Browse: Strauss, R - Die Georgine Op. 10 No. 4

Pianist and presiding spirit Roger Vignoles takes us on a select chronological jaunt, making sure Brewer boldly goes to the heart of the bigger numbers where lesser voices would fear to tread.... — BBC Music Magazine, June 2005, 4 out of 5 stars More…

It's a sort of voice that we don't often hear on disc in song these days. Which is a shame, because Schuster is an instinctive artist and the interpretations themselves are wonderful. As a native... — Gramophone Magazine, September 2015 More…

Many favourites feature but there are also comparative rarities to experience and savour...a valuable collection, both artistically and historically. — MusicWeb International, 9th December 2014 More…

Hendricks doesn't have the richness of voice ideal for Strauss, but she is intelligent, and her accompanists, whether on the piano or with orchestra, are models of helpfulness and taste. — BBC Music Magazine, May 2008, 3 out of 5 stars More…

The performances are perfectly fluent and well trained but perhaps a little cautious…the pair are at their best in the four Hafis songs by Viktor Ullmann…There the young singer lets his hair... — Gramophone Magazine, February 2018 More…

Isokoski begins with disarming lightness of touch...It's easy to forget that, at its core, this is a rich, almost heroic voice, modulating its way with seeming effortlessness through the bigger... — BBC Music Magazine, June 2012, 4 out of 5 stars More…

Joan Rodgers's singing...has bags of personality and that's the main thing...Tone-poem and elegy both start well, but have their problematic interpretative moments...The central sweep, though,... — BBC Music Magazine, June 2011, 3 out of 5 stars More…