Wolf, H: Philine (No. 8 from Goethe-Lieder)

This page lists all recordings of Philine (No. 8 from Goethe-Lieder), by Hugo Wolf (1860-1903) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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BBC Music Magazine

Choral & Song Choice
May 2012

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Goethe-Lieder: Das ewig Weibliche

Braunfels:	Die Trommel gerühret (first version), Op. 29 No. 2
Diepenbrock:	Kennst du das Land? (Mignon)
Ives, C:	Illmenau
Kempff:	Wandrers Nachtlied, Op. 61 No. 4
Krenek:	Monolog der Stella, Op. 57
Liszt:	Freudvoll und leidvoll, S.280 Über allen Gipfeln ist Ruh (Wandrers Nachtlied II), S.306
Medtner:	Wandrers Nachtlied II aus 'Neun Lieder von W. Goethe', Op. 6 No. 1
Mendelssohn, Fanny:	Ach, um deine feuchten Schwingen, H306
Schubert:	Suleika I, D720
Schumann:	Nachtlied, Op. 96 No. 1 So lasst mich scheinen Op. 98a No. 9 (Johann Wolfgang von Goethe)
Sommer, H:	Ach neige, du Schmerzenreiche Wandrers Nachtlied
Tchaikovsky:	None but the lonely heart, Op. 6 No. 6
Trojahn:	Bewundert viel und viel gescholten
Wagner:	Meine Ruh ist hin, Op. 5 No 6
Wolf, H:	Philine (No. 8 from Goethe-Lieder) Mignon I 'Heiß mich nicht reden' (No. 5 from Goethe-Lieder)

Marlis Petersen (soprano) & Jendrik Springer (piano)

For her first solo CD, Marlis Petersen and her partner Jendrik Springer have devised this programme of 19 lieder, from nearly two centuries of music, centreing on the concept of the 'Eternal Feminine'.

"For this CD we made a selection of songs sung by several female characters from Goethe’s dramas (Stella, Klärchen, Gretchen, Mignon, Philine, Suleika and Helena). Among them are a number of poems which have been set to music countless times in the past two centuries, but are today often known only in a standard setting: if one speaks of 'Gretchen am Spinnrade' or Klärchen’s 'Freudvoll and leidvoll' (to take just two examples), then each of us thinks immediately of the compositions by Franz Schubert and Ludwig van Beethoven respectively. These poems too are on our CD, but set by Richard Wagner and Franz Liszt! By choosing composers who are not usually associated with the lied genre (Ernst Krenek, Charles Ives) or in certain cases probably completely unknown to some listeners (Nikolay Medtner, the pianist Wilhelm Kempff), we wanted to encourage a fresh approach to the poems, one not cluttered by listening traditions. However, to make the selection of songs as varied and balanced as possible, we have also included a few well-known settings like Schubert’s 'Was bedeutet die Bewegung' or Robert Schumann’s 'So laßt mich scheinen'. Furthermore, Manfred Trojahn has contributed a new setting of words portraying Helen of Troy, thus bringing our survey right up to date. Between the individual groups and at the end we have placed a setting of Goethe’s second ‘Wanderer’s Night Song’, 'Über allen Gipfeln ist Ruh'. This is intended to serve as a restingpoint, an emotional ‘reset’; at the same time, it gave us the possibility of presenting a single poem in the interpretation of six different composers: the naive idyll of Hans Sommer and the threatening, doom-laden atmosphere of Nikolay Medtner’s setting are worlds away from each other. It was a thrill and a delight for us to explore this virtually inexhaustible musical treasure-trove in order to come up with an interesting selection of songs that amply repay discovery. We hope you will be as fascinated by this rich diversity as we were!" Marlis Petersen/Jendrik Springer

“the sheer range of Petersen's soprano and her interests enables her to compel and convince as much in 1821 Schubert as in German composer Manfred Trojahn's settings from 2008...Most fascinating and seductive of all are the rare settings of Goethe's Uber allen Gipfeln ist Ruh” BBC Music Magazine, May 2012 *****

“There are real treats here and on her best form Marlis Petersen is the kind of silvery-toned lyric soprano for whom some of these Goethe settings hold no fear. She is a natural Mignon in Alphonse Diepenbrock's Kennst du das Land and an appealing Helen of Troy in Manfred Trojahn's Bewundert viel und viel gescholten...it's a compelling piece, packed with drama as Helen contemplates her place in world history” International Record Review, May 2012

BBC Music Magazine

Choral & Song Choice - May 2012

BBC Music Magazine Awards 2013

Vocal Finalist

Harmonia Mundi - HMC902094

(CD)

$17.50

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Elisabeth Schwarzkopf - Early Song Recordings for German Radio

Includes

anon.:	Volkslied aus dem Berner Oberland O du liebs Aengeli Die Beruhigte (Bayerisches Volkslied) Z'lauterbach Han
Beethoven:	Das Geheimnis, WoO 145
Brahms:	Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33)
Busoni:	Unter den Linden, Op. 18 No. 2
Cornelius:	Heimatgedenken, Op. 16 No. 1 Die Duftigen Graese, Op. 16 No. 4 with Josef Greindl (bass)
Humperdinck:	Winterlied, EHWV 90
Loewe, C:	Vogelsang, Op. 9 No. 3 Abendstunde, Op. 130 No. 3 Fruehlingsankunft, Op. 130, 5 Der Spaziergang, Op. 9 No. 4 Die Verliebte Schaeferin, Op. 9 No. 3 Die Sylphide, Op. 9 No. 2 Zeislein, Op. 62 No. 1 Irrlichter, Op. 62 No. 6 O süße Mutter, Op. 62 No. 3 Kind und Mädchen, Op. 62 No. 2 Die Blume der Eingebung, Op. 63 No. 6 Das Glockenspiel mit der Phantasie Frühling, Op. 107 No. 3
Mozart:	Die Verschweigung, K518 Oiseaux, si tous les ans, K307
Rameau:	Hyppolyte et Aricie: Rossignols amoureux
Reger:	Ich glaub, Op. 18 No. 2 Viola d'amour, Op. 55 Waldseligkeit, Op. 62 No. 2 Die Verschmähte, Op. 70 No. 8 Wiegenlied, Op. 79d, 1
Rossini:	Soirées musicales: La Danza
Schumann:	Volksliedchen, Op. 51 No. 2
Strauss, J, II:	Geschichten aus dem Wienerwald, Op. 325
Strauss, R:	Hat gesagt - bleibt's nicht dabei, Op. 36 No. 3 Morgen, Op. 27 No. 4 Schlagende Herzen Op. 29 No. 2
Verdi:	Lo spazzacamino
Wolf, H:	Philine (No. 8 from Goethe-Lieder)

Elisabeth Schwarzkopf

“In these 1940s recordings of a wide range of repertoire, Elisabeth Schwarzkopf's voice sounds soubrettish, with injections of her own inimitable charm.” BBC Music Magazine, May 2007 ****

20% off Music & Arts

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Music & Arts - MACD1195

(CD - 2 discs)

Normally: $25.25

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Hugo Wolf: Lieder

Wolf, H:

Im Frühling (No. 13 from Mörike-Lieder)

Auf eine Christblume II (No. 21 from Mörike-Lieder)

Lied vom Winde

Rat einer Alten (No. 41 from Mörike-Lieder)

Ganymed (No. 50 from Goethe-Lieder)

Blumengruss (No. 24 from Goethe-Lieder)

Anakreons Grab (No. 29 from Goethe-Lieder)

Phänomen (No. 32 from Goethe-Lieder)

Frühling übers Jahr (No. 28 from Goethe-Lieder)

Der Schäfer (No. 22 from Goethe-Lieder)

Mühvoll komm ich und beladen (No. 7 from Spanisches Liederbuch: Geistliche Lieder)

Wer tat deinem Füßlein weh? (No. 30 from Spanisches Liederbuch: Weltliche Lieder)

Wehe Der, Die Mir Verstrickte

Tretet ein, hoher Krieger

Singt mein Schatz wie ein Fink

Wie Glanzet der Helle Mond

Das Köhlerweib ist trunken

Wandl' ich in dem Morgentau

Du Milchjunger Knabe

Wie lange schon war immer mein Verlangen (No. 11 from Italienisches Liederbuch)

Philine (No. 8 from Goethe-Lieder)

Elisabeth Schwarzkopf (soprano) & Gerald Moore (piano)

This is a recording of a live recital by these legendary performers, given in Salzburg in 1958.

Andromeda - ANDRCD9066

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$7.75

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Wolf: Lieder

Wolf, H:

An eine Æolsharfe (No. 11 from Mörike-Lieder)

Er ist's (No. 6 from Mörike-Lieder)

Gebet (No. 28 from Mörike-Lieder)

Im Frühling (No. 13 from Mörike-Lieder)

Agnes (No. 14 from Mörike-Lieder)

Begegnung (No. 8 from Mörike-Lieder)

Heimweh (No. 37 from Mörike-Lieder)

Der Gärtner (No. 17 from Mörike-Lieder)

Das verlassene Mägdlein (No. 7 from Mörike-Lieder)

Erstes Liebeslied eines Mädchens (No. 42 from Mörike-Lieder)

Epiphanias (No. 19 from Goethe-Lieder)

Die Spröde (No. 26 from Goethe-Lieder)

Die Bekehrte (No. 27 from Goethe-Lieder)

Hoch beglückt in deiner Liebe (No. 40 from Goethe-Lieder)

Mignon I 'Heiß mich nicht reden' (No. 5 from Goethe-Lieder)

Mignon II 'Nur wer die Sehnsucht kennt' (No. 6 from Goethe-Lieder)

Mignon III 'So lasst mich scheinen' (No. 7 from Goethe-Lieder)

Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder)

Philine (No. 8 from Goethe-Lieder)

Felicity Lott (soprano), Geoffrey Parsons (piano)

Chandos - CHAN8726

(CD)

$16.75

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Elisabeth Schwarzkopf sings Schubert & Wolf

Schubert:

Vedi quanto adoro (Didone abbandonata) D510A (Metastasio)

13th August 1960

with Gerald Moore (piano)

Wandrers Nachtlied I 'Der du von dem Himmel bist', D224

13th August 1960

with Gerald Moore (piano)

Auf dem Wasser zu singen, D774

13th August 1960

with Gerald Moore (piano)

Die Liebe hat gelogen D751 (Platen)

13th August 1960

with Gerald Moore (piano)

Seligkeit D433 (Holty)

13th August 1960

with Gerald Moore (piano)

Der Einsame, D800

13th August 1960

with Gerald Moore (piano)

Die Vogel D691

13th August 1960

with Gerald Moore (piano)

Das Lied im Grünen, D917

13th August 1960

with Gerald Moore (piano)

Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n'

13th August 1960

with Gerald Moore (piano)

Gretchen am Spinnrade, D118

13th August 1960

with Gerald Moore (piano)

Du bist die Ruh D776 (Rückert)

13th August 1960

with Gerald Moore (piano)

An Sylvia, D891

13th August 1960

with Gerald Moore (piano)

An mein Klavier D342 (Schubart)

13th August 1960

with Gerald Moore (piano)

Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe)

13th August 1960

with Gerald Moore (piano)

Ganymed, D544 (Goethe)

13th August 1960

with Gerald Moore (piano)

Nähe des Geliebten, D162

13th August 1960

with Gerald Moore (piano)

Fischerweise, D881 (Schlechta)

13th August 1960

with Gerald Moore (piano)

Wiegenlied, D498

13th August 1960

with Gerald Moore (piano)

An die Musik D547

13th August 1960

with Gerald Moore (piano)

Heidenröslein, D257

13th August 1960

with Gerald Moore (piano)

Ungeduld (No. 7 from Die schöne Müllerin, D795)

(encore) 7th August 1956

with Gerald Moore (piano)

Wolf, H:

Die Spröde (No. 26 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Phänomen (No. 32 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Epiphanias (No. 19 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Blumengruss (No. 24 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Anakreons Grab (No. 29 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Die Bekehrte (No. 27 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Ganymed (No. 50 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Frühling übers Jahr (No. 28 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Der Schäfer (No. 22 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Philine (No. 8 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Im Frühling (No. 13 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Elfenlied (No. 16 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Lebe wohl (No. 36 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Schlafendes Jesuskind (No. 25 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Auf eine Christblume I (No. 20 from Mörike-Lieder)

27th July 1958

with Gerald Moore (piano)

In der Frühe (No. 24 from Mörike-Lieder)

17th August 1963

with Gerald Moore (piano)

An den Schlaf (No. 29 from Mörike-Lieder)

17th August 1963

with Gerald Moore (piano)

Ein Stündlein wohl vor Tag (No. 3 from Mörike-Lieder)

17th August 1963

with Gerald Moore (piano)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Storchenbotschaft (No. 48 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Lied vom Winde

19th August 1957

with Gerald Moore (piano)

Selbstgeständnis (No. 52 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Mausfallen-Sprüchlein (from Lieder für eine Frauenstimme)

27th July 1958

with Gerald Moore (piano)

Nachtzauber (No. 8 from Eichendorff-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Die Zigeunerin (No. 7 from Eichendorff-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Tretet ein, hoher Krieger

27th July 1958

with Gerald Moore (piano)

Singt mein Schatz wie ein Fink

27th July 1958

with Gerald Moore (piano)

Du Milchjunger Knabe

27th July 1958

with Gerald Moore (piano)

Wandl' ich in dem Morgentau

27th July 1958

with Gerald Moore (piano)

Das Köhlerweib ist trunken

27th July 1958

with Gerald Moore (piano)

Wie Glanzet der Helle Mond

27th July 1958

with Gerald Moore (piano)

Mühvoll komm ich und beladen (No. 7 from Spanisches Liederbuch: Geistliche Lieder)

19th August 1957

with Gerald Moore (piano)

Herr, was trägt der Boden hier (from Spanisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

Bedeckt mich mit Blumen (No. 26 from Spanisches Liederbuch: Weltliche Lieder)

27th July 1958

with Gerald Moore (piano)

Wer tat deinem Füßlein weh? (No. 30 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Klinge, klinge, mein Pandero (No. 1 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Sie blasen zum Abmarsch (No. 28 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Wehe Der, Die Mir Verstrickte

19th August 1957

with Gerald Moore (piano)

Trau nicht der Liebe (No. 67 from Spanisches Liederbuch: Weltliche Lieder)

17th August 1963

with Gerald Moore (piano)

Mögen alle bösen Zungen (No. 13 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Geh' Geliebter, geh' jetzt (No. 34 from Spanisches Liederbuch: Weltliche Lieder)

19th August 1957

with Gerald Moore (piano)

Wie lange schon war immer mein Verlangen (No. 11 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Was soll der Zorn, mein Schatz, der dich erhitzt? (No. 32 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Nein, junger Herr, so treibt man’s nicht, fürwahr (No. 12 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch)

12th August 1953

with Wilhelm Furtwängler (piano)

Wer rief dich denn? Wer hat dich herbestellt?

19th August 1957

with Gerald Moore (piano)

Gebet; Nun lass uns Frieden schliessen

19th August 1957

with Gerald Moore (piano)

Ich esse nun mein Brot nicht trocken mehr

19th August 1957

with Gerald Moore (piano)

Nein, junger Herr, so treibt man’s nicht, fürwahr (No. 12 from Italienisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

O wär dein Haus durchsichtig wie ein Glas

19th August 1957

with Gerald Moore (piano)

Du sagst mir, dass ich keine Fürstin sei

19th August 1957

with Gerald Moore (piano)

Schweig' einmal still (No. 43 from Italienisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

Verschling der Abgrund meines Liebsten Hütte

19th August 1957

with Gerald Moore (piano)

Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch)

19th August 1957

with Gerald Moore (piano)

Elisabeth Schwarzkopf (soprano) & Wilhelm Furtwangler, Gerald Moore (piano)

Orfeo's Salzburg series finds its culmination in a group of songs by Hugo Wolf and Franz Schubert that Elisabeth Schwarzkopf sang between 1953 and 1963, with accompanists Wilhelm Furtwängler and Gerald Moore.

Schwarzkopf’s diction and the manner in which she moulds the text in Wolf’s Spanish and Italian Songbooks have remained a benchmark to the present day, and brought them to attention properly for the first time. She also turned Schubert songs such as Gretchen am Spinnrade into self-contained mini-dramas.

Orfeo - Orfeo d'Or - Salzburger Festspieldokumente - C826103D

(CD - 3 discs)

$37.50

Usually despatched in 3 - 4 working days.