Arnold: Overture 'The Roots of Heaven'

This page lists all recordings of Overture 'The Roots of Heaven', by Malcolm Henry Arnold (1921-2006) on CD & download (MP3 & FLAC).

Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.

The British Light Music Collection 1

The British Light Music Collection 1


Alwyn:

Suite of Scottish Dances

Arnold:

Overture 'The Roots of Heaven'

Little Suite No. 4

orch. Lane

Bennett, R R:

Little Suite

Blezard:

The River

Butterworth, A:

The Path across the Moors

Cruft:

Traditional Hornpipe Suite

Fenby:

Rossini on Ilkla Moor Overture

Hedges:

An Ayrshire Serenade, Op. 42

Jacob, G:

Overture 'The Barber of Seville Goes to the Devil'

Johnstone, M:

Tarn Hows (A Cumbrian Rhapsody)

Lane, P:

Suite Of Cotswold Folk Dances

Langford, A:

Two Worlds Overture

Langley:

The Coloured Counties

Lewis, P:

An English Overture

Lyon, D:

Joie de Vivre Overture

Parker, Clifton:

The Glass Slipper Overture

Sargent:

An Impression on a Windy Day

Warren, R:

Wexford Bells - Suite on Old Irish Tunes


Resonance - CDRSB205

(Sorry, download not available in your country)

The Film Music of Sir Malcolm Arnold Volume 2

The Film Music of Sir Malcolm Arnold Volume 2


Arnold:

Suite from 'Trapeze'

Overture 'The Roots of Heaven'

Symphonic Study 'Machines' for brass, percussion and strings, Op. 30

Suite from 'No Love for Johnnie'

Suite from 'David Copperfield'

Scherzetto for Clarinet and Orchestra from 'You Know What Sailors Are'

Ballade for Piano and Orchestra from 'Stolen Face'

Phillip Dyson (piano)

Comedy Suite (Exploits for Orchestra) from 'The Belles of St Trinian's'

Fantasy on Christmas Carols from 'The Holly and The Ivy'

Postcard from the Med from 'The Captain's Paradise'


“Almost all the film music here comes from the 1950s, when memorable ideas were pouring out of Arnold, and his unique orchestral palette was already glowing luminously.
The suite arranged by Philip Lane from Trapeze is quite outstanding in the quality of its invention, including a swinging tune for the horns in the Prelude, an engaging blues for saxophone and guitar to follow, an ebullient circus march, and a deliciously lugubrious 'Elephant waltz' for tuba duet, while the closing sequence opens hauntingly and then introduces an accordion to remind us we're in Paris. The suite from David Copperfield has a fine lyrical opening sweep, then introduces a delightfully quirky, syncopated moto perpetuo representing 'The Micawbers'. This features a solo clarinet, and Christopher Palmer has arranged another witty clarinet Scherzetto from an equally winning theme used in You Know What Sailors Are.
The concertante Ballade for Piano and Orchestra adeptly arranged by Lane from Stolen Face is less memorable, but the overture from The Rootsof Heaven (provided for the film's New York premiere) opens with a splendid Hollywood/ Waltonesque flourish, then follows with more catchy syncopation and a lilting waltz tune. Perhaps the most tender, romantic writing comes in No Love for Johnnie (after another rousing march). The irrepressible score for The Belles ofSt Trinian's (the composer's favourite film) has something of the audacious sparkle of Ibert's Divertissement, and if The Holly and the Ivy brings a rather predictable collection of familiar carols, for the most part fully scored and not particularly individual, the jaunty samba from TheCaptain's Paradise, which memorably had Alec Guinness in the bigamous title-role, makes a splendid finale.
The performances have plenty of zest, and the flow of bittersweet lyrical writing is poignantly caught by Rumon Gamba and the excellent BBC Philharmonic in a recording of top Chandos quality. If you enjoy film music, it doesn't come any better than this.”
Gramophone Classical Music Guide, 2010

Chandos Movies - CHAN9851

(CD)

$16.75

(also available to download from $10.50)

Usually despatched in 2 - 3 working days. (Available now to download.)

Copyright © 2002-13 Presto Classical Limited, all rights reserved.