Telemann: Overture (Suite) TWV 55:G10 in G major for strings & b.c. 'Burlesque de Don Quixotte' (Burlesque de Quixote)

“This disc is a delight from start to finish, the generous playing time giving one almost enough time to marvel at the composer's seemingly limitless imagination” Classical Music, August 2012 *****

“The highlight is the Burlesque de Quichotte, one of the most brilliantly imaginative of all Telemann suites...For their wit, verve and flair, and for those first two pieces especially, Les Esprits Animaux look like a group to watch.” Gramophone Magazine, March 2012

“The two concertos fare well in the hands of these young musicians. The Concerto in E minor for treble recorder, flute and strings has many rivals in the catalogue and this one ranks among the most accomplished of them. The two slow movements are limpidly poised and the 'Polish' finale crisply articulated, commendably vivacious and, in a word, infectious....Apart from an occasional inclination to play to the gallery this is an excellent debut recording” International Record Review, January 2012

‘No collector will want to miss this series…this is a stylish, brilliant performance of all the works.’ (American Record Guide)

“Telemann is never more irresistible than when he's in light-hearted pictorial mode, and both these new releases feature one of the most entertainingly evocative of all his overture-suites for strings, the Burlesque de Quixote. Taking episodes from the Cervantes novel as its inspiration, it provides us with a memorable sequence of cameos, from the deluded Don tilting at windmills and sighing with love, to Sancho Panza tossed high in a blanket, to portrayals of the pair's respective steeds. Telemann achieves all this with such humour and descriptive precision that, when you hear it, you'll surely laugh in delighted recognition. What a good film composer he would have been! Both performances strike an appropriate tongue-in-cheek attitude. Northern Chamber Orchestra show good style and a pleasingly light and clear texture, unclouded by excessive vibrato or over-egged string tone. Only at the bass end does the sound occasionally become a little thick, but this is really quibbling when what we actually have is a good demonstration of how to perform Baroque music on modern strings. It still makes quite a contrast with Collegium Musicum 90, however, whose period instruments, recorded more intimately, sound slighter and sparkier.
Having already recorded so much of Telemann's music, they sound more at home and have that extra ounce of freedom to enjoy themselves.
The couplings of the Chandos disc are more interesting. For all that the NCO offer another attractive string suite, La Lyra, containing a typically realistic and beguiling hurdy-gurdy impersonation, the D major Overture isn't especially memorable; CM90 have found more colourful stuff in the strikingly French-accented G major Overture and a thoroughly charming Concerto for two violins, bassoon and strings. A pair of bassoons also makes a delightful appearance in the second Minuet of the Overture in B minor.” Gramophone Classical Music Guide, 2010

“Telemann is never more irresistible than when he's in light-hearted pictorial mode, and both these new releases feature one of the most entertainingly evocative of all his overture-suites for strings, the Burlesque de Quixote. Taking episodes from the Cervantes novel as its inspiration, it provides us with a memorable sequence of cameos, from the deluded Don tilting at windmills and sighing with love, to Sancho Panza tossed high in a blanket, to portrayals of the pair's respective steeds. Telemann achieves all this with such humour and descriptive precision that, when you hear it, you'll surely laugh in delighted recognition. What a good film composer he would have been! Both performances strike an appropriate tongue-in-cheek attitude. Northern Chamber Orchestra show good style and a pleasingly light and clear texture, unclouded by excessive vibrato or over-egged string tone. Only at the bass end does the sound occasionally become a little thick, but this is really quibbling when what we actually have is a good demonstration of how to perform Baroque music on modern strings. It still makes quite a contrast with Collegium Musicum 90, however, whose period instruments, recorded more intimately, sound slighter and sparkier.
Having already recorded so much of Telemann's music, they sound more at home and have that extra ounce of freedom to enjoy themselves.
The couplings of the Chandos disc are more interesting. For all that the NCO offer another attractive string suite, La Lyra, containing a typically realistic and beguiling hurdy-gurdy impersonation, the D major Overture isn't especially memorable; CM90 have found more colourful stuff in the strikingly French-accented G major Overture and a thoroughly charming Concerto for two violins, bassoon and strings. A pair of bassoons also makes a delightful appearance in the second Minuet of the Overture in B minor.” Gramophone Classical Music Guide, 2010

“the Drottningholm musicians capture all with admirable esprit and no breaches of stylistic decorum.” (BBC Music Magazine)