Walton: Make we joy now in this fest

“Solti's Belshazzar's Feast is more symphonic than dramatic but monumentally impressive. Preston directs a useful anthology of short choral works.” BBC Music Magazine, Christmas 2012 ****

“Decca have done it again, transferring this highly spectacular choral work [Belshazzar’s Feast] with incredible aplomb. The Coronation Te Deum is hardly less impressive, the choral sound richer textured to suit the occasion, and there is a great bass pedal effect near the end. … Solti has come to Belshazzar's Feast, a great British masterpiece, and in his refreshing way has given it a crisp, international look … It is certainly a most distinctive performance, sharply focused and helped by a recording of superb clarity and brilliance … Indeed the range and bite of the sound here is little short of miraculous” Gramophone Magazine (Belshazzar’s Feast, Coronation Te Deum)

“The disc thus gives a panorama of the composer's choral development over five decades … Preston has welded the choir into a most expressive and flexible instrument … The disc does credit to all concerned and will add lustre to the already high standard of Argo recordings in this field.” Gramophone Magazine (CD2: Choral works)

“Heather Harper’s singing … is a constant pleasure. Paul Hamburger, a first-rate accompanist who has appeared far too little on records, plays the quite demanding piano parts with great skill and sensitivity” Gramophone Magazine (Songs)

“This disc has important bonuses that all Walton devotees will value. The inclusion of The Wallace Collection brings an immediate advantage in the first choral item, the Coronation Te Deum, when the extra bite of brass adds greatly to the impact of a piece originally designed for very large forces in Westminster Abbey. Brass also adds to the impact of the final item, Antiphon, one of Walton's very last works, setting George Herbert's hymn Let all the world in every cornersing. The new disc also includes Walton's four carols, which makes this as comprehensive a collection of Walton's shorter choral pieces as could be imagined. As for the performances and recording, the professional group, Polyphony, with sopranos very boyish, have many of the advantages that the St John's Choir offer on Naxos in bright choral sound set in an ecclesiastical atmosphere. The acoustic of Hereford Cathedral is a little washy in places, and the balance of some of the solo voices is odd at times, yet the merits of these performances far outweigh any slight reservations, with the professional singers a degree more warmly expressive than the all-male St John's Choir.” Gramophone Classical Music Guide, 2010

“'Musts' for Yuletide music in the air …” San Francisco Chronicle

“the Christ Church Choir sing with devotion and exquisite tonal blending. Ensuring careful regard for the sacred texts the reverential singing of the trebles radiates considerable vocal character. The singers seem buoyed by Walton’s music some of which was written specifically for the choir.” MusicWeb International, August 2012

“Performed with every virtue and every grace including fresh, firm tone, uncanny precision and the finest possible control of grades and shades of volume.” Gramophone Magazine