Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Britten Rarities
This collection brings together rarities and surprises from the Decca/Argo Britten discography, a collection notable as much for the infrequency with which much of this music is performed, as it is for the fact that many of these are world-premiere recordings of Britten’s music. The source material itself is extremely rare and virtually every recording represented here is, in its LP/EP format, a collector’s item, largely from the Argo catalogue. The all-vocal program opens with Voices for Today which Britten wrote to mark the 20th anniversary of the founding of the United Nations. His devotion to excellent music for children is represented by a collection of songs, including five from Friday Afternoons and sung by the boy alto John Hahessy. It was Hahessy who was chosen over Norma Procter to sing the alto part in Britten’s Canticle II ‘Abraham and Isaac’. The earlier Procter/Pears/Britten version, recorded in 1957 but not released at the time in favour of the Hahessy recording; it is included on this collection. In later years, it was perhaps inevitable that other British singers would be compared with those who created and inspired Britten’s work, notably Ferrier, particularly after her early death. Pamela Bowden was one of those singers: she studied with Ferrier’s teacher, Roy Henderson, in London, and was hailed as the singer’s successor. She is represented by A Charm of Lullabies and it seemed sensible to include the remainder of the music on her original EP – two songs by Purcell – as bonus tracks for this release. A rare spoken-word appearance is made by author (and speaker) T.H. White, who reads an extract from his book The Sword in the Stone to an accompaniment of Britten’s music. “Britten's underrated United Nations anthem Voices for Today makes it onto disc at last, together with vintage recordings of artists the composer chose to work with.” BBC Music Magazine, October 2012 **** “John Hahessy has a splendid strong tone, almost brassy in forte, and a blessedly unaffected style: none of those cautious hoots and beautifully modulated vowels that are the bane of the English choirboy tradition. What is more he evidently has a real natural musicality, to judge by his moulding of phrases throughout this disc.” Gramophone Magazine (Friday Afternoons) “admirably read by the author, with a delightful mixture of sardonic humour and delicate description. The atmosphere is heightened by the music of Benjamin Britten, which brilliantly sharpens the word-pictures. […] It is all charming and will give great pleasure to young and old, for its story and the way it is told and for Britten's delicate score.” Gramophone Magazine (The Sword in the Stone) “Britten's songs were written in 1947 for Nancy Evans, and it might be thought that they need rather more mezzo than contralto tone. But Miss Bowden sings them with no apparent strain, and her characterisation of each one is [very] successful … Her voice is not yet as opulent as Kathleen Ferrier's, but her dramatic sense is possibly more developed.” Gramophone Magazine (A Charm of Lullabies, Purcell) “In advance of Britten’s centenary, a deep draught of the strong wine of his sensibility. The items are mostly first releases on CD, from the margins of his recorded oeuvre...The boy alto John Hahessy is sumptuous in songs from Friday Afternoons” Sunday Times, 22nd July 2012 | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Libera: The Christmas Album (Deluxe Edition)
The Christmas album from distinctive Chorister boy-band Libera. An exciting mix of secular and sacred Christmas and Winter holiday favourites including "White Christmas", "Once in Royal David’s City", "Silent Night", "In dulci jubilo" & "O Holy Night". The deluxe edition contains the full album together with a special Libera Christmas tree decoration and 16 exclusive Libera postcards featuring song lyrics and pictures of the Libera boys. “the singing is generally great – you can detect a very slight rough edge to the boys’ sound which is exactly as it should be – this is a childrens’ choir” The Arts Desk, 10th December 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Libera: The Christmas Album (Standard Edition)
The Christmas album from distinctive Chorister boy-band Libera. An exciting mix of secular and sacred Christmas and Winter holiday favourites including "White Christmas", "Once in Royal David’s City", "Silent Night", "In dulci jubilo" & "O Holy Night". “the singing is generally great – you can detect a very slight rough edge to the boys’ sound which is exactly as it should be – this is a childrens’ choir.” The Arts Desk, 10th December 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | The Very Best of Janet Baker
Bach, J S: | Christmas Oratorio, BWV248: Bereite dich, Zion Academy of St Martin-In-The-Fields, Sir Neville Marriner | Brahms: | Alto Rhapsody, Op. 53 Sir Adrian Boult, London Philharmonic Orchestra Geistliches Wiegenlied, Op. 91 No. 2 Cecil Aronowitz (viola), André Previn | Britten: | Corpus Christi Carol Gerald Moore (piano) | Duparc: | L'Invitation au voyage London Symphony Orchestra, André Previn | Duruflé: | Requiem, Op. 9: Pie Jesu Choir of King's College Cambridge, Sir Philip Ledger | Elgar: | Sea Pictures, Op. 37 London Symphony Orchestra, Sir John Barbirolli Softly and gently, dearly-ransomed soul 'Angel's Farewell' (from The Dream of Gerontius) Sir John Barbirolli | Fauré: | Two Songs, Op. 83 Gerald Moore (piano) Clair de Lune, Op. 46 No. 2 Gerald Moore (piano) | Handel: | Messiah: He was despised English Chamber Orchestra, Sir Charles Mackerras | Mahler: | Ich bin der Welt abhanden gekommen (Rückert-Lieder) Hallé Orchestra, Sir John Barbirolli | Mendelssohn: | Elijah: O rest in the Lord New Philharmonia, Rafael Frühbeck De Burgos Auf Flügeln des Gesanges, Op. 34 No. 2 Geoffrey Parsons (piano) | Schubert: | Ave Maria, D839 Gerald Moore (piano) Gretchen am Spinnrade, D118 Gerald Moore (piano) Wiegenlied, D498 Gerald Moore (piano) Die Forelle, D550 Geoffrey Parsons (piano) Auf dem Wasser zu singen, D774 Geoffrey Parsons (piano) An die Musik D547 Geoffrey Parsons (piano) An Sylvia, D891 Geoffrey Parsons (piano) Nacht und Träume, D827 Geoffrey Parsons (piano) Heidenröslein, D257 Geoffrey Parsons (piano) Du bist die Ruh D776 (Rückert) Geoffrey Parsons (piano) | Schumann: | Mondnacht (No. 5 from Liederkreis, Op. 39) Daniel Barenboim (piano) Du Ring an meinem Finger (No. 4 from Frauenliebe und Leben, Op. 42) Daniel Barenboim (piano) | Strauss, R: | Befreit, Op. 39 No. 4 Gerald Moore (piano) Morgen, Op. 27 No. 4 Gerald Moore (piano) | Vaughan Williams: | Linden Lea Gerald Moore (piano) | Warlock: | Pretty Ring Time Gerald Moore (piano) |
Compelling for her intensity and integrity as much as for her unmistakeable voice, Dame Janet Baker struck a distinctive path as a performer, primarily on the concert and recital stage. Among her most celebrated recordings are her interpretations of Elgar with Sir John Barbirolli, here complemented by songs and oratorio arias by composers such as Bach, Handel, Schubert, Schumann, Brahms, Mahler, Strauss, Fauré, Vaughan Williams and Britten. | | | In stock - usually despatched within 1 working day. |
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| |  | In Dublin’s fair City
David Leigh (organ) The Choristers of Saint Patrick’s Cathedral, Dublin, Stuart Nicholson (director) A charming selection of sacred music for treble voices, plus a perennial Irish favourite, Cockles and Mussels, sung with irresistible Gaelic charm by the boy trebles of St Patrick’s Cathedral, Dublin. With varied accompaniment featuring organ, harp, and guitar, this is a beautiful collection of both well-loved, and some unfamiliar, instantly-appealing works for boys’ voices. The first release for a number of years from St Patrick’s Cathedral, Dublin – which has the only choir school in Ireland, founded over 500 years ago. A generously filled disc at with over 70 minutes of music. | 
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| |  | My True Love Hath My Heart: English Songs
Sarah Connolly received excellent reviews for her recital performance of ‘English Songs’ on 11 April 2011 at the Alice Tully Hall in New York. The New York Times wrote: ‘Ms Connolly’s voice was strong and steady through its range, velvety, but with a soft, subtle graininess that gave weight and presence to even her most ethereal floated notes.’ Here the mezzo-soprano, accompanied by Malcolm Martineau on piano, performs four arrangements by Benjamin Britten: three folk songs and one song from an early choral work. These complement the recent Britten CD on Chandos, on which Connolly performs the cantata Phaedra as well as A Charm of Lullabies (CHAN 10671). Next come eleven songs from the 1920s, which is considered the golden decade for English art songs. Among the highlights are By a Bierside, Ivor Gurney’s stark reflection on death, written in the World War I trenches, and Herbert Howells’s King David which has long been considered a masterpiece. Howells himself said: ‘I am prouder to have written King David than almost anything else of mine.’ The most recent contribution to this disc of English Songs is the surreally retro A History of the Thé Dansant by Sir Richard Rodney Bennett, which was published in 1995. “Her singing is consistently beautiful in this programme of English songs” Sunday Times, 16th October 2011 “They create a sense of isolation within the sadness of King David; they capture Ireland's responses to the poetry of Hardy, Sidney and Symons with total commitment; and they respond with sentience to Gurney's uniquely eloquent feeling for the inflections of the English language in two of his classic songs” BBC Music Magazine, December 2011 **** “One of today’s most intelligent musical mezzo-sopranos, Sarah Connolly is in gloriously fluent and expressive voice for an imaginatively programmed selection of mid 20th-century English song...Malcolm Martineau’s accompaniment is exemplary in its sensitivity.” The Telegraph, 27th October 2011 ***** “It is good to find an English singer in her prime championing the lesser-known art songs of her native tradition, and making them sound not so much twee as magical: listen to Connolly’s artless handling of Britten’s “Corpus Christi Carol”, the quiet rapture she finds in Howells’s “Kind David”, the fun she has with the Foxtrot from Richard Rodney Bennett’s “History of Thé Dansant”.” Financial Times, 30th October 2011 **** “her sense of drama is never overstated. She excels, therefore, in capturing the masculine melancholy of Britten's lullabies and Bennett's brittle, unpredictable scenes from a long marriage. Martineau responds throughout with characteristically flawless, subtle and intuitive accompaniment.” Classic FM Magazine, December 2011 **** “Connolly sings immaculately, with impeccably sensitive accompaniment from Malcolm Martineau, in sound both clear and perfectly balanced.” Gramophone Magazine, January 2012 | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Britten: Choral and organ music
All of Benjamin Britten’s most popular scared choral works, including two rarities; The Sycamore Tree and Advance Democracy. Sung by the critically-acclaimed Choir of Truro Cathedral, directed by Christopher Gray, in his first recording since taking over as Director of Music. “Truro may be leagues away from Britten's Aldeburgh, but there's something in the Cornish air that connects its cathedral choristers to the spiritual substance of the East Anglian composer's choral music...the tonally rich blend of organ, choir and cathedral acoustics help lift this recording above the ordinary.” Classic FM Magazine, June 2011 **** “The immediate impression with the Truro disc is the warmth of sound and generous acoustic...Under Christopher Gray...the cathedral choir has developed a particualrly rich and smooth sound, with a security of intonation which is magnificently exhibited in the unaccompanied items here, not least a top-notch performance of the Hymn to St Cecilia and a marvellous performance of The Sycamore Trees.” International Record Review, May 2011 | | | Usually despatched in 4 - 5 working days. |
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| |  | Sing Reign of Fair MaidMusic for Christmas and The New Year
Edward Taylor (organ), Danielle Perrett (harp), Rachel Stroud (violin) & James Fussey (trumpet) Ely Cathedral Girls’ Choir, Sarah MacDonald (director) | | | Usually despatched in 4 - 5 working days. |
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| |  | Pigs Could FlyTwentieth-Century Music for Children’s Choir
Alexander Wells (piano) The New London Children’s Choir, Ronald Corp While children’s voices have been heard in church music for centuries, music specifically composed for young choristers is a relatively recent, and most welcome, development. As the attractive and diverse music by the fourteen composers represented on this delightful recording shows, children’s choirs now have a wealth of outstanding repertoire to delight, challenge and initiate them into the world of music. The Grammy award-winning New London Children’s Choir, founded by Ron Corp in 1991, has been described by the Financial Times as “excellent” and by The Independent as “terrific.” They have performed in the UK, Europe and North America to critical acclaim and boast an impressive discography, including two recordings of music by Britten for Naxos (8553183 and 8557203). | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Images de Noël
Britten: | Corpus Christi Carol | Cornelius: | Die Hirten, Op. 8 No. 2 The Three Kings Simeon (No. 4 from Weihnachtslieder, Op. 8) Christen der Kinderfreund, Op. 8 No. 5 Christkind, Op. 8 No. 6 | Debussy: | Noël des enfants qui n'ont plus de maison | Fauré: | Noël Op. 43 No. 1 | Fleming, R: | Mary had a baby | Holman, D: | Sweet was the song | Ives, C: | A Christmas Carol | Martin, F: | Three Christmas Songs for soprano, flute and piano (Texts: Albert Rudhart) | Niles: | What Songs Were Sung I wonder as I wander | Poulenc: | Nous voulons une petite sceur | Ravel: | Noël des jouets | Rutter: | Shepherd's pipe carol | trad.: | Sussex Carol (arr. Vaughan Williams) La Noël passée (arr. Britten) Entre le boeuf et l'ane gris | Wolf, H: | Sechs Geistliche Lieder Nos. 3-6 |
Karina Gauvin (soprano), Michael McMahon (piano), Nora Shulman (flute) | |
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