Browse: Stravinsky - Divertimento (transcription for violin & piano by Stravinsky & Samuel Dushkin from Le Baiser de la Fée)

This is an intriguing sequence where each work benefits from illumination by its programme neighbours. Most definitely recommended. — Gramophone Magazine, March 2024 More…

Best of all is Bartók’s Rhapsody No. 1, robust and earthy. — BBC Music Magazine, September 2019, 3 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

In the opening phrases of the Schubert, Benjamin Beilman is unashamedly Romantic, with vibrato used throughout, discreet portamentos and a seamless legatos…there’s no doubting the technical accomplishment... — BBC Music Magazine, May 2016, 3 out of 5 stars More…

Adès's touch with the piano parts is at once live-wire and beautifully stylish, with Marwood matching this flair for deftly characterised light and shade. The Pulcinella suite and Divertimento... — BBC Music Magazine, March 2010, 4 out of 5 stars More…

Stylistically, Strauss's lyrical Op 18 (1887) sits poised somewhere between Brahms's chivalrous song cycle Die schöne Magelone and Strauss's own Don Juan of the following year.
The finale is... — Gramophone Classical Music Guide, 2010 More…

Bringing lesser-known Stravinsky into the spotlight, it offers a sterling service to the repertoire. The recording is excellent, beautifully present and with just the right distance between violin... — Fanfare More…

The Kreutzer is magisterial and played with intelligence and authority...In the Glazunov she brings to the score a wealth of tonal colour. The Wieniawski is a virtuoso tour de force and in the... — MusicWeb International, 14th October 2014 More…