Vaughan Williams: Serenade to Music

“As a young conductor I received a great deal of support and encouragement from Sir Adrian Boult, who had been a friend of Vaughan Williams and one of his favourite interpreters. He and his wife regularly listened to my BBC broadcasts and often wrote with comments and suggestions. One of my most treasured possessions is the following letter, written after a broadcast of “A London Symphony,” a work often associated with Boult himself.”

CHRISTOPHER SEAMAN

To mark the close of an outstanding 13-season tenure as Music Director of the Rochester Philharmonic, Christopher Seaman leads his orchestra in a programme of music which he holds especially dear: Vaughan Williams' ‘London' Symphony and the ‘Serenade to Music', the latter with singers from Mercury Opera Rochester. Henry Wood commissioned Vaughan Williams to compose the Serenade to be premiered at a concert marking Wood’s 50th anniversary on the podium. Vaughan Williams dedicated it to Sir Henry, “in grateful recognition of his services to music.”

This recording presents it in its original form – for 16 solo singers and orchestra, as Wood requested. In her biography of Vaughan Williams, his second wife, Ursula, recalled the period of the Serenade’s premiere, when Europe was once again teetering perilously on the brink of war. “But on that evening, in the Serenade,” she wrote, “night in the garden at Belmont laid its balm of starry words and moonlit music on the audience gathered to celebrate the man whose work had meant so much to musicians and public alike during the last 50 years.”

Now rightfully acknowledged as a towering figure, Vaughan Williams was the first composer to write in the English language, using folksong in the Norfolk Rhapsody, a Tudor hymn in the Fantasia on a Theme by Thomas Tallis, and absorbing and transforming his influences in the stunningly beautiful Serenade to Music.

During the 16th and 17th centuries England had been a leading participant in the delevopment of European music, but after the early death of Purcell in 1695, music in England came to be dominated by musicians of foreign origin: notably Handel and Mendelssohn. Ralph Vaughan Williams (1872-1958) is the best-known of a new generation of composers that came after Elgar and made up what became known as the English Musical Renaissance. Along with Gustav Holst, Vaughan Williams travelled the country collecting and preserving English folksong traditions, and was largely responsible for the revival of interest in folksong. So strong was his interest in the subject that, like Holst, folksong was absorbed into his compositional style and was to influence his concert music, giving it a uniquely English quality. Starting with the evocative Thomas Tallis Fantasia, (RVW's look back at his great 16th-century predecessor) this set contains some of the composer's best-known and most-loved music, including the popular Fantasia on Greensleeves and the beautiful Lark Ascending.