All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Very Best of Jascha Heifetz
Albéniz: | Sevilla (from Suite Española, Op. 47) | Bach, J S: | Sonata for solo violin No. 1 in G minor, BWV1001 | Dinicu: | Hora Staccato | Elgar: | La Capricieuse, Op. 17 | Franck, C: | Violin Sonata in A major | Mozart: | Violin Concerto No. 4 in D major, K218 | Paganini: | Caprice for solo violin, Op. 1 No. 13 in B flat major Caprice for solo violin, Op. 1 No. 24 in A minor | Saint-Saëns: | Introduction & Rondo capriccioso, Op. 28 | Sarasate: | Zigeunerweisen, Op. 20 | Sibelius: | Violin Concerto in D minor, Op. 47 | Szymanowski: | Roxana's Song from the opera 'King Roger', for violin & piano | Vieuxtemps: | Violin Concerto No. 5 in A minor, Op. 37 |
Jascha Heifetz has been described as the ‘greatest twentieth-century exponent of his instrument’ (Gramophone). Critics admired his technical agility and the myriad nuances of his playing, qualities that made him one of the most iconic violinists of his era. This set includes a selection of concertos and sonatas that showcase Heifetz’s versatility and his extraordinary ability to capture the particular character of each piece in his repertoire. | 
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| |  | Journey Around the World (Classical Clubhouse)
Albéniz: | Sevilla (from Suite Española, Op. 47) | anon.: | La Cucaracha | Benjamin, A: | Jamaican Rumba | Berlioz: | La Damnation de Faust, Op. 24: Rákóczi March | Borodin: | In the Steppes of Central Asia | Copland: | Rodeo: Hoe down | Debussy: | Clair de Lune (from Suite Bergamasque) | Grainger: | Country Gardens | Rachmaninov: | Oriental Dance, Op. 2 No. 2 | Respighi: | Ancient Airs and Dances, Suite No. 3, P. 172: III. Siciliana | Sibelius: | Finlandia, Op. 26 | Smetana: | Má Vlast: Vltava | Strauss, J, II: | An der schönen, blauen Donau, Op. 314 |
Classical Music doesn’t get much more exciting than this! With the help of wonderful music (some familiar, some new) this collection encourages children to experience the fantastic array of world music styles and colourful portrayals of foreign lands in Classical Music. Featuring music from Debussy, Johann Strauss II, Copland and many others this selection will have kids thrilled with recreations of the American Wild West, learning the Jamaican Rumba, waltzing in Vienna and exploring the Steppes of Central Asia! A fully illustrated 44 page booklet presents an adventure-filled journey around the world challenging the reader to listen, see and recreate the wonders of the countries they visit. The text is designed to be read either by an older child of 5 or 6 or with an adult for the younger children. The writer is Sarah Breeden noted for the fun and informative programmes she has written for the BBC Children’s Proms. | | | In stock - usually despatched within 1 working day. |
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| |  | Miloš: The Guitar
‘The music on this CD reflects my character. It tells the listener who I am.’ Miloš Karadaglić Charismatic guitarist Miloš Karadaglić debuts on Deutsche Grammophon with an album saluting his instrument’s Mediterranean heritage. Born in the Balkan state of Montenegro, Miloš’s love-affair with the guitar began when he was eight, when his father played him a recording of Segovia making magic with Albeniz’s ‘Asturias’. Miloš gave his first public performance at nine, entered (and won) his first national competition at eleven. He became a star performer on television and radio, took guitar master-classes in Belgrade, and then, shortly after the end of the Balkan war, decided to try for a scholarship at London’s Royal Academy of Muisic. Miloš’s choices of solo repertoire as well as music for guitar and orchestra are guaranteed to appeal to all lovers of guitar, classical and non-classical alike. “He punched through this trio of ballads (El Decamerón Negro) with an innate poise and elegance that made you sit up and listen . . . And then the firecracker: A superbly inflected, impeccably judged rendition of Ginastera’s Sonata − a giant tapestry of sound combining luminous melancholy and bravura energy” (The Times) Bonus DVD The DVD features a 30min documentary with footage filmed in Montenegro and London. The film brings Miloš’s inspirational story to light, an evocative and beautifully photographed piece that explores his background and how he came to be who he is today. It will showcase Miloš’s talent, his style of play and unique approach to classical guitar and his desire to redefine it as a contemporary instrument. Miloš wants to make classical guitar matter; he wants us to fall in love with its beauty and raw passion and bring new audiences to its repertoire. The film will not just focus on Miloš the guitarist, but also the person behind the guitar. This will build a bridge between the human story and music, giving the viewer an opportunity to get to know a young man from Montenegro and how each stage of his life has contributed to bringing him to this point. “Karadaglic can articulate rapidly with the best of them, but what stands out even in busy textures is an unshakably serene breadth of phrasing, fluent rhythm and unforced rubato...Nor does he need to draw attention to his own virtuosity, and his music-making is all the more absorbing for it.” BBC Music Magazine, May 2011 ***** “Understandably, he focuses mainly on the instrument's Iberian heritage, with dextrous readings of the familiar Tárrega and Albéniz standards: the latter's Asturias is delivered with poise and clarity, while the superb trilling triplets of Tárrega's Recuerdos de la Alhambra are perfectly measured. Elsewhere, two tunes by Mikis Theodorakis offer a taste of the guitarist's Balkan heritage.” The Independent, 22nd April 2011 **** “The playing is lithe, subtle of timbre and transcendentally beautiful.” The Telegraph, 12th May 2011 ***** “there are masterpieces here: classic arrangements of piano pieces from Albeniz’s Suite espagnola and Granados’s Danzas espagnolas, dazzlingly played, and works by the contemporary composers Carlo Domeniconi and Mikis Theodorakis that emphasise the Islamic influence on this essentially Mediterranean music.” Sunday Times, 29th May 2011 **** “Karadaglić demonstrates exemplary technical skill and command of the instrument, musical flair and some really arresting and unusual tone colours in the style of his hero Julian Bream...He's at his most impressive and exciting in the transcriptions of piano works by Albeniz - Asturias and Granada - where his brilliant technique is evident.” Classic FM Magazine, July 2011 *** BBC Music Magazine
Instrumental Choice - May 2011 |
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| |  | Guitar - Greatest Works
Albéniz: | Córdoba (from Chants d’Espagne Op. 232) Sevilla (from Suite Española, Op. 47) | Beethoven: | Adelaide, Op. 46 | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) | Debussy: | Golliwog's Cakewalk (from Children's Corner) | Falla: | Polo (No. 7 from Siete canciones populares españolas ) Canción (No. 6 from Siete canciones populares españolas) El sombrero de tres picos: Danza del molinero (farruca) | Fürstenau, C: | Pieces (12) for flute & guitar, Op. 34: excerpts | Galilei, V: | Counterpoint for two guitars | Marais, M: | Les Folies d'Espagne, 32 Variations pour flûte seule | Martin, F: | Quatre Pieces Breves | Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 | Mozart: | Abendempfindung an Laura, K523 | Narvaez: | Diferencias on Guardame las Vacas Tres diferencias por otra parte Canción del Emperador (sobre "Mille Regretz" de Josquin des Prez) Baxa de contrapunto | Paganini: | Sonata for violin & guitar in A major, Op. 3 No. 1, MS 27/1 Sonata for violin & guitar in A major, Op. 3 No. 5, MS 27/5 Sonata for violin & guitar in E minor, Op. 3 No. 6 | Rodrigo: | Invocación y danza | Schubert: | Ständchen 'Leise flehen meine Lieder', D957 No. 4 Der Unglückliche, D713 | Sor: | L'Encouragement, Op. 34 | Vivaldi: | Trio Sonata for Violin, Lute and Basso Continuo in C major, RV 82 |
Klaus & Rainer Feldman, Monika & Jurgen Rost, Eckart Haupt & Christian Funke 2CDs for price of 1 This comprehensive collection includes works for two guitars, solo guitar, flute and guitar and violin and guitar. | | | In stock - usually despatched within 1 working day. |
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| |  | 40 Degrees North
Supremely talented guitarist Xuefei Yang’s second disc for EMI Classics, 40 Degrees North, comprises guitar music from Spain and China. Xuefei Yang was not only the first guitarist in China to enter music school and later to graduate from the Central Conservatory of Music in Beijing with a Bachelor of Arts degree, but she was also the first Chinese guitarist to study classical guitar in the West. The disc is so titled because the capital cities of both countries lie near latitude 40 degrees north. As Yang says: “To me, this parallel has come to symbolize the connection I feel to the music of both countries.” The Spanish repertoire includes original solo guitar compositions (such as Tárrega’s Carnival of Venice) as well as arrangements of pieces written for piano or two guitars (Albéniz’s Seguidillas). Many of these works appear in new arrangements by Yang herself. Since China has no established guitar repertoire of its own, the Chinese pieces on this recording originate either from arrangements of traditional Chinese pieces (including two traditional Chinese folk songs arranged for guitar by Gerald Garcia), or new compositions based on Chinese themes (such as Welsh composer Stephen Goss’s Chinese Garden, written especially for Yang). Also included on this recording is Butterfly Lovers, originally written as a violin concerto using Western orchestral instruments and arguably the best known piece of Chinese music. “One of the most satisfying and well thought-out classical guitar programmes I've heard in a long while… Yang's playing exhibits that kind of subtle intelligence that makes even the most disparate elements seem effortlessly to cohere.” Gramophone Magazine, July 2008 “From Beijing to Wimbledon, this is consummate guitar playing from a lady with no equal.” Classic FM Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Itzhak Perlman - Violin Encores
Achron, J: | Hebrew Melody, Op. 33 | Albéniz: | Sevilla (from Suite Española, Op. 47) | Arensky: | Serenade for Violin & Piano, Op. 30 No. 2 | Bazzini: | La Ronde des lutins, Op. 25 | Castelnuovo-Tedesco: | Tango | Debussy: | La plus que lente Petite Suite: Menuet Golliwog's Cakewalk (from Children's Corner) Petite Suite: En bateau | Drigo: | Valse Bluette for Viola & Piano | Elgar: | Salut d'amour, Op. 12 | Fauré: | Berceuse, Op. 16 | Foster, S: | I Dream of Jeanie with the Light Brown Hair | Gershwin: | It Ain't Necessarily So (from Porgy and Bess) Preludes (3) | Godowsky: | Triakontameron No. 11 'Alt Wien' | Grasse, E: | Wellenspiel (Waves at Play) | Halffter, E: | Danza de la gitana | Mendelssohn: | Song without Words, Op. 19b No. 1 in E major 'Sweet Remembrance' | Paganini: | Sonata for violin & guitar in E minor, Op. 3 No. 6 | Rachmaninov: | Prelude Op. 23 No. 5 in G minor Melody, Op. 21 No. 9 How fair this spot, Op. 21 No. 7 Vocalise, Op. 34 No. 14 | Rameau: | Rigaudon | Ravel: | Valses nobles et sentimentales No. 6 in C major Valses nobles et sentimentales No. 7 in A minor | Rimsky Korsakov: | Flight of the Bumble Bee | Sarasate: | Danza Española No. 4: Jota Navarra, Op. 22, No. 2 Danza Española No. 2: Habanera, Op. 21, No. 2 Danza Española No. 5: Playera Op. 23 No. 1 | Schumann: | The Prophet Bird Op. 82 No. 7 | Stravinsky: | Chanson Russe | Suk: | Four Pieces for Violin and Piano, Op. 17: Nos. 3 & 4 | Taeye: | Humoresque | Tchaikovsky: | Souvenir d'un lieu cher, Op. 42: Mélodie in E flat major | trad.: | Deep River | Vale, F: | Prelude No. 15 'Ao pé da fogueira' | Wieniawski: | Polonaise brilliante No. 2 in A major, Op. 21 Mazurka in G major, Op. 19 No. 1 'Obertas' Polonaise brilliante No. 1 in D major, Op. 4 Scherzo-Tarantelle in G minor, Op. 16 |
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| |  | Popular Guitar Classics
Julian Byzantine (Guitar) | | | In stock - usually despatched within 1 working day. |
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| |  | Cavatina: Guitar Classics
Albéniz: | Granada (from Suite española No. 1, Op. 47) Sevilla (from Suite Española, Op. 47) | Barrios Mangoré: | Vals, Op. 8 No. 4 Maxixe | Brouwer, L: | Guajira criolla Preludio in D | Donostia: | Onazez! Dolor | Duarte, J W: | Idylle Pour Ida | Granados: | Danza española, Op. 37 No. 10 'Melancólica' | Lauro: | Vals venezolano No. 3 'Vals criollo' or 'Natalia' | Malats: | Serenata espanola | Myers: | Cavatina (from The Deerhunter) | Núñez, Enrique: | Tango for guitar, Op. 7 | Ponce, M: | Prelude No. 9 in E major | Sardinha: | Naqueles Velhos Tempos | Tárrega: | Recuerdos de la Alhambra María, gavota Adelita | Villa-Lobos: | Chôros No. 1 for guitar |
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| |  | Andres Segovia: Guitar Magician
Albéniz: | Sevilla (from Suite Española, Op. 47) Piezas Características, Op. 92: Torre Bermeja | Castelnuovo-Tedesco: | Guitar Concerto No. 1 in D major, Op. 99 | Granados: | Danza española, Op. 37 No. 5 'Andaluza' Tonadillas: No. 7, La maja de Goya | Ponce, M: | Sonatina Meridional Sonata clasica "Hommage A Fernando Sor": 4th movement, Allegro | Torroba: | Madroños Dos Canciones Catalanas Suite Castellana: No. 1, Fandanguillo Suite Castellana: No. 2, Arada | Turina: | Fandanguillo, Op. 36 | Villa-Lobos: | Etude for Guitar, W 235 No. 1 in E minor Etude for Guitar, W 235 No. 8 in C sharp minor | Visée: | Entrada y Giga; Bourrée y Minueto |
Recorded 1949-52 | | | In stock - usually despatched within 1 working day. |
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| |  | Guitar Recital: Rovshan Mamedkuliev
Rovshan Mamedkuliev (Winner, 2012 Guitar Foundation of America (GFA) Competition) Rovshan Mamedkuliev was first prize-winner at the prestigious Guitar Foundation of America Competition in 2012, and now stands as one of the world’s most exciting young instrumentalists. He has constructed a programme with several themes. Iberian music is represented by Falla, Albéniz and Turina, and by two of the titans of guitar playing, Miguel Llobet and Francisco Tárrega. He also includes music by his Azerbaijani compatriot, Fikret Amirov, whose folkloric-influenced music is another thematic link. The kaleidoscopic Just How Funky Are You by Andrew York and Leo Brouwer’s An Idea explore the guitar’s contemporary vitality. This recital disc demonstrates a number of facets at Mahmedkuliev’s disposal. He celebrates the Spanish lineage of the instrument with some canonic pieces, but also appeals more widely via contemporary music and by promoting the music of his compatriot. This disc will appeal both to admirers of this exciting new guitarist and to his repertoire choices. | 
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