Saint-Saëns: Rapsodie d'Auvergne for piano & orchestra Op. 73

“If Saint-Saëns's idiom once answered – and maybe still does – to qualities fundamental to the French musical character, it must be said straight away that Hough sounds the complete insider. He commands the range of the big statements, whatever their character, as well as sparkle and panache, a sense of drama and seemingly inexhaustible stamina; and he can charm. Yet perhaps most delightful is the lightness and clarity of his decorative playing.
It's a bonus for the virtuoso passages not to sound hectic or overblown – for Saint-Saëns, virtuosity always had an expressive potential.
There's an air of manufacture about the writing sometimes, certainly, but as Hough knows, there must be nothing mechanical in its delivery.
Sweeping across the keyboard, dipping and soaring through the teaming notes, he flies like a bird. He manages to convey what makes these pieces tick: fine workmanship, fantasy, colour, and the various ways Saint-Saëns was so good at combining piano and orchestra. The orchestra has plenty to do. These scores are textbooks of lean but firm orchestration from which at least one major French composer learned (Ravel, another eclectic, who must have seen the 'old bear' as a kindred spirit). The days are past when the CBSO under Louis Frémaux was considered Britain's 'French' orchestra, but with Sakari Oramo it does splendidly here, playing alertly with its inspiring soloist as he does with it (another plus). The recording balances are fine, with lovely piano sound and plenty of orchestral detail in natural-sounding perspectives.” Gramophone Classical Music Guide, 2010

“Marvellous performances of these delightful and ever inventive works from Stephen Hough, full of joy, vigour and sparkle, with Oramo and the CBSO acompanying spiritedly and with the lightest touch...An easy first choice for this repertoire.” Penguin Guide, 2011 edition

“…to hear Saint-Saëns play over an hour of his own music in thoroughly modern sound is undeniably haunting.” BBC Music Magazine, December 2005 ***