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| |  | Exultate Deo
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| |  | Allegri - Miserereand other Venetian church music
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| |  | Miserere - Sacred Choral Music
A wonderful collection of meditative choral music, spearheaded by Allegri's ubiquitous Miserere and including works by other Renaissance composers, including the magnificent Spem in Alium by Thomas Tallis, performed by two of the foremost British choirs under the direction of two of Britain's leading choral conductors - David Willcocks and Stephen Cleobury. | | | In stock - usually despatched within 1 working day. |
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| |  | Favourite Sacred Masterpieces
Allegri: | Miserere mei, Deus Oxford Camerata, Jeremy Summerly | Franck, C: | Panis Angelicus József Mukk (tenor) Hungarian State Opera Choir & Camerata Budapest, László Kovács | Gounod: | Ave Maria Ingrid Kertesi (soprano) Hungarian State Opera Choir & Camerata Budapest, László Kovács | Mozart: | Ave verum corpus, K618 Košice Teachers’ Choir & Camerata Cassovia, Johannes Wildner | Pergolesi: | Stabat Mater Julia Faulkner (soprano), & Anna Gonda (alto) Camerata Budapest, Michael Halász | Tallis: | Spem in alium for eight five-part choirs '40-part Motet' Oxford Camerata, Jeremy Summerly |
Some of the world’s greatest sacred masterpieces are heard on this disc, performed by some of the world’s leading vocal ensembles. The journey ranges from Thomas Tallis’s extraordinary Spem in alium to César Franck’s immortal Panis angelicus. Pergolesi’s Stabat mater is a masterpiece of the early eighteenth century. Mozart, who as a 14 year old had copied out Allegri’s Miserere from memory, is represented by his beautiful Ave verum corpus. It is impossible to omit the Bach-Gounod Ave Maria from a journey that crosses geographical borders and spans the centuries. | 
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| |  | Classical Music for Meditation - 50 of the Best
Allegri: | Miserere mei, Deus | Bach, J S: | Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String') | Beethoven: | Triple Concerto for Piano, Violin, and Cello in C major, Op. 56 - Largo Romance No. 1 for Violin and Orchestra in G major, Op. 40 Symphony No. 2 in D major, Op. 36: Larghetto Piano Concerto No. 3 in C minor, Op. 37 - Largo | Borodin: | String Quartet No. 2: 3rd Movement (Notturno) | Brahms: | Intermezzo in E flat major, Op. 117 No. 1 | Chopin: | Prelude Op. 28 No. 15 in D flat major ‘Raindrop' Mazurka No. 6 in A minor, Op. 7 No. 2 Prelude Op. 28 No. 13 in F sharp major | Corelli: | Concerto grosso Op. 6 No. 8 in G minor 'fatto per la notte di Natale': Pastorale | Debussy: | Petite Suite: En bateau | Delius: | On Hearing the First Cuckoo in Spring | Fauré: | Sicilienne from Pelléas et Mélisande | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Gounod: | Ave Maria (after Bach's Prelude No. 1, BWV846; version for flute and harp) | Grieg: | Peer Gynt: Morning Våren, elegiac melody for strings, Op. 34 No. 2 (version for orchestra) Piano Concerto in A minor Op. 16: Adagio | Haydn: | Symphony No. 24 in D major: Adagio | Lauridsen: | O magnum mysterium | Liszt: | Liebestraum, S541 No. 3 (Nocturne in A flat major) | Mahler: | Symphony No. 5 in C sharp minor - Adagietto | Massenet: | Meditation (from Thaïs) (version for violin and piano) | Mendelssohn: | Symphony No. 4 in A major, Op. 90 'Italian': Andante con moto | Mozart: | Piano Concerto No. 23 in A major, K488 - Adagio Ave verum corpus, K618 Divertimento No. 2: Adagio | Parry: | Lady Radnor's Suite: 5th movement, Slow Minuet | Poulenc: | Elegie | Rachmaninov: | Melodie in E Major, Op. 3 No. 3 | Ravel: | Piano Concerto in G major: Adagio assai | Respighi: | Ancient Airs and Dances, Suite No. 3, P. 172 | Rodrigo: | Concierto de Aranjuez: Adagio | Satie: | Gymnopédie No. 1 (orch. Debussy) | Schubert: | String Quintet in C major, D956 - Adagio | Schumann: | Kinderszenen, Op. 15: Traümerei Fantasie in C major, Op. 17: Langsam getragen | Vaughan Williams: | The Lark Ascending | Vivaldi: | The Four Seasons: Winter - Largo | Warlock: | Capriol Suite: Pieds-en-l'air | Weber: | Clarinet Concerto No. 1 in F minor, Op. 73: Adagio | Whitacre: | Lux aurumque |
(and excerpts from Albinoni: Concerto for 2 Oboes in F major, Op. 9, No. 3; Boccherini: Cello Concerto in B flat major; Telemann: Concerto TWV 51:G9 in G major for viola, strings & b.c.; Schubert: Schwanengesang, D. 957; di Lasso: Missa Bell' Amfitrit' altera; )
Anthony Camden (oboe), Jeno Jando (piano), Dong-Suk Kang (violin), Maria Kliegel (cello), Idil Biret (piano), Ludovit Kanta (cello), Ladislav Kyselak (viola), Michael Volle (baritone), Ulrich Eisenlohr (piano), Francois-Joel Thiollier (piano), Gerald Garcia (guitar), Takako Nishizaki (violin), Konstantin Scherbakov (piano), Ernst Ottensamer (clarinet), Norbert Kraft (guitar), Judy Loman (harp), Nora Shulman (flute), David Greed (violin), Havard Gimse (piano), Stefan Vladar (piano), Irina Zaritzkaya (piano), Katarina Andreasson (violin), Bjorn Gafvert (harpsichord), Bernd Glemser (piano), Alexandre Tharaud (piano), Francois Chaplin (piano) BBC Scottish Symphony Orchestra, Oxford Camerata, London Symphony Orchestra, London Virtuosi, Nicolaus Esterhazy Sinfonia, Capella Istropolitana, Elora Festival Singers, Concentus Hungaricus, RTE Sinfonietta, Oxford Schola Cantorum, Ireland National Symph, Jerzy Maksymiuk, Jeremy Summerly, James DePreist, John Georgiadis, Bela Drahos, Peter Breiner, Jaroslav Krcek, Noel Edison, Richard Edlinger, Matyas Antal, Reinhard Seifried, Antoni Wit, Adrian Leaper, Bjarte Engeset, Johannes Wildner, Kenneth Jean, Jun M | |
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| |  | 50 Best Smooth Classics
Albinoni: | Concerto Op. 9 No. 3 for two oboes & strings in F major: Adagio | Allegri: | Miserere mei, Deus | Bach, J S: | Concerto for Two Violins in D minor, BWV1043: Largo ma non tanto Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String') | Barber, S: | Adagio for Strings, Op. 11 | Beethoven: | Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight': Adagio sostenuto | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) (arr. P. Nagy) | Canteloube: | Songs of the Auvergne: Baïlèro | Chopin: | Prelude Op. 28 No. 15 in D flat major ‘Raindrop' (two versions) | Debussy: | Claire de lune (song) Prélude à l'après-midi d'un faune Arabesque No. 1 | Delibes: | Coppelia - Waltz of the Doll Lakmé: Dôme épais (Flower Duet) | Dvorak: | Symphony No. 9 in E minor, Op. 95 'From the New World' - Largo | Elgar: | Nimrod (from Enigma Variations) Serenade for Strings in E minor, Op. 20 - Allegretto | Fauré: | Pavane, Op. 50 Requiem: Pie Jesu Dolly Suite, Op. 56: No. 5, Tendresse (orch. H. Rabaud) | Finzi: | Eclogue, Op. 10 | Giazotto: | The Albinoni Adagio | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Grieg: | Våren, elegiac melody for strings, Op. 34 No. 2 Peer Gynt: Morning | Handel: | Ombra mai fu (from Serse) | Holst: | Venus, the Bringer of Peace (The Planets) | Howells: | Salvator mundi | Lauridsen: | O magnum mysterium | Mahler: | Symphony No. 5 in C sharp minor - Adagietto | Mascagni: | Cavalleria Rusticana: Intermezzo | Mendelssohn: | A Midsummer Night's Dream: Nocturne | Mozart: | Flute & Harp Concerto in C major, K299 - Andantino Ave verum corpus, K618 | Puccini: | Humming Chorus (from Madama Butterfly) | Rachmaninov: | Rhapsody on a Theme of Paganini - Variation 18 Bogorodice Devo Piano Concerto No. 2 in C minor, Op. 18: 2 - Adagio sostenuto | Saint-Saëns: | Le carnaval des animaux: Le Cygne | Satie: | Gymnopédie No. 1 (version for guitar and orchestra) | Shostakovich: | Romance (from The Gadfly) Piano Concerto No. 2 in F major, Op. 102 - Andante | Stanford: | The Blue Bird, Op. 119 No. 3 | Tárrega: | Recuerdos de la Alhambra | Tavener: | Song for Athene | Tchaikovsky: | Symphony No. 6 in B minor, Op. 74 'Pathétique' - Allegro con grazia | Vaughan Williams: | The Lark Ascending Fantasia on a Theme by Thomas Tallis | Whitacre: | Sleep |
Francois-Joel Thiollier (piano), Takako Nishizaki (violin), Alexander Jablokov (violin), Adriana Kohutkova (soprano), Denisa Slepkovska (mezzo-soprano), Bernd Glemser (piano), Peter Nagy (piano), Veronique Gens (soprano), Mats Bergstrom (guitar), Anthony Camden (oboe), Peter Donohoe (piano), Irina Zaritzkaya (piano), Klara Kormendi (piano), Idil Biret (piano), David Greed (violin), Jeno Jando (piano), Lisa Beckley (soprano), Colm Carey (organ), Carys-Anne Lane (soprano), Jiri Valek (flute), Hana Mullerova (harp), Michael Houstoun (piano), Jozef Cejka (oboe), Gerald Garcia (guitar) Slovak Radio Symphony Orchestra, Baltimore Symphony Orchestra, St. John's College Choir, Cambridge, Capella Istropolitana, Polish National Radio Symphony Orchestra, London Symphony Orchestra, Lille National Orchestra, London Virtuosi, Northern Sinfonia, F, Andrew Mogrelia, Marin Alsop, Christopher Robinson, Oliver Dohnanyi, Johannes Wildner, Gyorgy Lehel, James DePreist, Jean-Claude Casadesus, Richard Edlinger, Keith Clark, John Georgiadis, Howard Griffiths, Eric-Olof Soderstrom, Anthony Bramall, Alexander | |
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| |  | Allegri: Motets, Miserere, Missa In lectulo meo & Missa Christus resurgens
Gregorio Allegri deserves better than for his reputation to rest on just one piece; alongside his iconic 'Miserere', which never fails to cast its spell on listeners, The Choir of Kings College London present premiere recordings of two of his five surviving Masses: 'Missa in Lectulo Meo Missa' and 'Christus Resurgens Miserere'. Richly-wrought with consummate skill in the prima prattica of Palestrina, these glowing performances shed new light on a much-loved composer. Born in 1582, Allegri, an Italian priest, singer, and composer in the stile antico tradition, spent much of his life working in Roman churches, joining the papal choir in 1629 and eventually becoming its choirmaster. But it is for the 'Miserere' that he is best known: a work so powerful that Mozart is thought to have written out the full score after hearing it only once, allowing him to circumnavigate the rule that prohibited anyone from removing any parts of the score from the Sistine Chapel, where it was guarded. Much in demand as a choral conductor, David Trendell has been College Organist and Lecturer in Music at King's since 1992, when he established the Chapel Choir. Now considered one of the finest mixed-voice university choirs in the country, performing music from the 14th century to the present day, the 25 choral scholars and two organ scholars bring great musical intensity to Allegri's music in these luminous performances. Trendell's scholarly acumen is also brought to bear with his own edition of 'Missa In lectulo meo' performed here for the first time since the early 17th century. “David Trendell's fine choir glows with warmth and commitment.” The Observer, 20th May 2012 “The Choir of King's College London deliver performances that are secure and confident for the most part, though in the slower sections of the Masses in particular...pitch and tone quality tend to falter. But their advocacy gives Allegri's music the sympathetic hearing it undoubtedly warrants.” Gramophone Magazine, September 2012 “This is a performance [of the Miserere] to rank with the best, the varying textures and extreme registers stylishly handled, the balance and blend of the voice well-nigh perfect.” International Record Review, September 2012 “The young voices of King’s College, London, who must have been coming afresh to this rare music, are alert and alive to the music’s subtle nuances...Their conductor David Trendell extracts some very passionate and committed singing.” MusicWeb International, July 2012 | | | Usually despatched in 3 - 4 working days. |
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| |  | Renaissance Choral Masterpieces
Allegri: | Miserere mei, Deus The Sixteen, Harry Christophers | Byrd: | Ave verum Corpus The Sixteen, Harry Christophers | Despres: | Ave Maria (4vv) The Sixteen, Harry Christophers | Lasso: | Timor et Tremor The Sixteen, Harry Christophers | Lotti: | Crucifixus in 8 parts The Sixteen, Harry Christophers | Obrecht: | Salve Regina The Sixteen, Harry Christophers | Palestrina: | Stabat mater transcribed & edited by Jon Dixon Gabrieli Consort, Paul McCreesh | Tallis: | Lamentations of Jeremiah I & II Ed. Philip Brett The Choir of King's College, Cambridge, Stephen Cleobury | Victoria: | Salve Regina a 8 Gabrieli Players & Gabrieli Consort, Paul McCreesh |
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| |  | A Festival of Psalms
Sally Pryce (harp), Robert Millett (percussion) & Greg Morris & Ian Le Grice (organ) The Choir of the Temple Church, James Vivian (director) The Psalms of David are arguably the portion of the Old Testament that has been enfolded most completely within the Christian tradition and its liturgies. Their messages of strife and joy, prayer and praise, resonate strong and loud alongside the teachings of Jesus and find special expression in musical settings. This disc is an exploration of all these themes, as interpreted by composers over the course of four and a half centuries. The Temple Church is one of the most historic and beautiful churches in London. Situated between Fleet Street and the Thames Embankment, its recorded musical history extends back to its restoration in 1841, although a church has stood on the site for over 800 years. This is Signum’s second disc with the choir, following 2010’s release of ‘The Majesty of Thy Glory’. “this anthology links the liturgies of Jewish and Christian traditions...
The organ can sometimes hang too heavily over the pieces by Wesley and Parry. But the highlight is the beautiful version of Allegri's "Miserere mei, Deus", with its solo treble soaring high and weightless like the vaulting of a cathedral.” The Independent, 10th February 2012 *** | | | Usually despatched in 3 - 4 working days. |
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