Wolf, H: Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

Ein Stündlein wohl vor Tag (No. 3 from Mörike-Lieder)

Jägerlied (No. 4 from Mörike-Lieder)

Der Tambour (No. 5 from Mörike-Lieder)

Er ist's (No. 6 from Mörike-Lieder)

Das verlassene Mägdlein (No. 7 from Mörike-Lieder)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

Fussreise (No. 10 from Mörike-Lieder)

An eine Æolsharfe (No. 11 from Mörike-Lieder)

Verborgenheit (No. 12 from Mörike-Lieder)

Agnes (No. 14 from Mörike-Lieder)

Elfenlied (No. 16 from Mörike-Lieder)

Der Gärtner (No. 17 from Mörike-Lieder)

Zitronenfalter im April (No. 18 from Mörike-Lieder)

Um Mitternacht (No. 19 from Mörike-Lieder)

Auf eine Christblume I (No. 20 from Mörike-Lieder)

Auf eine Christblume II (No. 21 from Mörike-Lieder)

Seufzer (No. 22 from Mörike-Lieder)

Schlafendes Jesuskind (No. 25 from Mörike-Lieder)

Karwoche (No. 26 from Mörike-Lieder)

Sophie Daneman (soprano), Anna Grevelius (mezzo), James Gilchrist (tenor), Stephan Loges (baritone), Sholto Kynoch (piano)

This is the first disc in a series that will be the first ever complete edition of the songs of Hugo Wolf. These performances were recorded live at the Oxford Lieder Festival (in the Holywell Music Room) on 22nd October 2010.

“their performances are acutely sensitive to Wolf's musical nerve system. And, best of all, a sense of intimacy, of close confiding with the audience, really does come over - invaluable for private listening...Festival director Sholto Kynoch is a vivid and sentient accompanist.” BBC Music Magazine, September 2011 ****

“Grevilius’s mezzo rises to the challenge of “Seufzer” and Daneman’s soprano brings sweetness to “Zitronenfalter im April”.” Financial Times, 25th June 2011 **

“The team of four singers is first-rate, responsive in every way, and if anything even more remarkable is the work of their pianist, Sholto Kynoch, displaying an exceptional expressive range, not only ideally agile but with the most subtle range of tone and dynamic...Altogether an impressive achievement from an enterprising new company.” Gramophone Magazine, January 2011

“Daneman, Grevelius, Gilchrist and Loges are top-flight lieder singers, with Oxford Lieder founder and pianist Sholto Kynoch offering sensitive support. Richard Stokes provides excellent notes and translations.” The Observer, 22nd May 2011

Stone Records Hugo Wolf Complete Songs - 5060192780086

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Edition Fischer-Dieskau Vol. 1 - Wolf's Morike-Lieder

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

Neue Liebe (No. 30 from Mörike-Lieder)

Wo find'ich Trost? (No. 31 from Mörike-Lieder)

Heimweh (No. 12 from Eichendorff-Lieder)

Der Jäger (No. 40 from Mörike-Lieder)

Lied eines Verliebten (No. 43 from Mörike-Lieder)

Gesang Weylas (No. 46 from Mörike-Lieder)

Bei einer Trauung (No. 51 from Mörike-Lieder)

Selbstgeständnis (No. 52 from Mörike-Lieder)

Audite Fischer-Dieskau Edition - AUDITE95599

Dietrich Fischer-Dieskau & Hertha Klust

“Wolf's songs require the finest judgement of shifting tones of voice, the closest of close focus. That's just what the 18 selected settings (out of 53) of the poetry of Eduard Mörike receive here. All but one is accompanied by the minutely sensitive Hertha Klust, Fischer-Dieskau's coach and chosen accompanist at the time.” BBC Music Magazine, September 2008 *****

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Wolf: Morike-Lieder (Vol. 1)

An eine Æolsharfe (No. 11 from Mörike-Lieder)

Frühling übers Jahr (No. 28 from Goethe-Lieder)

Wo find'ich Trost? (No. 31 from Mörike-Lieder)

Gebet (No. 28 from Mörike-Lieder)

Schlafendes Jesuskind (No. 25 from Mörike-Lieder)

Fussreise (No. 10 from Mörike-Lieder)

Karwoche (No. 26 from Mörike-Lieder)

Seufzer (No. 22 from Mörike-Lieder)

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

Frage und Antwort (No. 35 from Mörike-Lieder)

Um Mitternacht (No. 19 from Mörike-Lieder)

An den Schlaf (No. 29 from Mörike-Lieder)

Denk es, o Seele! (No. 39 from Mörike-Lieder)

Der Musensohn, D764 (Goethe)

Dietrich Henschel (bass-baritone), Fritz Schwinghammer (piano)

Farao - B108007

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$15.75

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Voices of our Time - Ian Bostridge

Schubert:

Wehmut, D772 (Collin)

Der Zwerg, D771 (Collin)

Nacht und Träume, D827

An die Entfernte, D765 (Goethe)

Am Flusse D160 (Goethe)

Willkommen und Abschied, D767

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

An die Leier, D737 (Bruchmann)

Im Haine, D738

Erlkönig, D328

Der Knabe und das Immlein (No. 2 from Mörike-Lieder)

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

Gebet (No. 28 from Mörike-Lieder)

An den Schlaf (No. 29 from Mörike-Lieder)

Neue Liebe (No. 30 from Mörike-Lieder)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

Storchenbotschaft (No. 48 from Mörike-Lieder)

Abschied (No. 53 from Mörike-Lieder)

Christa Ludwig, Erik Werba

Ian Bostridge (tenor) & Roger Vignoles (piano)

“Wolf's Mörike-Lieder is where Bostridge's high literary intelligence comes into its own, with a highly compelling set of love-songs, both spiritual and sensual. Everywhere Vignoles is an inspired and inspiring accompanist.” BBC Music Magazine, July 2010 ***

	Region: 0
	Format: PAL
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TDK Voices of our Time - DVVTIB-EUR

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Strauss & Wolf Lieder

Liszt:	Es muss ein Wunderbares sein, S. 314
Strauss, R:	Gefunden Op. 56 No. 1 Die Nacht, Op. 10 No. 3 Morgen, Op. 27 No. 4 Allerseelen, Op. 10 No. 8 Ruhe, meine Seele!, Op. 27 No. 1 Du meines Herzens Krönelein, Op. 21 No. 2 Begegnung (Meeting), AV 72 Heimkehr, Op. 15 No. 5 Ach Lieb, ich muß nun scheiden!, Op. 21 No. 3 Die Zeitlose, Op. 10 No. 7 Zueignung, Op. 10 No. 1
Tchaikovsky:	None but the lonely heart, Op. 6 No. 6
Wolf, H:	Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder) In der Frühe (No. 24 from Mörike-Lieder) Der Gärtner (No. 17 from Mörike-Lieder) Anakreons Grab (No. 29 from Goethe-Lieder) Verschwiegene Liebe (No. 3 from Eichendorff-Lieder) In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder) Bedeckt mich mit Blumen (No. 26 from Spanisches Liederbuch: Weltliche Lieder) Mühvoll komm ich und beladen (No. 7 from Spanisches Liederbuch: Geistliche Lieder) Mignon I 'Heiß mich nicht reden' (No. 5 from Goethe-Lieder) Mignon II 'Nur wer die Sehnsucht kennt' (No. 6 from Goethe-Lieder) Mignon III 'So lasst mich scheinen' (No. 7 from Goethe-Lieder) Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) Wie lange schon war immer mein Verlangen (No. 11 from Italienisches Liederbuch) Nimmersatte Liebe (No. 9 from Mörike-Lieder)

Orfeo - Orfeo d'Or - Salzburger Festspieldokumente - C613031B

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Wolf: Mörike-Lieder (selections)

Fussreise (No. 10 from Mörike-Lieder)

Er ist's (No. 6 from Mörike-Lieder)

Heimweh (No. 37 from Mörike-Lieder)

Verborgenheit (No. 12 from Mörike-Lieder)

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

Denk es, o Seele! (No. 39 from Mörike-Lieder)

Wo find'ich Trost? (No. 31 from Mörike-Lieder)

Der Feuerreiter (No. 44 from Mörike-Lieder)

Um Mitternacht (No. 19 from Mörike-Lieder)

Die Geister am Mummelsee (No. 47 from Mörike-Lieder)

Storchenbotschaft (No. 48 from Mörike-Lieder)

Auftrag (No. 50 from Mörike-Lieder)

Abschied (No. 53 from Mörike-Lieder)

Vedi quanto adoro (Didone abbandonata) D510A (Metastasio)

Roman Trekel (baritone), Oliver Pohl (piano)

“There can be no better advocate of Hugo Wolf than Roman Trekel, now at the peak of his career as a Lieder interpreter, who presents this deeply satisfying recital of the best of the Mörike Lieder.
These inspired songs need, above all, the kind of intense expression and intimate, detailed treatment that Trekel brings them. Performed as convincingly as they are here, they offer a particular frisson of individual accent that no other composer in the genre, whatever their other merits, quite equals: words and music seem as though they were written at one and the same time Trekel achieves an ideal fusion of tonal security, sense of line and word-painting. In a comparatively long and complex Lied such as 'Im Frühling', he and the admirable Oliver Pohl traverse all the points of the expressive compass, and all the nuances of dynamics that belong to them. In that surpassingly sincere and beautiful love-song 'An die Geliebte' they build to the climax from 'Von Tiefe dann zu Tiefen' with a confidence that bespeaks long familiarity with the piece.
Even better is the heartache they bring to 'Peregrina II' and 'Lebe wohl', where Wolf seems to enter into all the poet's suffering at the hands of a beloved. They also find the inner spirituality of the religion-inspired settings, such as 'Auf ein altes Bild' and 'Denk' es o Seele', the latter so compelling for saying so much in such a short time. In a quite different vein, they rise marvellously to the frenzied melodrama of 'Der Feuerreiter', always a challenge to singer and pianist and one that's surely met here.
A truthful recording adds to the disc's merits.
Not so the notes, which omit any exposition of the songs and also English translations. Even so, this is a recital that ought to convert even Wolf heretics to the cause.” Gramophone Classical Music Guide, 2010

“Still too little known outside Germany, Roman Trekel brings to his selection of 22 Mörike Lieder a voice of burnt umber, a scrupulous sense of style (including a true legato) and a probing imagination, whether in an eager wondering "Auf einer Wanderung" or a musing unmawkish "Verborgenheit".” Gramophone Magazine, October 2008

Oehms - OC305

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Elisabeth Schwarzkopf sings Schubert & Wolf

Schubert:

13th August 1960

with Gerald Moore (piano)

Wandrers Nachtlied I 'Der du von dem Himmel bist', D224

13th August 1960

with Gerald Moore (piano)

Auf dem Wasser zu singen, D774

13th August 1960

with Gerald Moore (piano)

Die Liebe hat gelogen D751 (Platen)

13th August 1960

with Gerald Moore (piano)

Seligkeit D433 (Holty)

13th August 1960

with Gerald Moore (piano)

Der Einsame, D800

13th August 1960

with Gerald Moore (piano)

Die Vogel D691

13th August 1960

with Gerald Moore (piano)

Das Lied im Grünen, D917

13th August 1960

with Gerald Moore (piano)

Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n'

13th August 1960

with Gerald Moore (piano)

Gretchen am Spinnrade, D118

13th August 1960

with Gerald Moore (piano)

Du bist die Ruh D776 (Rückert)

13th August 1960

with Gerald Moore (piano)

An Sylvia, D891

13th August 1960

with Gerald Moore (piano)

An mein Klavier D342 (Schubart)

13th August 1960

with Gerald Moore (piano)

Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe)

13th August 1960

with Gerald Moore (piano)

Ganymed, D544 (Goethe)

13th August 1960

with Gerald Moore (piano)

Nähe des Geliebten, D162

13th August 1960

with Gerald Moore (piano)

Fischerweise, D881 (Schlechta)

13th August 1960

with Gerald Moore (piano)

Wiegenlied, D498

13th August 1960

with Gerald Moore (piano)

An die Musik D547

13th August 1960

with Gerald Moore (piano)

Heidenröslein, D257

13th August 1960

with Gerald Moore (piano)

Ungeduld (No. 7 from Die schöne Müllerin, D795)

(encore) 7th August 1956

with Gerald Moore (piano)

Die Spröde (No. 26 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Phänomen (No. 32 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Epiphanias (No. 19 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Blumengruss (No. 24 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Anakreons Grab (No. 29 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Die Bekehrte (No. 27 from Goethe-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

Ganymed (No. 50 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Frühling übers Jahr (No. 28 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Der Schäfer (No. 22 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Philine (No. 8 from Goethe-Lieder)

27th July 1958

with Gerald Moore (piano)

Elfenlied (No. 16 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

12th August 1953

with Wilhelm Furtwängler (piano)

Schlafendes Jesuskind (No. 25 from Mörike-Lieder)

12th August 1953

with Wilhelm Furtwängler (piano)

12th August 1953

with Wilhelm Furtwängler (piano)

Der Genesene an die Hoffnung (No. 1 from Mörike-Lieder)

19th August 1957

with Gerald Moore (piano)

Auf eine Christblume I (No. 20 from Mörike-Lieder)

27th July 1958

with Gerald Moore (piano)