Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Emil Gilels plays Great Concertos & Sonatas
Bach, J S: | French Suite No. 5 in G major, BWV816 Prelude & Fugue Book 1 No. 10 in E minor, BWV855: Prelude | Brahms: | Piano Concerto No. 2 in B flat major, Op. 83 | Chopin: | Piano Concerto No. 1 in E minor, Op. 11 | Liszt: | Piano Sonata in B minor, S178 | Schubert: | Piano Sonata No. 17 in D major, D850 | Shostakovich: | Piano Sonata No. 2 in B minor, Op. 61 | Tchaikovsky: | Piano Concerto No. 1 in B flat minor, Op. 23 Piano Concerto No. 1 in B flat minor, Op. 23 |
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| |  | Martha Argerich Edition: Concertos
Bartók: | Piano Concerto No. 3, BB 127, Sz. 119 | Beethoven: | Triple Concerto for Piano, Violin, and Cello in C major, Op. 56 | Chopin: | Piano Concerto No. 1 in E minor, Op. 11 Piano Concerto No. 2 in F minor, Op. 21 | Falla: | Noches en los jardines de Espana | Pletnev: | Fantasia Elvetica | Prokofiev: | Piano Concerto No. 1 in D flat major, Op. 10 Piano Concerto No. 3 in C major, Op. 26 | Schumann: | Piano Concerto in A minor, Op. 54 | Shostakovich: | Piano Concerto No. 1 in C minor for piano, trumpet & strings, Op. 35 |
Martha Argerich was born on 5th June 1941 in Buenos Aires. Her interest in the piano showed itself when she was three. Vincenzo Scaramuzza, her teacher, impressed on her the importance of feeling and the singing lyrical line – a facet of her playing which remains immediately recognisable. At the age of eight she made her debut concert playing Beethoven’s first concerto and the following year she gave Mozart’s Concerto No. 20 in D minor, K. 466 and Bach’s French Suite in G, BWV 816. In 1955 her family moved to Europe so that Martha could study with Friedrich Gulda in Austria; in this she was supported by the Argentine government who gave her parents diplomatic posts in their Embassy in Vienna. She won both the Geneva Music and Ferruccio Busoni International Competitions in 1957, but it was her winning the seventh Chopin Piano competition in Warsaw that confirmed her as a major talent at the age of 24. Her formidable technique has often been compared to that of Horowitz. She is reputed to have learnt Ravel’s Gaspard de la nuit in three days having been told it was extremely difficult. Her solo career lasted for a quarter of a century during which her talent for interpreting the romantic classics, notably Chopin and Liszt, were matched by her brilliance in the 20th century masters Ravel, Rachmaninov, Prokofiev and Messiaen. Her decision to limit her performances to chamber music and concerto was taken, as she admitted in interviews, to her feeling of loneliness on stage alone. This has been her career path for the last 30 years and she retains the aura of one of the most brilliant of all pianists of modern generations. She has been particularly generous in supporting the next generation of artists. She appears regularly as a jury member at important competitions and her friends and protégées captivate audiences with exquisite performances of chamber music at her festival at Lugano. Now at the age of 70 we can salute her as the phenomenon she undoubtedly is and wish her continued success in all aspects of her life. | | | In stock - usually despatched within 1 working day. |
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| |  | Tresors de Chopin
Chopin: | Piano Concerto No. 2 in F minor, Op. 21 Emanuel Ax (piano) Eugene Ormandy Ballades Nos. 1-4 Emanuel Ax (piano) Berceuse in D flat major, Op. 57 Peter Serkin (piano) Barcarolle in F sharp major, Op. 60 Peter Serkin (piano) Nocturne No. 17 in B major, Op. 62 No. 1 Emanuel Ax (piano) Etude No. 26 in A-flat major, Op. posthumous Emanuel Ax (piano) Mazurka No. 12 in A flat major, Op.17 No.3 Jean-Marc Luisada (piano) Mazurka No. 13 in A minor, Op. 17 No. 4 Jean-Marc Luisada (piano) Mazurka No. 15 in C major, Op. 24 No. 2 Jean-Marc Luisada (piano) Prelude Op. 28 No. 17 in A flat major Jean-Marc Luisada (piano) Prelude Op. 28 No. 7 in A major Jean-Marc Luisada (piano) Polonaise No. 6 in A flat major, Op. 53 'Héroïque' Van Cliburn (piano) Étude Op. 25 No. 11 in A minor 'Winter Wind' Van Cliburn (piano) Étude Op. 10 No. 3 in E major 'Tristesse' John Browning (piano) Étude Op. 10 No. 12 in C minor ‘Revolutionary' John Browning (piano) Étude Op. 25 No. 1 in A flat major 'Aeolian Harp' John Browning (piano) Scherzi Nos. 1-4 Sviatoslav Richter (piano) Piano Concerto No. 1 in E minor, Op. 11 Emanuel Ax (piano) Eugene Ormandy Waltzes (selection) Geza Anda (piano) Fantasia in F minor, Op. 49 Van Cliburn (piano) |
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| |  | Lang Lang - It's Me: The Piano Concertos
Beethoven: | Piano Concerto No. 1 in C Major, Op. 15 Orchestre de Paris, Christoph Eschenbach Piano Concerto No. 4 in G major, Op. 58 Orchestre de Paris, Christoph Eschenbach | Chopin: | Piano Concerto No. 2 in F minor, Op. 21 Wiener Philharmoniker, Zubin Mehta Piano Concerto No. 1 in E minor, Op. 11 Wiener Philharmoniker, Zubin Mehta | Mendelssohn: | Piano Concerto No. 1 in G minor, Op. 25 Chicago Symphony Orchestra, Daniel Barenboim | Rachmaninov: | Piano Concerto No. 2 in C minor, Op. 18 Orchestra of the Mariinsky Theatre, Valery Gergiev Rhapsody on a Theme of Paganini, Op. 43 Orchestra of the Mariinsky Theatre, Valery Gergiev | Tchaikovsky: | Piano Concerto No. 1 in B flat minor, Op. 23 Chicago Symphony Orchestra, Daniel Barenboim |
Lang Lang’s complete DG concerto recordings in an elegant slipcase, with original-jacket covers and booklet. | 
| DG - 4791500 (CD - 4 discs) Normally: $26.75 Special: $24.25 |
| | Scheduled for release on 3 June 2013. Order it now and we will deliver it as soon as it is available. |
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| |  | Martha Argerich Collection, Volume 1Concertos
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| |  | Chopin: Piano Works
Chopin: | Waltzes Nos. 1-19 Polonaise No. 6 in A flat major, Op. 53 'Héroïque' Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Polonaise No. 4 in C minor, Op. 40, No. 2 Polonaise No. 5 in F sharp minor, Op. 44 Polonaise No. 7 in A flat major, Op. 61 'Polonaise-fantaisie' Bolero, Op. 19 Tarantella in A flat major, Op. 43 Barcarolle in F sharp major, Op. 60 Impromptus Nos. 1-4 Ballade No. 4 in F minor, Op. 52 Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre' Piano Sonata No. 3 in B minor, Op. 58 Études (12), Op. 10 Études (12), Op. 25 Piano Concerto No. 1 in E minor, Op. 11 Krakowiak - Concert Rondo in F, Op. 14 Fantasia in F minor, Op. 49 | Liszt: | Chants Polonais after Chopin (6), S480: excerpts |
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| |  | Chopin: The Great PerformersThe Warsaw Recordings
Chopin: | Piano Concerto No. 1 in E minor, Op. 11 Martha Argerich (piano) Warsaw National Philharmonic, Witold Rowicki Waltz No. 2 in A flat major 'Grande Valse Brillante', Op. 34 No. 1 Martha Argerich (piano) Nocturne No. 16 in E flat major, Op. 55 No. 2 Martha Argerich (piano) Scherzo No. 3 in C sharp minor, Op. 39 Martha Argerich (piano) Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre' Ivo Pogorelich (piano) Étude Op. 10 No. 8 in F major Ivo Pogorelich (piano) Piano Concerto No. 2 in F minor, Op. 21 Adam Harasiewicz (piano) Warsaw National Philharmonic, Kazimierz Kord Ballade No. 1 in G minor, Op. 23 Adam Harasiewicz (piano) Impromptu No. 3 in G flat major, Op. 51 Adam Harasiewicz (piano) Waltz No. 1 in E flat major 'Grande Valse Brillante', Op. 18 Halina Czerny-Stefanska (piano) Mazurkas (4), Op. 24 Jean-Marc Luisada (piano) Étude Op. 10 No. 1 in C major Martha Argerich (piano) Étude Op. 10 No. 10 in A flat major Martha Argerich (piano) Prelude Op. 28 No. 21 in B flat major Ivo Pogorelich (piano) Prelude Op. 28 No. 22 in G minor Ivo Pogorelich (piano) Prelude Op. 28 No. 23 in F major Ivo Pogorelich (piano) Prelude Op. 28 No. 24 in D minor Ivo Pogorelich (piano) Étude Op. 10 No. 1 in C major Ivo Pogorelich (piano) Étude Op. 10 No. 10 in A flat major Ivo Pogorelich (piano) Scherzo No. 3 in C sharp minor, Op. 39 Ivo Pogorelich (piano) Prelude Op. 45 in C sharp minor (No. 25) Adam Harasiewicz (piano) Prelude Op. 28 No. 13 in F sharp major Stanislav Bunin (piano) Prelude Op. 28 No. 14 in E flat minor Stanislav Bunin (piano) Prelude Op. 28 No. 15 in D flat major ‘Raindrop' Stanislav Bunin (piano) Prelude Op. 28 No. 16 in B flat minor Stanislav Bunin (piano) Prelude Op. 28 No. 17 in A flat major Stanislav Bunin (piano) Prelude Op. 28 No. 18 in F minor Stanislav Bunin (piano) Mazurka No. 32 in C sharp minor, Op. 50 No. 3 Maurizio Pollini (piano) Nocturne No. 13 in C minor, Op. 48 No. 1 Maurizio Pollini (piano) Polonaise No. 5 in F sharp minor, Op. 44 Maurizio Pollini (piano) Polonaise No. 4 in C minor, Op. 40, No. 2 Halina Czerny-Stefanska (piano) Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu' Halina Czerny-Stefanska (piano) Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Halina Czerny-Stefanska (piano) Mazurkas (4), Op. 30 Kemal Gekic (piano) Étude Op. 25 No. 6 in G sharp minor Vladimir Ashenazy (piano) Polonaise No. 6 in A flat major, Op. 53 'Héroïque' Vladimir Ashenazy (piano) Nocturne No. 3 in B major, Op. 9 No. 3 Krzystof Jablonski (piano) Étude Op. 10 No. 5 in G flat major 'Black Key' Krzystof Jablonski (piano) Étude Op. 25 No. 10 in B minor Krzystof Jablonski (piano) Scherzo No. 1 in B minor, Op. 20 Krzystof Jablonski (piano) Scherzo No. 2 in B flat minor, Op. 31 Yuval Fichamn (piano) |
These performances by some of the world’s best known pianists are all live recordings from the Chopin Piano Competition in Warsaw. | | | In stock - usually despatched within 1 working day. |
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| |  | Arthur Rubinstein: The Chopin Recordings
Chopin: | Piano Concerto No. 1 in E minor, Op. 11 Piano Concerto No. 2 in F minor, Op. 21 Nocturnes Nos. 1-19 Waltz No. 2 in A flat major 'Grande Valse Brillante', Op. 34 No. 1 Mazurkas Nos. 1-51 Scherzi Nos. 1-4 Barcarolle in F sharp major, Op. 60 Berceuse in D flat major, Op. 57 Polonaise No. 1 in C sharp minor, Op. 26 No. 1 Polonaise No. 2 in E flat minor, Op. 26 No. 2 Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Polonaise No. 4 in C minor, Op. 40, No. 2 Polonaise No. 5 in F sharp minor, Op. 44 Polonaise No. 6 in A flat major, Op. 53 'Héroïque' Polonaise No. 7 in A flat major, Op. 61 'Polonaise-fantaisie' Andante spianato & Grande Polonaise, Op. 22 Waltz No. 7 in C sharp minor, Op. 64 No. 2 |
Arthur Rubinstein was born on January 28, 1887 to a businessman in Lódz. He was the youngest of 8 children in a family which was part of the large Jewish community in the city. His love of the piano showed itself when, aged two, he showed immense interest in his elder sister’s lessons. He studied in Warsaw and at the age of four he played for the great violinist, Joachim, who was so impressed that he made plans for the boy’s musical development. At the age of 10 he moved to Berlin and three years later he made his debut with the Berlin Philharmonic Orchestra and visited other cities in Germany and Poland. At 17 he moved to Paris which, being the centre for so much music, was the best place to launch a career particularly one which involved playing the music of his fellow countryman, Chopin. He met Ravel, Dukas and Szymanowski, played Saint-Saëns’ Piano Concerto No. 2 and was soon recognised as a major musical figure with enormous potential. Two years later he made his Carnegie Hall debut and then toured but, contrary to all his plans, he was not well received in the USA. He returned to Europe for tours of Italy, Russia, Austria and Germany. It was not until 1912 that he made his debut in London and found a residence in Chelsea which was a good base from which to perform concerts and go on tours. He stayed in London during WW1, playing recitals and giving concerts with the renowned Belgian violinist, Ysaÿe. In 1916 and 1917 he toured Spain and South America where he developed his great love of the music of Albeniz, Granados, Falla and Villa-Lobos. In 1921 he again visited the USA, this time with two Polish friends, Kochanski, who made some brilliant arrangements for violin and piano of Spanish music, and Szymanowski. He married in 1932 and the same year he withdrew from concert life for several months to develop his technique and repertoire. His house in Paris was looted by the Nazis in WW2 and his career moved across the Atlantic where he was now accepted as the genius all Europe knew. His agent always spelt his name Artur – in order to maintain the mystique of being “foreign”? (Rubinstein always referred to himself as Arthur when in English-speaking countries) – and he became an American citizen in 1946. His discography is large but over half of it is dedicated to the works of Chopin and it is with this composer he is most associated although Brahms and the Spanish composers often featured. He is widely considered as one of the greatest pianists of the twentieth century in both solo and concerto work but also in chamber music with such greats as Heifetz, Piatigorsky and Szeryng. His career started to fail with his eyesight in the mid-1970s and he retired following a concert in his beloved Wigmore Hall in but May 1976 where he had first played nearly 70 years before. He was made an honorary Knight of the British Empire in 1977. Although had refused to teach when younger he did accept pupils late in life and he also gave masterclasses. He died in Geneva on 20 December 1982 at the age of 95. A year after his death his cremated remains were buried in Jerusalem. Israel holds a Piano Master competition in his honour every three years. | | | In stock - usually despatched within 1 working day. |
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| |  | Perahia plays Chopin
Chopin: | Piano Concerto No. 1 in E minor, Op. 11 Piano Concerto No. 2 in F minor, Op. 21 Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre' Piano Sonata No. 3 in B minor, Op. 58 Ballades Nos. 1-4 Waltz No. 1 in E flat major 'Grande Valse Brillante', Op. 18 Waltz No. 5 in A flat major, Op. 42 Nocturne No. 4 in F major, Op. 15 No. 1 Mazurka No. 7 in F minor, Op. 7 No. 3 Mazurka No. 13 in A minor, Op. 17 No. 4 Mazurka No. 23 in D major, Op. 33 No. 2 Étude Op. 10 No. 4 in C sharp minor Étude Op. 10 No. 3 in E major 'Tristesse' Études (12), Op. 10 Études (12), Op. 25 Impromptus Nos. 1-4 Barcarolle in F sharp major, Op. 60 Berceuse in D flat major, Op. 57 Fantasia in F minor, Op. 49 Prelude Op. 28 No. 6 in B minor Prelude Op. 28 No. 7 in A major Prelude Op. 28 No. 15 in D flat major ‘Raindrop' |
MURRAY PERAHIA, winner of the 2010 BBC Music Magazine Instrumental Category Award, is one of the most highly praised pianists in the world today. His poetic phrasing, command of sonorities and supreme virtuosity are perfect for the technical finesse and romantic musicality required by Chopin’s compositions. These five albums give ample opportunity for the listener to experience Perahia’s considered and superb interpretations of Chopin’s much loved masterpieces. “Perahia's grasp of the rhythm, harmony and texture underpinning Chopin's music is nonpareil, not least in the Waltzes and Mazurkas; while the balance of academic ingenuity and emotional impact in the two sets of Études is considered their definitive realisation.” The Independent, 4th June 2010 ***** “...a timely reminder of what an aristocratic player Perahia can be, and what an understated and self-effacing artist he is...Perahia's approach to the Four Ballades...contains so much that is perfectly realised, so exquisitely coloured and phrased, that it becomes totally convincing.” The Guardian, 29th July 2010 “you will rarely hear such classic strength of purpose, such poetry and lucidity. Every bar, indeed every note is deeply considered, yet the effect is as natural as it is unarguable... This is the Chopin issue par excellence, not just for 2010 but for all time.” Gramophone Magazine, March 2011 | | | Usually despatched in 8 - 10 working days. |
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| |  | Claudio Arrau plays Chopin
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| | Decca - 4806186 (CD - 7 discs) Normally: $40.50 Special: $32.50 |
| | In stock - usually despatched within 1 working day. |
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