Victoria: Ne timeas, Maria

“Harry Christophers's love of Victoria suffuses this sumptuous recording...the seamless plainsong, searing climaxes, subtle dynamic shading and responsiveness to text is captivating. The fit between the The Sixteen and the double choir format of much of the music is perfect. When divided, the choir sings as an intimate Renaissance ensemble, but when combined its power overflows Victoria's polyphonic lines.” BBC Music Magazine, May 2011 *****

“One is immediately struck by the glow-in-the-dark warmth of the choir's sound; Missa Alma Redemptoris is opulent without ever collapsing into indulgence,and Christophers' carefully judged dynamic terracing and vocal balance is ideal for capturing Victoria's radiant intervals and floating frequencies...This is state-of-the-art Renaissance singing” Classic FM Magazine, May 2011 *****

“Timing is everything: these performances always bring the gratifying sense of being created and refined in concert, working with and not against the resonance of a sacred space (All Hallows, Gospel Oak)...this disc celebrates the 400th anniversary of Victoria's death with a high majesty and temperature well suited to the occasion.” Gramophone Magazine, July 2011

“Victoria the contrapuntal genius is well understood by The Sixteen, as one can hear by the way the singers shape the melodic lines...with no sense of hurry, a real feeling for the way the chant in the Salve fits together with the polyphony, and an instinct for the precise weighting of chords at cadences...A more worthy tribute to this truly great composer is difficult to imagine.” International Record Review, May 2011

“The Sixteen sing with their usual well-blended polish and clarity.” Sunday Times, 6th March 2011 ****

“Victoria could apply himself equally to the sublime contemplation of Sancta Maria and to the jubilant fervour of the Magnificat, a range of expression that the Sixteen embraces.” The Telegraph, 18th February 2011 ****

“music that combines Iberian heat with Italianate polish. The Sixteen’s sunny, velvet-toned voices add a special glow to Victoria’s textures, which are sometimes complex but always humane.” The Times, 19th February 2011 ****

“Flawlessly produced” Daily Telegraph

“Splendid music, splendidly performed” Gramophone Magazine

“It needs a special voice to focus the attention so clearly on itself, and Mena’s fits the bill. He has an extraordinary range…I suspect that those who dislike the ‘churchy’ manner in which the music is so often staged will find it revelatory.” Gramophone Magazine, July 2004