The most curious work is probably Die Ihr Des Unermesslichen Weltalls Schöpfer Ehrt, a cantata for tenor and piano that now strikes us as almost new-agey in its assertion that all religions derive from a single spiritual source. Conducted by Roberto Paternostro, the performances are uneven: the Funeral Music, taken far too briskly, comes off worst. The choral singing is superb, the playing scrupulous rather than committed. Korean tenor Heo Young-Hoon, exuberantly operatic in the cantatas, is less engaged and imaginative when it comes to the songs.” The Guardian, 13th February 2009