Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Barber: Piano Music
This programme of piano works by one of America's foremost 20th century composers will make an ideal companion disc to the four others already in this series. Leon McCawley is a British pianist, born 1973, who studied at the Curtis Institute in Philadelphia, the same conservatory that Barber himself attended for lessons in piano, composition and voice. Excursions, Op.20, was written during the years 1942–44 and is the only work in which Barber adopted a style that might be termed 'American', with it's use of boogie-woogie, blues, a cowboy song and hoedown. The Op.26 Piano Sonata was written in 1949, when it's première was given by Vladimir Horowitz. It has since maintained a prominent position in the repertoire. The Souvenirs, Op.28 of 1952 exist not only in two piano versions but also as a ballet score. In these short and easily appealing pieces Barber adopts a style somewhere between Satie and Prokofiev but, in all essentials, remains true to himself. Although, after the 1966 failure of his third opera Antony and Cleopatra, Barber continued to compose, his music became far more reflective and concentrated. The Ballade, Op.46, from 1977, is a fine example of Barber's later music. | | | In stock - usually despatched within 1 working day. |
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| |  | Barber: Orchestral Works Volume 3
“This is a performance with a genuine heart, superbly played, with a marked care for detail, instrumental colour and melodic inflection, and with a deeply communicative warmth and affection.” The Telegraph “James Buswell is a refined, sensitive soloist in the Concerto, warm without being soupy” Penguin Guide, 2011 edition | | | (also available to download from $6.25) | In stock - usually despatched within 1 working day. |
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| |  | Mosh Pit: ZOFO
ZOFO: Keisuke Nakagoshi Eva-Maria Zimmermann (one piano, four hands) Sono Luminus is excited to release this second album from the dynamic duet ZOFO, Mosh Pit, where Eva-Maria Zimmermann and Keisuke Nakagoshi put their considerable keyboard skills to the test in an exciting, in-depth exploration of dance-inspired duet compositions by six distinctly American voices of the twentieth century – George Gershwin, Conlon Nancarrow, Allen Shawn, Samuel Barber, John Corigliano and Paul Schoenfield. With pieces ranging from waltz to tango to boogie and beyond, ZOFO’s high energy interpretations beg the question: Shall we dance? ZOFO’s first release, Mind Meld (DSL92151) featured stunning duet works by four highly influential composers of the 20th century who knew each other, learned from each other, sometimes performed together, and embraced the piano-four-hands form – Leonard Bernstein, Harold Shapero, Claude Debussy and Igor Stravinsky. The album was widely acclaimed by critics and received a 55th Annual GRAMMY® Award Nomination for Best Chamber Music/Small Ensemble. For this, their second album, ZOFO returns with exciting, high energy duet works by another group of noted 20th century composers, all American – George Gershwin, Conlon Nancarrow, Allen Shawn, Samuel Barber, John Corigliano and Paul Schoenfield. The pieces featured on Mosh Pit explore a wide range of evocative dance styles and rhythms, from Gershwin’s driving rumba in “Cuban Overture” to Barber’s sensuous “Hesitation- Tango” to Paul Schoenfield’s dizzying “Boogie” from Five Days from the Life of a Manic Depressive. Drawing inspiration from classical, modern, jazz, and rock and roll forms, the Mosh Pit repertoire and ZOFO’s inspired performances might tempt you to the dance floor. ZOFO is the dynamic partnership of internationally acclaimed solo pianists Keisuke Nakagoshi and Eva-Maria Zimmermann. One of a rare handful of professional ensembles worldwide focusing exclusively on piano duets, ZOFO is rediscovering and energetically performing hidden gems of the traditional one-piano-four-hands repertoire, along with a strong dedication to 20th and emerging 21st century works. As innovators in the genre, ZOFO also performs heart pumping one-piano-four-hands arrangements of famous orchestral pieces, such as Igor Stravinsky’s Rite of Spring, exploring the realms in which many composers first experienced their symphonic visions. Since their first performance together in the fall of 2009, ZOFO was awarded First Place in the prestigious 2010 Bradshaw & Buono International Piano Competition and made their New York concert debut as an ensemble at Carnegie Hall in May, 2010. In May 2011 ZOFO was invited to compete in the Osaka International Chamber Music Competition, Osaka Japan, and were elevated to the final round – the only piano duo to achieve that distinction. Their first album, Mind Meld, received a 55th Annual GRAMMY® Nomination for Best Chamber Music/Small Ensemble. | 
| | | (also available to download from $11.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Music for Two Pianos
Arthur Gold (piano), Robert Fizdale (piano) | 
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| |  | Barber: Piano Music
Leon McCawley’s previous release of works by Chopin on SOMM (SOMM0103) was warmly received by both public and press. Here he re-visits the piano repertoire of Barber which he recorded on Virgin in 1997. He feels that he can now offer a more mature insight and deeper understanding of the composer’s intentions. The centrepiece of the recital is the monumental Piano Sonata Op.26, one of the great masterworks of 20th century piano music. “McCawley’s powerful account reminds one agreeably of the argument’s sinew and scope, the structure with its driven first movement, incisive scherzo, melancholy adagio and dazzling fugal finale oddly evoking Walton’s first symphony.” Sunday Times, 7th August 2011 *** “The 1977 Ballade is the best beneficiary, given a worried grandiloquence that stretches the work's significance beyond its modest span...But this CD can be cherished for McCawley's Ballade, and for gathering Barber's piano output into one place.” BBC Music Magazine, November 2011 *** “McCawley takes the first movement slower than some pianists but he makes its points intelligently rather than resorting to a kind of non-stop pyrotechnical display. The Scherzo sparkles; the Adagio is impeccably paced through its anguished climax; and McCawley makes light of the difficulties of the final fugure as its catchy subject is put through its manic paces...McCawley delivers everything magnificently...This is now the CD to get of Barber's music.” Gramophone Magazine, November 2011 | | | Usually despatched in 2 - 3 working days. |
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“(McDuffie’s) reading makes an excellent coupling for Jon Kimura Parker’s outstanding performance of the Barber Piano Concerto and the suite, Souvenirs.” Gramophone | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| | | |  | Barber: Complete Piano Music
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| |  | Barber: Complete Works for Solo Piano
| | | (also available to download from $11.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Barber: Solo Piano Music
“Daniel Pollack studied with (among others) Rosina Lhévinne and Wilhelm Kempf. His playing exudes confidence, especially in the more rhythmic and forthright passages. In his hands the Sonata is powerfully driven and crisply articulated, creating a palpable sense of raw energy and excitement. His full sonorities and sense of shape in the Interlude and the Ballade are also impressive, and while his tempo in the latter may seem a shade fast, it adds to the essential restlessness of the piece. In the more lyrical works, notably the Nocturne, however, Pollack's handling is too brusque, trampling roughshod over the contrast between passion and delicacy. The dance pieces of the Excursions and Souvenirs are generally more sensitive, and he effectively captures the diversity of distinctive flavours, from the slow blues (Excursions) to the Schottische (Souvenirs). Horowitz inevitably remains the benchmark in the Sonata, and his virtuoso fire is in a class of its own. Nevertheless, despite the poor recorded sound from Naxos's problematic Santa Rosa studio, this is an enjoyable disc and quite a bargain.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $6.25) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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