Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Andreas Scholl: Purcell - O Solitude
Purcell: | If music be the food of love, Z379 Sound the trumpet, beat the drum, Z335 with Christophe Dumaux (countertenor) Strike the Viol (from Come Ye Sons of Art, Z323) Fairest Isle (from King Arthur) Chacony, Z628 What power art thou? (from King Arthur, Z628) Chacony in G minor - for Two Violins, Viola and Bass Z730 One charming night (from The Fairy Queen, Z629) Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585) [Pausanius, the Betrayer of his Country. (1695), Z585 original version] An Evening Hymn 'Now that the sun hath veiled his light', Z193 Pavan for Three Violins and Bass in G minor - Z752 O solitude, my sweetest choice, Z406 O dive custos Auriacae domus, Z504 with Christophe Dumaux (countertenor) Music for a while, Z583 Here the deities approve, Z339 original version The Gordion Knot Untied - incidental music, Z597 When I am laid in earth (from Dido and Aeneas) |
The greatest countertenor of today, Andreas Scholl returns to the Decca label with a recording of vocal jewels by the great baroque composer, Henry Purcell. This is Andreas Scholl's first ever recording of the music of Purcell and his uniquely beautiful voice is perfectly suited to the English composer's plangent melodies. The album includes pieces written for the stage, the church and the private chamber, some of which Andreas Scholl has sung in recital for many years, and some he sings for the first time. Andreas Scholl's long-standing collaborators, ‘Accademia Bizantina’ bring out the Italian influence in Purcell's instrumental writing, and contribute orchestral items to the programme. 'O Solitude' is Andreas Scholl's first Decca album since the chart-topping ‘Handel: Arias For Senesino' in 2006. The album includes the well known lament 'When I Am Laid In Earth' - recently voted the UK's No.1 favourite aria in a BBC Radio 3 poll - written for the character of Dido in Purcell's opera, Dido and Aeneas. Andreas Scholl is joined for two duets by French countertenor Christophe Dumaux. “Ethereal yet visceral, Scholl's voice is the dream vehicle for Purcell...Stefano Montanari coaxes thrilling playing from Accademia Bizantina, who dance and swagger, throb and pulsate with true Latin passion. Their continuo realisations - here delicate and intimate, there audaciously jazzy - are an unceasing delight.” BBC Music Magazine, January 2011 ***** “that famously otherworldly tone [is] often breathtakingly in evidence...His decision to tackle Dido's lament has generated controversy: in fact, his performance is extraordinarily haunting...O Dive Custos is arguably the disc's high point. The Academia Bizantina, meanwhile, are on fine form for Stefano Montanari” The Guardian, 13th January 2011 **** “Scholl understands the importance of words and remains the countertenor of choice: it’s not so much the intelligence and grace that make his artistry so instantly recognisable, as the hypnotically soothing quality of his voice...Among the many joys of this exceptional recital are the accompaniments by Accademia Bizantina.” Financial Times, 21st January 2011 ***** “Few counter-tenors maintain the width of repertoire or vocal acumen of this artist...his Cold Song from “King Arthur” [is] a shivering, juddering triumph, and the entire package pleases.” The Times, 22nd January 2011 **** “his way with words has strengthened...the two countertenors combine marvellously in O dive custos” Gramophone Magazine, March 2011 “There's no doubt about the theatrical intent driving Scholl's interpretations and the flamboyant work of Italian period instrument band, Accademia Bizantina. The latter's lively continuo group and multi-hued sounds certainly catch the full flavour...few singers...can match him for style and intelligent musicianship in this repertoire.” Classic FM Magazine, March 2011 **** “[The disc] contains much in the way of sympathetic vocal and instrumental colouring, not to mention some very fine singing and playing, full-stop...Stefano Montanari's stylish violin-playing [in Fairest Isle], as elsewhere, is a treat in itself...Scholl [brings] an animated, urgent quality to his performance, the tone rich and resonant, the diction razor-sharp.” International Record Review, April 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | The Art Of Alfred DellerClassic Vanguard Recordings
anon.: | Sumer is icumen in | Byrd: | Come, pretty babe | Despres: | La Déploration de Johannes Ockeghem | Handel: | Ode for the Birthday of Queen Anne HWV74 'Eternal source of light divine' | Lasso: | Matona mia cara | Monteverdi: | Lamento d'Arianna 'Lasciatemi morire' | Morley: | Now is the month of maying In Dew of Roses | Parsons, R: | Pandolpho | Passereau: | Il est bel et bon | Purcell: | Music for a while, Z583 I attempt from love's sickness to fly in vain (from The Indian Queen) Sound the trumpet, beat the drum, Z335 One charming night (from The Fairy Queen, Z629) Mystery’s Song (from The Fairy Queen, Z629) Fairest Isle (from King Arthur) If music be the food of love, Z379 | Saracini: | Da Te Parto | Schütz: | Erhöre mich, wenn ich rufe, SWV 289 | trad.: | The Three Ravens The Cuckoo Barbara Allen Hey, Ho, the Wind and the Rain I will give my love an apple The Oak and the ash (A north country lass) King Henry Greensleeves | Weelkes: | To shorten winter's sadness | Wilbye: | Thus Saith My Cloris Bright |
Alfred Deller, Desmond Dupré (lute), Walter Bergman (harpsichord), Gustav Leonhardt (harpsichord) The Deller Consort, Oriana Concert Choir and Orchestra, Ensemble of Baroque Instruments, Leonhardt Baroque Ensemble | | | In stock - usually despatched within 1 working day. |
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| |  | Great British Choral Works
Since they were founded in 1979 Harry Christophers and The Sixteen have recorded over 100 discs of choral music spanning 600 years. On this new collection, CORO presents a selection of their most celebrated recordings of music by British composers. From Tallis’s monumental Spem in Alium and Sheppard’s Media Vita in morte sumus to the delights of Purcell’s The Fairy Queen and MacMillan’s powerfully emotive A Child’s Prayer written in memory of the Dunblane tragedy, this disc provides a superb collection of works from some of Britain’s most eminent composers. Stellar soloists including Michael Chance, Michael George and Mark Padmore all feature and there are works from The Sixteen’s Award-winning Handel recordings—Messiah and Coronation Anthems. Sixteen tracks, eleven composers, and a feast of British choral music that will delight fans of The Sixteen as well as those new to the ensemble. “Let these glorious sounds fill your ears and lift your spirits.” GRAMOPHONE “Outstanding...astonishing stylistic and expressive range.” BBC MUSIC MAGAZINE “One of the finest choirs of our day.” GRAMOPHONE | | | Usually despatched in 2 - 3 working days. |
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| |  | Purcell - Love Songs
Purcell: | Curtain Tune from Timon of Athens Z632 The Chair Dance (from Prophetess or The History of Dioclesian, Z627) If music be the food of love, Z379 For love ev'ry creature is formed by his nature (from King Arthur, Z628) Hornpipe I love and I must ('Bell Barr'), Z382 Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585) Timon of Athens, Z632: Overture Hark how the songsters of the grove (from Timon of Athens, Z632) Love in their little veins inspires (from Timon of Athens, Z632) But ah! how much are our delights (from Timon of Athens, Z632) Come all to me (from Timon of Athens, Z632) First Music (From The Fairy Queen) Entrance of night (from The Fairy Queen, Z629) One charming night (from The Fairy Queen, Z629) Hush, no more, be silent all (from The Fairy Queen, Z629) Chaconne Ye gentle spirits of the air (from The Fairy Queen, Z629) Prelude Since from my dear Astrea's sight (from Prophetess or The History of Dioclesian, Z627) O let me ever, ever weep (from The Fairy Queen, Z629) If love's a sweet passion (from The Fairy Queen, Z628) The cares of lovers (from Timon of Athens, Z632) Let us dance (from Prophetess or The History of Dioclesian, Z627) Boree Butterfly dance (from Prophetess or The History of Dioclesian, Z627) Man is for the woman made (from The Mock Marriage, Z605) Hark! The Echoing Air (from The Fairy Queen, Z629) Chaconne |
Dorothee Mields has specialized in 17th and 18th century music from early on in her career and performs with the Collegium Vocale Ghent and the Bach Collegium Japan. Her artistic work and her repertoire extend from Monteverdi and Bach to Grisey and Furrer. The Lautten Compagney Berlin is one of the most renowned German baroque ensembles. “It's heartening to hear a German ensemble perform Purcell...with such conviction. Dorothee Mields is a fine soprano who is as confident in the melismas of "Sweeter than roses" as she is heartfelt in the broken phrases of 'O let me weep"; and, on the whole, her English is excellent.” Gramophone Magazine, October 2010 “Mields has barely a hint of an accent, and is marvellously expressive throughout, suggesting more than a passing familiarity with the English language...The instrumental playing...also has much to recommend it.” International Record Review, September 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | Mr Henry Purcell's Most Admirable Composures
Purcell: | We sing to him, whose wisdom form'd the ear, Z199 What shall I do to show how much I love her? (from Prophetess or The History of Dioclesian, Z627) from The Prophetess, or The History of Dioclesian How long, great God?, Z189 Not all my torments can your pity move, Z400 Music for a while, Z583 from Oedipus Fairest Isle (from King Arthur) from King Arthur Hears not my Phillis how the birds ('The Knotting Song'), Z371 Plainte - O, Let Me Weep (from The Fairy Queen, Z629) from The Fairy Queen Hears not my Phillis how the birds ('The Knotting Song'), Z371 With him he brings the partner of his throne (from Ye tuneful Muses, Z344) Ah! how sweet it is to love (from Tyrannic Love or The Royal Martyr, Z613) Celia has a thousand charms from The Rival Sisters, or The Violence of Love, Z609 The fatal hour comes on apace, Z421 One charming night (from The Fairy Queen, Z629) Since from my dear Astrea's sight (from Prophetess or The History of Dioclesian, Z627) Here the deities approve, Z339 An Evening Hymn 'Now that the sun hath veiled his light', Z193 |
“James Bowman must surely be the finest vocal interpreter of Purcell today. His grasp of sentiment, his sense of timing, and his enunciation, are unsurpassed” Gramophone Magazine | | | Usually despatched in 2 - 3 working days. |
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| |  | Fairest Isle - The Timeless Music of Purcell
Purcell: | Fairest Isle (from King Arthur) Round'O, ZT 684, from Abdelazer When I am laid in earth (from Dido and Aeneas) Curtain Tune from Timon of Athens Z632 One charming night (from The Fairy Queen, Z629) Trumpet Tune & Air If love's a sweet passion (from The Fairy Queen, Z628) Symphony in C from The Indian Queen Music for a while, Z583 Dance for the Chinese Man & Woman (from The Fairy Queen, Z628) A New Ground in E minor, Z. T682 Hush, no more, be silent all (from The Fairy Queen, Z629) Urge me no more, Z426 Be silent all (from The Fairy Queen) Ground in D minor, ZD222 Plainte - O, Let Me Weep (from The Fairy Queen, Z629) |
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| |  | Counter-tenor Duets and SongPurcell and his contemporaries
Blow: | Ah, Heav'n! What is't I hear? Quam diligo legem tuam Paratum cor meum | Humfrey: | A hymne to God the Father | Purcell: | Sound the trumpet, beat the drum, Z335 If music be the food of love, Z379 Music for a while, Z583 In vain the am'rous flute (from Hail, Bright Cecilia!, Z328) Here the deities approve, Z339 O dive custos Auriacae domus, Z504 One charming night (from The Fairy Queen, Z629) No, resistance is but vain (from The Maid's Last Prayer or Any Rather Than Fail, Z601) I see she flies me ev'rywhere (from Aureng-Zebe or The Great Mogul, Z573) Since from my dear Astrea's sight (from Prophetess or The History of Dioclesian, Z627) An Evening Hymn 'Now that the sun hath veiled his light', Z193 | Purcell, D: | O ravishing delight |
Ryland Angel (counter-tenor), Mark Chambers (counter-tenor), Laurence Cummings (h'chord, organ), Taro Takeuchi (lute, theorbo, baroque guitar), Reiko Ichise (bass viol), Becky Davies & Laura Hird (recorder), Rodolfo Richter and Claire Duff (violin) and Emma Alter (viola) "A welcome airing, delightfully performed, of the surprisingly low-profile Purcell" - Gramophone | | | Usually despatched in 4 - 5 working days. |
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| |  | Purcell: | Now the night is chac'd away (from The Fairy Queen, Z629) If love's a sweet passion (from The Fairy Queen, Z628) Fairest Isle (from King Arthur) Strike the Viol (from Come Ye Sons of Art, Z323) Air (Instrumental From King Arthur) The Fairy Queen, Z. 629: Overture in D major When I am laid in earth (from Dido and Aeneas) An Evening Hymn 'Now that the sun hath veiled his light', Z193 Music for a while, Z583 Chaconne (From King Arthur) Shepherd, leave decoying (from King Arthur, Z628) Third Act Hornpipe (From King Arthur) Prelude (From The Fairy Queen) One charming night (from The Fairy Queen, Z629) First Music (From The Fairy Queen) How blest are the shepherds (from King Arthur) From Rosy Bow'rs (from Don Quixote) Trumpet Tune (From King Arthur) Hark! The Echoing Air (from The Fairy Queen, Z629) |
| | | (also available to download from $11.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Lost is My Quiet
Two of the most accomplished vocal artists Canada has produced share their love of English song from Purcell's time: solo pieces and duets written for the theatre and for celebratory odes by the Orpheus Britannicus himself, as well as some tasty morsels by his greatest "disciple," John Eccles. John Blow and Henry's younger brother, Daniel, also add more than their two-pence worth. A very worthy band of instrumentalists complete the programme with a choice selection of "ayres" (in truth, instrumental suites) from two theatrical works to which Henry Purcell contributed. | | | (also available to download from $11.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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