All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Music from the reign of King James I
Westminster Abbey has been the focus of British royal occasions for centuries, and the early seventeenth century saw the most dazzling musicians of the age writing music for the Court in all its various incarnations. This fascinating disc presents a selection of works from the reign of King James I. The most celebrated name on this disc is that of Orlando Gibbons, and some of his most masterly works are presented here including the gloriously contrapuntal O clap your hands and the startlingly original verse anthem See, see, the Word is incarnate, setting an extraordinary text which covers the whole of the liturgical year. The most eloquent and emotionally intense music recorded here was most likely never intended for performance in the Abbey, or any other church, but has a particularly Royal relevance. The laments of King David were set by many composers of this period. These moving texts have no place in the liturgy, being neither part of the Ordinary of Psalms and canticles, nor able to furnish a seasonally appropriate or devotional anthem. Their composition seems therefore to have been a response to the death in November 1612 of the Prince of Wales, Prince Henry. These are courtly laments, in which the composers give voice – and perhaps vied to give voice most eloquently – to the grief of the King (in the settings of David’s lament for his son Absalom) and Prince Charles (in the ‘Jonathan’ pieces, in which the king describes his friend as ‘my brother’). Included is the best known of all the ‘Absalom’ pieces, Tomkins’s When David heard, together with his equally moving ‘Jonathan’ setting, Then David mourned. “Where words and music most happily merge - for instance in Gibbons's Hosanna to the Son of David - the director and his vocalists exude confidence, animating melodic lines gracefully to reach a satisfying climax. In the largely contrapuntal O clap your hands, O'Donnell's deft handling of voices brings a lovely delicacy to the texture.” BBC Music Magazine, March 2011 *** “The hero of the disc is...the Abbey's sub-organist Robert Quinney...Stylish, tastefully registered and crisply delivered [the four Gibbons organ pieces] are in their way true gems...many choirs would envy the tight ensemble, impeccable intonation and crystal-clear diction, not to mention the unfailingly excellent solo voices drawn from the ranks of the choir” International Record Review, March 2011 “The laments by Tomkins and Ramsey, and Gibbons's "O Lord, in thy wrath", all sung unaccompanied, are moving in their intensity...this recording should be snapped up by all lovers of the period.” Gramophone Magazine, April 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | I heard a Voice - The Music of the Golden AgeA stunning selection of anthems from the Tudor Times
“Fatigue seems to haunt this worthy performance. Stephen Cleobury's deliberate tempos tend to dissolve the impact of the text… - and impede any build-up towards cadential climaxes. Fretwork plays elegantly, but response to the text only listlessly.” BBC Music Magazine, November 2007 *** “…the instrumental pieces… are expertly played by the viol consort Fretwork, which also accompanies the verse anthems. The famous choir sings with full-bodied tone and unfailing precision.” Gramophone Magazine, December 2007 “I would happily sit in King's College Chapel listening to this choir sing for the rest of my days.” The Times “[Fretwork's] presence is the real strength of this disc. Viol playing had been part of musical education since Henry VIII had engaged a viol consort in 1540, and the choristers at Westminster Abbey and St Paul’s Cathedral would have all received lessons. So, this disc gives us a far better idea of the sound world of these three composers than is often offered on choral anthem collections.” Charlotte Gardner, bbc.co.uk, 16th October 2007 | | | In stock - usually despatched within 1 working day. |
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| |  | English Polyphonic Church Music
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| |  | Choirs of Cambridge: Queen's College Choir 'Evening Hymn'English Choral Music
anon.: | Rejoice in the Lord | Bainton, E: | And I saw a new heaven | Berkeley, L: | The Lord is my Shepherd, Op. 91 No. 1 | Gardiner, H B: | Evening Hymn (Te lucis ante terminum) | Gibbons, O: | O clap your hands | Greene, M: | Lord, Let Me Know Mine End | Harris, W: | Faire is the Heaven | Howells: | Take him, earth, for cherishing | Joubert: | O Lorde, the maker of al thing | Parry: | My soul, there is a country (No. 1 from Songs of Farewell) | Philips, P: | Ascendit Deus | Stanford: | Three Latin Motets, Op. 38 | Tallis: | O nata lux de lumine 5vv | Vaughan Williams: | Valiant for Truth | Weelkes: | When David Heard |
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| |  | Perfect PeaceThe Soothing Harmony of Sacred Choral Music
anon.: | There is no rose | Byrd: | Sing joyfully Ave verum Corpus Haec dies | Campion: | Come, Holy Ghost | Farrant, R: | Lord, for thy tender mercy's sake Hide not thou thy face | Gibbons, O: | Drop, drop, slow tears O clap your hands | Mudd: | Let thy merciful ears, O Lord | Peerson: | O let me at thy footstool fall O God, that no time dost despise | Philips, P: | Ascendit Deus | Purcell: | Thou knowest, Lord | Tallis: | Salvator mundi Deus tuorum militum If ye love me O nata lux de lumine 5vv | trad.: | Pray that Jerusalem may have peace and felicity arr. Milton & Stubbs | Weelkes: | Hosanna to the Son of David |
The Richmond Consort, Linda Nottingham Soothing English sacred choral music from the Tudor and Stuart periods, by some of England’s finest composers. Perfect music to calm the soul, performed by the outstanding Richmond Consort. The consort is made up of singers who regularly perform in the UK’s most prestigious cathedrals and colleges. They specialise in early music both sacred and secular and perform regularly throughout the UK and the rest of Europe. | | | Usually despatched in 4 - 5 working days. |
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| |  | A Choral Tapestry
International award-winning octet Voces8 has established itself as the foremost young British a cappella vocal group. Performing a repertoire ranging from Renaissance polyphony to unique jazz and pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. ‘A Choral Tapestry’ explores the rich vocal timbres of sacred vocal music spanning five centuries. Interweaving genres create an ethereal sonic tapestry that centres around the haunting beauty of William Byrd's Mass for Four Voices. The programme includes anthems and motets from the English Chapel Royal, the Sistine Chapel in Rome and St. Thomas' Church, Leipzig “The award-winning group Voces 8 is well-known for its wide-ranging programmes and accomplished technical control...In Monteverdi's Cantate Dominum (this is his 1620 setting, not the 1615 one) the voices dance with incredible lightness, and the bell-like soprano voice of Andrea Haines provides the icing on the cake.” BBC Music Magazine, December 2012 **** | | | Usually despatched in 3 - 4 working days. |
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| |  | Gibbons: Church Music
The world renowned choir of King’s College Cambridge and their iconic director, Sir David Willcocks, give performances of the church music of Orlando Gibbons, a composer who had close associations with the Cambridge college. Included are the famous anthems ‘This is the record of John’ and ‘Hosanna to the son of David’. | | | Usually despatched in 8 - 10 working days. |
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| |  | All The Queen’s Men: Music for Elizabeth I
‘The Virgin Queen’ Elizabeth I was the focal-point of all England; the subject, dedicatee and audience for much of the music composed and performed throughout her long and now legendary reign. The music on this album, chosen for a concert of words and music devised for the Sarum Consort by Deborah Mackay, includes sacred and secular pieces by composers from Byrd to Weelkes. The Sarum Consort here makes its Naxos début under founding musical director Andrew Mackay. “The Sarum Consort is a finely balanced and blended group… whose pacing and control of light and shade cannot be faulted.” Penguin Guide “The Sarum Consort and its director establish and stick limpet-like to the underlying beat in this album's choice of works for vocal ensemble, catching the sibilant energy and vigour of O clap your hands and unleashing a terrific account of Morley's Hard by a crystal fountain. I've heard other early music ensembles, including household names, make heavy weather of pieces that emerge here with lightness and clarity.” Classic FM Magazine, June 2011 **** | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | The Glory of New College
‘The Glory of New College’ is a delightful collection compiled from the extensive catalogue of superb recordings on the CRD label. New College are acknowledged to be one of the best choirs in the world and they are directed here by Edward Higginbottom. Spanning the centuries, the set contains works by Taverner (Mater Christi), Byrd (Gloria), Tallis (Dum Transisset), Purcell (Rejoice in the Lord Alway), Boyce (By the Waters of Babylon), Stanford (The Lord is my shepherd), Faure (Sanctus & Pie Jesu) and many more. Over two hours of music to soothe the soul. | | | Usually despatched in 8 - 10 working days. |
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| |  | Great Cathedral Anthems Vol. 8
“The choir sing well, leaving no loose ends.This disc is well worth a bob or two to add to your collection” Classic CD | | | Usually despatched in 8 - 10 working days. |
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