All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Dowland in Dublin
Michael Slattery (tenor), Sylvain Bergeron & Seán Dagher (direction & arrangements) La Nef Dowland dedicated his song From Silent Night “To my loving countryman, Mr. John Forster the younger, merchant of Dublin, in Ireland”, revealing his possible Irish origins. Working closely with the American tenor Michael Slattery, La Nef gives Dowland’s Ayres a simple celtic flavour. “…a talented and serious artist.” Gramophone. “La Nef has pared down Dowland's complex accompaniments, aiming for a Celtic, folky feel. Dowland-lite it may be, but the recital is beautifully performed.” BBC Music Magazine, July 2012 **** | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
|
|
| |  | Britten & Dowland - Lute Songs
“Padmore provides context by singing Dowland's original song before Craig Ogden steals in, alert to the Nocturnal's every nuance, and with a palette of colours both caressing and disquieting. Completing the frame, 'Flow my Tears' is beautifully inflected, though finer still is 'In Darkness let me Dwell' where in the final bars Padmore's enrapt engagement seems to conjure up the very chill of death.” BBC Music Magazine, February 2008 **** “Mark Padmore again shows why he is one of today's finest tenors. The quicker songs, like "Away with these self-loving lads", gain in clarity from a semi-declamatory approach, while the slower are eerily viol-like.” Gramophone Magazine, Janurary 2008 “A simply brilliant disc. I can’t praise it enough. A bronze Liz Kenny should be on the empty plinth in Trafalgar Square, in my opinion” Early Music Today “Since Emma Kirkby’s first recording in the late-1970s, we have known what to expect from Dowland’s lute songs. Some fine discs have followed, but not until Mark Padmore and Elizabeth Kenny’s new release has there been one as radical in
its potential impact on our understanding of the music. With tonal purity intact, voice and lute add subtle decoration, rhythmic fluidity, drama and rich poetic sensibility to these songs” The Independent on Sunday “... extraordinary diction and whispering chamber-like intimacy … [Mark Padmore] joy in conveying the emotional core of each situation” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
|
|
| |  | English Folksongs and Lute Songs
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | To touch, to kiss, to dieEnglish Songs of Purcell, Matteis & Dowland
Dowland: | Lachrimae Pavan, P. 15 Come again, sweet love doth now invite I saw my Lady weepe Flow my teares (Lacrimæ) Say love if ever thou didst find | Matteis the Elder: | A Collection of New Songs (1696-1692) | Poole, A: | S. Justinas for viola da gamba solo | Purcell: | If music be the food of love, Z379 She loves and she confesses too, Z413 I attempt from love's sickness to fly in vain (from The Indian Queen) Music for a while, Z583 A New Ground in E minor, Z. T682 Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585) O solitude, my sweetest choice, Z406 |
Valer Barna-Sabadus (countertenor), Olga Watts (harpsichord), Axel Wolf (lute), Pavel Serbin (baroque cello) Johann Adolph Hasse: Reloaded (OC830 featuring Valer Barna-Sabadus) was enthusiastically reviewed by critics and was included on the German Record Critics’ ‘Best List’. This title was recorded in September 2012 and features an all English programme of songs, beautifully sung and recorded in the Himmelfahrtskirche in Munich. “Barna-Sabadus's strikingly high countertenor displays alluring tone rather than clear diction. He's stylishly accompanied” BBC Music Magazine, June 2013 **** | 
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |  | The Queen: Music for Elizabeth I
The Toronto Consort: Michele DeBoer (soprano), David Fallis (tenor), Ben Grossman (cittern), Katherine Hill (soprano, viola da gamba), Paul Jenkins (tenor, harpsichord), Terry McKenna (lute, bandora), Alison Melville (recorder, renaissance flute), John Pepper (bass), Laura Pudwell (mezzo-soprano), with Lucas Harris (lute, bandore) & Christopher Verrette (violin) ‘The Queen’ is a new CD by the Toronto Consort – numbering some of Canada’s leading early music specialists – which recreates musical life at the court of Elizabeth I. Many of these songs were written for or about this remarkable monarch, while others are songs that would have been performed at her court. The Toronto Consort is Canada’s foremost chamber ensemble specialising in the music of the Middle Ages, Renaissance, and early Baroque periods. The consort members include both singers and instrumentalists (lute, recorder, guitar, flute, early keyboards and percussion).They have previously produced a recording for Marquis titled “Praetorius Christmas Vespers” (774718133526), as well as several CDs for the American label Dorian. Queen Elizabeth the First was an accomplished musician so it is likely that she played many of the songs featured on this album. Elizabeth was also, famously, a lover of dancing and dance music. Even as she lay dying, Elizabeth is said to have asked for music so that she might die as gaily as she lived. She heard music until her last breath. | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | John Dowland: Lute Songs
Damien Guillon (countertenor) & Eric Bellocq (lute) Damien Guillon has chosen for his first solo recital disc a refined, subtle and melancholy repertoire, which he has gone on to explore in depth and polish in genuine chamber style with the lutenist Eric Bellocq, an expert in Renaissance music. Eric Bellocq plays a liuto forte from André Burguete’s conception, an instrument which enables the player to develop a larger sound possibilities creating a true dialogue with the singer and a great freedom in improvisation. Damien Guillon started at an early age as a member of child’s choir Brittany, then at the Versailles Baroque Center while studying organ and harpsichord. In 2004, he was admitted to the countertenor Andreas Scholl’s class at the Schola Cantorum Basiliensis… He was soon spotted by such well-known conductors as Jordi Savall, Vincent Dumestre, Hervé Niquet, Jérôme Correas, Philippe Pierlot, Jean-Claude Malgoire, Christophe Rousset, William Christie, and Philippe Herreweghe. He has founded his own ensemble, Le Banquet Céleste, with which he has performed at Les Nuits Musicales d’Uzès and the Froville Festival. Their repertoire includes Vivaldi’s Nisi Dominus, Pergolesi’s Stabat Mater, and the cantatas for alto and obbligato organ of J. S. Bach, which will be Damien Guillon’s next recording project on Zig-Zag Territoires. | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Remembrance of Things PastLute Songs and Solo by John Dowland & Peter Croton
Peter Croton (lute), Theresia Bothe (soprano), Derek Lee Ragin (countertenor) Guild is pleased to present music by John Dowland combined with world premiere recordings of 5 new lute songs by Peter Croton, lute teacher at the renowned Schola Cantorum Basiliensis. An additional feature of this recording is the inclusion of new lute solos arranged by Croton based on Dowland songs. In CONCERTO Magazine: “The manner in which the Bothe/Croton duo, with intelligent emotionality and natural passion, was able to uncover new aspects of lute songs by Dowland totally enchanted the audience, which exploded in thunderous applause”. In the GERMAN LUTE SOCIETY newsletter: “The few attempts to extend the lute repertory into the 20th and 21st centuries have not attracted the attention of the listening public. All the more welcome, therefore, is the opportunity to report here songs which in my opinion have the potential to become a permanent part of the lute song repertory… the audience is treated to music both challenging and refined. Bothe’s voice is a feast for the ears, Croton’s playing is lively and impeccable”. Special guest Derek Lee Ragin is regarded as one of the foremost vocal artists of our day and is also known to a wide international audience from the soundtrack to the film "Farinelli”. “Croton is a fine lutenist, with an acute ear for colour, and he possesses a strong technique...What gives this project even greater resonance is the chosen singer, Theresia Bothe. Her voice...embodies elements of classical purity in places but also has a decided folk influence...So this is a somewhat out of the way disc, pursuing a very individual slant on Dowland” MusicWeb International, 30th July 2010 “Theresia Bothe’s voice is very individual. Her expressiveness comes from the emphasis and colouring of certain words and the breaking of phrases, rather than ornamenting or varying the music...Hearing all this new material created by Croton is like discovering new works by Dowland, such is his sense of style and his ability to emulate Dowland’s melodic gift.” Lute News, April 2010 | | | Usually despatched in 8 - 10 working days. |
|
|
| |  | Awake, sweet love
| | In terrors trapp’d with thraldom thrust William Hunnis (attributed) | anon.: | Come tread the paths of pensive pangs | Campion: | Author of Light Oft have I sigh’d for him that hears me not | Danyel: | Eyes, look no more Thou pretty bird, how do I see I die whenas I do not see | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) Flow my teares (Lacrimæ) A Fancy solo lute Sorrow, stay The most sacred Queene Elizabeth her Galliard solo lute Go, nightly cares Now, O now, I needs must part Prelude for lute A Fantasie solo lute Say love if ever thou didst find Frog Galliard solo lute Awake, sweet love Tell me, true Love | Ferrabosco, A I: | Pavin solo lute | Ford, T: | Since first I saw your face | Johnson, E: | Eliza is the fairest Queen |
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Dowland: Lute Songs and Ayres
Ben Cohen (lute), Kristine Hurst (soprano) | |
|
| |  | Honey From The HiveSongs by John Dowland
“The intimacy of the lute song suits Kirkby's musical personality perfectly, giving her the freedom to embellish the melodic line and colour the text with subtle nuances. Anthony Rooley proves a sensitive and discrete accompanist…” BBC Music Magazine, April 2006 **** “…the melancholy strain is never far from view in this latest selection of John Dowland's songs impeccably performed by Emma Kirkby and Anthony Rooley. Some of Dowland's most poignant songs are here, including Flow my teares, which uses the famous 'Lachrimae' tune. The performances are no less poignant.” Gramophone Magazine, April 2006 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |
|