All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Prokofiev: The Love for Three Oranges
Gabriel Bacquier (Le Roi de Trèfle), Jean-Luc Viala (Le Prince), Georges Gautier (Truffaldino), Catherine Dubosc (Ninette), Jules Bastin (Cusinière), Michèle Lagrange (Fata Morgana), Hélène Perraguin (La Princesse Clarice), Vincent Le Texier (Léandre), Didier Henry (Pantalon/Farfarello/Le Maitre de Cérémonies), Gregory Reinhart (Tchélio), Béatrice Uria-Monzon (Sméraldine) Opera National de Lyon, Kent Nagano Recording Country: France Recording Location: 30 March - 7 April 1989 / L' Auditorium Maurice Ravel, Lyon Mix Date: 7 Apr 1989 Producer: Arend Prohmann. Engineer: Michel Lepage Source CD: [VCD 791084 2]; 759 566 2 | | | In stock - usually despatched within 1 working day. |
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| |  | Prokofiev: The Love for Three Oranges
Viktor Ribinsky (Le Roi de Trèfle), Nina Polyakova (Fata Morgana), Lyutsia Rashkovets (La Princesse Clarice), Vladimir Makhov (Le Prince), Boris Dobrin (Léandre), Yuri Yelnikov (Truffaldino), Ivan Budrin (Pantalon), Gennady Troitzky (Tchélio), Tamara Yerofeyeva (Linette), Tamara Medvedeva (Nicolette), Tatyana Kallistratova (Ninette), Georgi Abramov (La Cuisinière), Yuri Yakushev (Farfarello), Nina Postavnicheva (Sméraldine), Ivan Kartavenko (Le Maitre de Cérémonies), Miroslav Markov (Le Hérault) Choir and Symphony Orchestra of All-Union Radio, Dzhemal Dalgat This opera is one of the best examples of a musical work for the stage in the 20th century. Composed in 1919, it was first staged in Chicago in 1921 with Prokofiev conducting. This recording features a legendary performance, recorded in 1961. | | | Usually despatched in 2 - 3 working days. |
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| |  | Prokofiev: The Love for Three OrangesLive Recording from The Opéra National de Paris, 2005
Set & Costumes by WILLIAM ORLANDI The latest release in the Arthaus series of DVD recordings from the prestigious Opéra National de Paris is a production of Sergei Prokofiev’s wonderful surrealist fairy-tale opera The Love for Three Oranges. This is the opera that was played all over the world long before Prokofiev’s other mature works became well known. The opera’s fantastic story is particularly well loved, and the famous march, which exists in many arrangements and has been widely used as a symphonic concert piece. Staged in the large Opéra Bastille, it is a colourful theatrical feast, directed by Gilbert Deflo. Carlo Gozzi’s original 18th Century play L’amore delle tre Melarance uses characters from the Commedia del Arte and incorporates fairy tale elements into the old theatre form to create popular theatre. This mixture attracted Prokofiev as it provided for a spectacle. He looked for stylised characters, pure entertainment, speed, rhythm and power, and he found melodic gestures and instrumental colours to match the characters or visual images. Deflo’s staging takes up this spirit. His production is pure theatre - his characters employ body language derived from the Commedia dell’arte and he uses elements of popular theatre. Conducted by 20th century specialist Sylvain Cambreling and sung in the original French version by superb singer-actors, this production presents a stage performance set in perfect harmony with Prokofiev’s inventive music. BONUS: Documentary “How to fall in love with three oranges” - interviews with singers, conductor and director explain the music, the staging and their own approach to the roles. Sound Format: PCM Stereo, DD 5.0, DTS 5.0 Picture Format: 16:9 DVD Format: DVD 9, NTSC Subtitle Languages: FR, GB, DE, ES, IT Running Time: 116 mins + 30 mins (Bonus) FSK: 0 | | | Usually despatched in 2 - 3 working days. |
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| |  | Prokofiev: The Love for Three OrangesRecorded live at Het Muziektheater, Amsterdam, in 2005.
Note: This Blu-ray Disc (BD) is not compatible with standard DVD players. Prokofiev’s enchantingly surreal commedia dell’arte masterwork is turned into a spectacular triumph of total theatre in this vital production from the Amsterdam Muziektheater. De Nederlandse Opera has chosen to use the more flexible French libretto of the 1921 premiere, a pertinent choice which has the advantage of accentuating the aesthetic common ground shared by Prokofiev and Les Six. Stéphane Denève’s brilliant musical direction inspires outstanding performances from the soloists and the superb Rotterdam Philharmonic Orchestra, enhanced by the smart, blockbusting staging of Laurent Pelly and the exquisite sets of Chantal Thomas, which propel this feverish fable to great heights. Bonus material/features: Cast gallery & Illustrated synopsis Introduction including interviews with main members of the cast and the artistic team ‘A wonderful spectacle… A masterful staging of Prokofiev’s Love for three oranges from DNO. … Seldom have we seen such a successful synthesis of music, image and wit on the operatic stage.’ Het Parool PICTURE FORMAT: 1080i
LENGTH: 144 Mins
SOUND: 2.0 & 5.1 PCM AUDIO
SUBTITLES: EN/FR/DE/ES/IT/NL
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| |  | Prokofiev: The Love for Three OrangesOpera and prologue in four acts, libretto by Prokofiev after Carlo Gozzi
Alexey Tanovitsky (King of Clubs); Andrey Ilyushnikov (the Prince); Nadezhda Serdjuk (Princess Clarissa); Eduard Tsanga (Leandro); Kirill Dusheschkin (Trouffaldino); Vladislas Sulimsky (Pantalone); Pavel Schmulevich (the magician, Chelio); Ekaterina Shimanovitch (Fata Morgana); Sophie Tellier (Linetta); Natalia Yevstafieva (Nicoletta); Julia Smorodina (Ninetta);Yuriy Vorobiev (the Cook): Alexander Gerasimov (Farfarello);Wojciek Ziarnik (Herald); Juan Noval (Master of Ceremonies) & Michel Fau (The Diva) EuropaChorAkademie & Mahler Chamber Orchestra, Tugan Sokhiev Stage Direction: Philippe Calvario; Sets: Jean-Marc Stehlé; Costumes:Aurore Popineau;
Lighting: Bertrand Couderc; Directed for video by Don Kent
Coproduction Festival d'Aix-en-Provence 2004, Teatro Real de Madrid “The outdoor romp of Philippe Calvario's Aix Festival production is dominated by the outlandish costumes of Aurore Popineau, including a festish-queen Fata Morgana who is flanked by bondage-boy devils… …Ygan Sokhiev enjoys a much closer relationship with his singers than he ever did during his ill-fated times at Welsh National Opera; he's both deft and definite with the many fluctuations of tempo and character.” BBC Music Magazine, December 2007 **** “The score is crisply punctuated, still recognisably Prokoviev, but he rounds off the rough edges, stressing Ravellian colour and the influence of Rimsky-Korsakov. The balance between pit and stage was faultless, allowing singers to present often thankless vocal lines with ease.” Financial Times “…the comic element is no less strong than in the two rival versions, partly because the sets and costumes are fun and the stage movement quite good… and partly because Tugan Sokhiev paces and colours the score at least as idiomatically as Nagano and far better than Denève, while his orchestra is by some distance the best of the three. There may not be any star names in the mainly Russian cast, but they all have strong voices and look confident on stage.” Gramophone Magazine, December 2007 | | | Usually despatched in 3 - 4 working days. |
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| |  | Prokofiev: The Love for Three OrangesStage Director - Laurent Pelly
PICTURE FORMAT: 16:9
LENGTH: 145 Mins
SOUND: DTS SURROUND / LPCM STEREO
SUBTITLES: EN/FR/DE/ES/IT/NL
‘A wonderful spectacle… A masterful staging of Prokofiev’s Love for three oranges from DNO. … Seldom have we seen such a
successful synthesis of music, image and wit on the operatic stage.’ Het Parool “Director-designer Laurent Pelly's quirkily stylish costumes and Chantal Thomas's mobile giant playing-cards rule this lavish Amsterdam production of Prokofiev's fairy-tale satire. The spectacle of the first two princesses drooping on the point of death from their citric prisons is briefly horrifying; the love duet between the third, sung with affecting simplicity by Sandrine Piau, and her fast-maturing prince has a surprising truthfulness. A reliable ensemble of singers yields the palm, though, to the astonishingly full-blooded playing of the Rotterdam Philharmonic under Denève...” BBC Music Magazine, October 2006 **** BBC Music Magazine
DVD Choice - October 2006 |
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| |  | Prokofiev: The Love for Three OrangesAn opera in four acts and a prologue. Libretto by the composer, for Vsevolod Meyerhold’s adaptation of
a play by Carlo Gozzi
Bruce Martin (bass) King of Clubs, John Mac Master (tenor) Prince, Deborah Humble (contralto) Clarissa, Teddy Tahu Rhodes (baritone) Leandro, William Ferguson (tenor) Truffaldino, Warwick Fyfe (baritone) Pantaloon, Jud Arthur (bass) Chelio, Elizabeth Whitehouse (soprano) Fata Morgana, Wendy Dawn Thompson (contralto) Linetta, Sally-Anne Russell (mezzo-soprano) Nicoletta, Ali McGregor (soprano) Ninetta, Arend Bauman (bass) Cook, Richard Alexander (bass) Farfarello, Catherine Carby (mezzo-soprano) Smeraldina, Graeme Macfarlane (tenor) Master of Ceremonies & Tim DuFore (bass) Herald Opera Australia Chorus & Australian Opera and Ballet Orchestra, Richard Hickox Recorded live at the Sydney Opera House in February 2005 (premiere recording in English by Tom Stoppard) “It has been noted that with Prokofiev's sole operatic success the original Russian is perhaps less vital than with most of his operas, and in many ways the very best way to experience the work is in the vernacular. Well, now here's the chance for English speakers to prove that pudding. Prokofiev's sense of humour (or rather Carlo Gozzi's, filtered through adapter-producer Vsevolod Meyerhold and colleagues to Prokofiev, who then wrote his own libretto) has kept something of its edge, thanks to its mixture of mild cruelty and pantomime sauciness – it is the sight of Fata Morgana accidentally showing her knickers that cures the Prince of his melancholic hypochondria and draws upon him the curse of loving three oranges. Tom Stoppard's translation comes nicely off the page and seems relatively congenial to the voices. Hickox and his Australians have a ball throughout, and the recording somehow captures all the sparkiness of live performance without the usual excessive dryness of an opera-house acoustic. Crucially, the chorus and orchestra sound as fully engaged as the soloists themselves. All we lack is the additional fun of the curtain calls, which – authenticity or otherwise – extend an all but irresistible invitation to reuse the famous March. Without that the ending inevitably feels a bit of a let-down. In a sense the serious collector has to have Gergiev for the original Russian text (Phlips, not currently listed) but also Nagano's (in French), because Prokofiev was involved in the French adaptation of the text which featured in the first performances. But for the most instant enjoyment, the new issue will surely score highest for native English speakers. The Chandos documentation is fine, though why it has bothered to print the French text alongside the English is a mystery.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Prokofiev: The Love for Three Oranges
Latko Koroshetz (bass), Bogdana Stritar (mezzo-soprano), Friderik Lupsha (baritone), Slavko Strukel (tenor), Janec Lipusek (tenor), Danilo Merlak (bass-baritone), Drago Chuden (tenor), Zdravko Kovac (bass), Vanda Guerlovich (soprano), Vanda Zikherl (mezzo-soprano), Bogena Glavak (soprano), Sonja Kochevar (soprano), Vladimir Dolnichar (baritone), Elza Karlovatz (mezzo-soprano), Simeon Tzar (bass) Slovenian National Opera Orchestra, Slovenian National Opera Chorus, Bogo Leskovic | |
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| |  | Prokofiev: The Love for Three Oranges
Gabriel Bacquier, Jean-Luc Viala, Georges Gautier, Catherine Dubosc, Jules Bastin Chorus & Orchestra of the Lyon Opera, Kent Nagano, stage direction by Louis Erlo Recording Date: 1989
Place of recording: From the Opera National de Lyon
Running Time: 106 min
Picture Format: 16:9
Sound Format: PCM Stereo
Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, SP
“Yet another classic opera video reappears refreshed. The DVD, though, metaphorically flicks a light-switch to reveal that the fresh, fluent conducting and singing are only elements in a splendidly lively, witty and thoroughly integrated production. As the production's pace demands, the singers are mostly young, although old stagers Jules Bastin and Gabriel Bacquier provide resonant ballast. Jean-Luc Viala's chubby, light-toned Prince, Georges Gautier's amiable wide-boy Truffaldino, Vincent le Texier's reptilian Leandro, Michèle Lagrange's Wagnerian Fata Morgana, Catherine Dubosc's delicate Ninetta – they're all excellent, but the real star is the ensemble, with no weak links and the benefit of natural French. Whether or not this is the 'original' language, Prokofiev approved it; more viewers will understand it; and it fits the vocal line at least as well as the Russian. The DVD transfer refreshes the original recording but also reveals its limitations: slightly thin sound and some grain in the picture. But you'll enjoy yourself too much to care.” Gramophone Classical Music Guide, 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | Five Operas From GlyndebourneFive Magical Operas from Glyndebourne with Designs by American Artist and Author Maurice Senda
Internationally-acclaimed, American illustrator and author of children’s books, Maurice Sendak, wrote the libretti and designed vivid and magical images for the fantasy operas Where The Wild Things Are and Higglety Pigglety Pop! to music by Oliver Knussen. He also created brilliant designs for Prokofiev’s quirky Love of Three Oranges, and for Ravel’s delightful double bill: L’Enfant et les Sortilèges and L’Heure Espagnole. Where The Wild Things Are and Higglety Pigglety Pop! The antics of young Max (Karen Beardsley) and his journey to the Land of the Wild Things, and Jennie (Cynthia Buchan), the Sealyham terrier’s search for something more than everything, are set against beautifully intricate designs which adhere faithfully to Sendak’s illustrations in his own famous children’s books. Oliver Knussen conducts The London Sinfonietta. L’Enfant et les Sortilèges Ravel’s fantasy opera, ‘the bewitched child’, tells the tale of a boy (Cynthia Buchan) who is angry because he does not want to learn his lessons. He destroys his books and vandalises the room he is in. But the room comes to life – chairs, grandfather clock, teapot and teacup – and seeks revenge… Simon Rattle draws Ravishing sounds from The London Philharmonic. L’Heure Espagnole Ravel’s comic opera, his Spanish adventure, is set in a Toledo square, over which towers the baroque façade of the hall, where clockmaker Torquemada (Rémy Corazza) winds and minds the town clocks, at the same time every Thursday, thus leaving his wife Concepcion (Anna Steiger) alone in the house for an hour… Sian Edwards conducts The London Philharmonic. The Love of Three Oranges This sizzling visual extravaganza mixes fantasy, nightmare, romance and satire. The whole production is alive with acrobats, jugglers, body-builders, monsters, outrageous inflatable figures, colossal puppets and special animated sequences – creating a farcical, carnival atmosphere. Willard White powerfully portrays the King whose son (Ryland Davies), a doleful hypochondriac, can only be cured through laughter, and it is only when the wicked witch Fata Morgana (Nelly Morpurgo) accidently loses her skirt that the Prince breaks into hysterics. In revenge Morgana condemns the Prince to fall in love with three oranges which he pursues for three thousand miles. The exciting rhythms and brilliant orchestration of Prokofiev’s score are played by The London Philharmonic, conducted by Bernard Haitink. Approx Duration: 98’ / 100’ / 115’ Picture format: NTSC 4:3 Region Code: 2,3,4,5 Audio: L-PCM Stereo Subtitles: English | | | In stock - usually despatched within 1 working day. |
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