Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The King's Singers: Royal Rhymes & Rounds
anon.: | Hey, trolly lolly lo! | Bennet: | Weep, O Mine Eyes | Britten: | Choral Dances from Gloriana, Op. 53 | Cornyshe: | Ah, Robin, gentle Robin Blow thi Horne | Dowland: | Flow my teares (Lacrimæ) | Drayton, P: | A Rough Guide to the Royal Succession (It’s just one damn King after another…) | Elgar: | To her beneath whose steadfast star | Gibbons, E: | Long live fair Oriana | Gibbons, O: | The Silver Swan Round The Silver Swan | Henry VIII: | Pastyme with good companye It is to me a ryght gret joy | Hilton: | Fair Oriana, beauty's Queen | Mundy, J: | Lightly she whipped o'er the dales | Parratt: | The Triumph of Victoria | Parry: | Who can dwell with greatness! | Weelkes: | As Vesta was from Latmos hill descending |
On a new disc to celebrate the 2012 Diamond Jubilee, The King's Singers present a selection of works from the past 500 years written in honour of the great Monarchs of Britain. Starting with works for (and in some cases by) Henry VIII, the programme covers the Elizabethan 'Triumphs of Oriana' by composers such as Gibbons, Mundy and Dowland; a very Victorian selection of dedicatory works by Elgar, Parry and Parrat; choral arrangements from the opera 'Glorianna' by Benjamin Britten; and a new piece by Paul Drayton that comically pens 'A Rough Guide to the Royal Succession'. (Drayton is perhaps best known to fans of The King's Singers as the composer of their much-loved encore work Masterpiece.) “the sound this ensemble makes is beautifully balanced, and you could take dictation from their impeccable enunciation. These are considerable benefits...a notably intelligent, enjoyable Jubilee offering.” BBC Music Magazine, September 2012 **** “Pristinely sung, if starchily interpreted, the selection comprises a predictable trawl through Tudor and Elizabethan partsongs, and a less predictable choice of Victoriana...KS fans will probably buy this recording for Paul Drayton’s A Rough Guide to the Royal Succession, a 12-minute pastiche that romps through 1,000 years of kings and queens.” The Times, 16th June 2012 *** | | | In stock - usually despatched within 1 working day. |
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| |  | The Three ElizabethsA Musical Celebration of Britain through the Centuries
Byrd: | Fair Britain isle | Coates, E: | The Three Elizabeths Suite Dam Busters March | Dowland: | The First Booke of Songes: His golden locks time hath to silver turned | Farnon: | Derby Day State Occasion | Farrant, R: | Ah, alas you salt sea gods | Gibbons, O: | The Silver Swan | Parry: | I was glad | Parsons, R: | De la Court | Robinson, T: | The Queenes Goodnight | Tallis: | A Solfinge Song | Vaughan Williams: | The England of Elizabeth: Poet | Walton: | Spitfire Prelude & Fugue Coronation Te Deum Orb and Sceptre | Wilbye: | Weep, weep, mine eyes | Wood, Haydn: | London Cameos: A State Ball at Buckingham Palace | Wood, Henry: | Fantasia on British Sea Songs |
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| |  | An Immortal Legacy
16th-century England was a place of much religious change. It was a dangerous and confusing time and it is testament to their incredible skill and musical mastery that composers like Tallis and Byrd were able to produce such magnificent works in such troubled times. Their music left a lasting legacy, influencing some of our most celebrated 20th- and 21st-century composers and surviving over half a millennium to be performed as widely today as they have ever been. This disc features some of the best-loved classics of Tudor and Jacobean church music together with madrigals by Tallis, Byrd and Gibbons. They are performed alongside pieces by Britten, Tippett and MacMillan including the Five Spirituals from A Child of Our Time and the Choral Dances from Gloriana. The Sixteen has performed this repertoire around the world over the last six years and is one of the ensemble’s most popular concert programmes. | 
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| |  | Shakespeare - Come Again Sweet Love
anon.: | Willow song | Bennet: | Weep, O Mine Eyes | Dowland: | Come again, sweet love doth now invite Galliard If my complaints could passions move Semper Dowland Semper Dolens | Gibbons, O: | The Silver Swan | Hume, T: | The Virgins Muse | Johnson, E: | Come againe, sweet Nature's treasure Come againe, sweet Nature's treasure reprise | Johnson, R: | Full fathom five Where the bee sucks | Jones, Robert: | Now what is love? Sweet Kate Farewell Dear Love | Morley: | Sweet nymph, come to thy lover It was a lover and his lass | Purcell: | By beauteous softness (from Now does the glorious day appear, Z332) If music be the food of love, Z379 | Robinson, T: | Fantasie & Toye | Wilson, John: | Take, O take those lips away |
Shakespeare – Come again sweet love is a haunting collection of songs and madrigals by some of the great masters of the Renaissance period, including Purcell, Dowland and Gibbons. The theme of the album is “love” in all its many forms, expressed through the poetry of the Shakespearian Era and the music it inspired. Daniel Taylor is joined on the album by the Theatre of Early Music (founded and conducted by Daniel Taylor) and famous soloists Dame Emma Kirkby, Carolyn Sampson, Michael Chance and Charles Daniels. Daniel and the Theatre of Early Music appear in some 30 concerts every year. The ensemble consists of a choir and orchestra that are dedicated to sustain the heritage of magnificent yet neglected choral and instrumental repertoire from four centuries. Their recent performance could be seen on stages in France, England, Argentina, Brazil and China. Daniel Taylor is a prolific recording artist who has worked on numerous albums including Sakamoto’s pop-opera Life with the Dalai Lama and Salman Rushdie, Renaissance duets with actor Ralph Fiennes, and Bach recitals with the Theatre of Early Music to name only a few. “This is deluxe casting, allowing combinations from unaccompanied lute songs to an a cappella duet, and lute solos to five-part madrigals...Taylor - with one of the loveliest countertenor voices in the business - is on nine [tracks], happy it seems to let others into the spotlight, with every other singer getting at least one solo spot.” Gramophone Magazine, Awards Issue 2011 “Vocal leads and arrangements are shared: the results include a four-part madrigal setting of Gibbons' "The Silver Swan"; solo pieces accompanied by theorbo, such as Taylor's poised expression of a woman who "with such sweetness and such justice reigns" in Purcell's "By Beauteous Softness"; and tenor Charles Daniels's extended swoon of ardour through Dowland's "Come Again, Sweet Love Doth Now Invite".” The Independent, 24th June 2011 *** | | | Usually despatched in 3 - 4 working days. |
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| |  | Humori
'Humori' is a Renaissance celebration of Carnival, the period between the twelfth day of Christmas and Lent. Performed by the excellent early music ensemble Les Voix humaines. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Music for The Twelve Days of Christmas and The NativityThe Nativity story illustrated by masterpieces from the early baroque and a series of stocking-fillers for the 12 days of Christmas!
A festive celebration of Christmas featuring music from 12th to 17th century Europe, played by the UK's leading early brass ensemble and friends, including virginals, bagpipes, drums, recorders, singers, and a Rommel-pot. Recorded in the church of St. John the Evangelist, Upper Norwood, London, 25- 27 July 2007. | | | Usually despatched in 3 - 4 working days. |
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| |  | English Madrigals
Bennet: | All creatures now are merry-minded | Byrd: | Though Amaryllis dance in green | Farnaby, G: | Carters, now cast down | Gibbons, O: | Ah, dear heart The Silver Swan | Morley: | Hark! Alleluia Phyllis, I fain would die now | Ramsey, R: | Sleep, fleshy birth | Tomkins: | Woe is me that I am constrained When David Heard Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk,
on July 18th, 19th and 20th, 1988 Then David mourned Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk,
on July 18th, 19th and 20th, 1988 Almighty God, the fountain of all wisdom Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk,
on July 18th, 19th and 20th, 1988 Woe is me that I am constrained Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk,
on July 18th, 19th and 20th, 1988 Be strong and of a good courage Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk,
on July 18th, 19th and 20th, 1988 O sing unto the Lord a new song Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk,
on July 18th, 19th and 20th, 1988 O God, the proud are risen against me Bonus tracks – Anthems & Sacred Madrigals recorded in Salle Church, Norfolk,
on July 18th, 19th and 20th, 1988 | Vautor: | Cruel Madame | Weelkes: | Hark All Ye Lovely Saints | Wilbye: | Draw on, sweet night |
“Originally released on the Classics for Pleasure label, the issuing of this CD will mark the first time these tracks have been commercially available for over 20 years. The twelve madrigals presented here were deliberately chosen to show off the scope of the best English madrigal writing around the year 1600. Do I regret not having done more of this repertoire in the intervening years? I would, if there hadn’t been so much first-rate sacred music to explore.” Peter Phillips This unique album, the only recording by The Tallis Scholars of English Madrigals
and their first-ever digital recording, was made in the Great Hall at Deene Park,
Northamptonshire, on April 23rd, 24th and 25th, 1982 “This sole recording of secular music by the Tallis Scholars makes one wish for more. Byrd's 'Though Amaryllis's is very nimble, the graded dynamics in Bennet's 'All Creatures' superb.” BBC Music Magazine, January 2008 ***** | | | Usually despatched in 2 - 3 working days. |
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| |  | Byrdland
Byrd: | Ye sacred muses - an elegy for Thomas Tallis Lullaby, my sweet little baby Come to me, grief, for ever I Thought That Love Had Been A Boy Crowned with flow'rs and lilies | Danyel: | The Leaves Be Greene | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) Now, O now, I needs must part Flow my teares (Lacrimæ) Fine knacks for ladies In darkness let me dwell | Galilei, V: | La Volta | Gibbons, O: | The Silver Swan Fantasia of four parts | Holborne: | The Fairie-round Galliard | Morley: | April is in My Mistress' Face | Playford: | Under The Greenwood Tree The Indian Queen | Purcell: | If love's a sweet passion (from The Fairy Queen, Z628) Fairest Isle (from King Arthur) Man is for the woman made (from The Mock Marriage, Z605) Dance for the Haymakers (from The Fairy Queen, Z628) An Evening Hymn 'Now that the sun hath veiled his light', Z193 |
A tantalising fusion of ancient and modern, ‘Byrdland’ explores the world of the Renaissance song accompanied by a modern-day saxophone quartet. All the songs on the disc were written by the great composers working in England in the 16th and 17th centuries. Recent recordings by artists as diverse as Sting and Brian Asawa have partnered the singer with the more traditional lute. “…the elegant phrasing and sumptuous tonal character of the Paragon Quartet's playing… combines the warm intimacy of a viol consort with the fruit richness of shawms and crumhorns. Zazzo has one of the most flawless, beautifully-controlled voices you could wish to hear. ...his sound and technique rival even Scholl's and his diction is excellent in this astute mixture of familiar and lesser-known pieces.” BBC Music Magazine, Proms 2007 **** “Zazzo's interpretation of the text and tasteful shaping of melody would grace any kind of performance style, and it is intriguing to hear some tenderly realised polyphonic lines delineated by the Paragon Saxophone Quartet. Byrd's "Lullaby" and Gibbon's "The Silver Swan" get an attractive alternative life here. ...a rare example of successfully reinventing "early" music.” Gramophone Magazine, October 2007 | | | Usually despatched in 4 - 5 working days. |
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| |  | Peace on EarthSacred and secular music by Orlando Gibbons
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| |  | Flora gave me fairest flowers21 madrigals of the English Renaissance
Bennet: | Round about in a fair ring | Byrd: | Though Amaryllis dance in green The sweet and merry month of May Lullaby, my sweet little baby | East, M: | Quick, quick, away, dispatch! | Farmer: | A little pretty bonny lass | Gibbons, O: | Dainty fine bird The Silver Swan | Morley: | Now is the month of maying My bonny lass she smileth Fyre! Fyre | Ramsey, R: | Sleep, fleshy birth | Tomkins: | Too much I once lamented Adieu, ye city-prisoning towers! | Weelkes: | Hark, all ye lovely saints above Ha ha! This world doth pass Death hath deprived me | Wilbye: | Weep, weep, mine eyes Flora gave me fairest flowers Draw on, sweet night Adieu, sweet Amaryllis |
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