All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Sibelius: Symphonies Nos. 1 & 4
Symphonies Nos. 1 & 4 are poles apart in their musical style and make a highly interesting pairing for this new release. Symphony No. 1 is rooted in the symphonic tradition and has a particular tunefulness reminiscent of Tchaikovsky, whereas Symphony No. 4 is highly original and introverted, often being seen as modern and ‘cubist’ by listeners in the 1890s. The Minnesota Orchestra and its music director Osmo Vänskä were highly praised for their previous release of Symphonies Nos. 2 & 5 (BISSACD1986), being called ‘a fine start to what may be the benchmark cycle for the 21st century’ by Gramophone, and nominated for a Grammy Award for Best Orchestral Performance. Vänskä has really enhanced the quality of the Minnesota Orchestra since he took the position of musical director in 2003. He has since had his tenure extended many times and continues to carve an international reputation for the ensemble. This release has advertising planned in Gramophone magazine as part of a ‘new orchestral features on BIS’. | 
| | BIS - BIS1996 (SACD) Normally: $16.75 Special: $15.25 |
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| |  | Sibelius Première RecordingsWorld première recordings, 1932-34
Mark Obert-Thorn, producer and audio restoration engineer Three historically significant première recordings of Sibelius symphonies are brought together on this reissue for the first time. Finnish conductor Georg Schnéevoigt was close to Sibelius and a perceptive interpreter of his music, making this lucid and controlled first recording of the Sixth Symphony following the death of Robert Kajanus, who was to have recorded the complete symphonies. Made during the Great Depression, Leopold Stokowski’s compelling performance of the Fourth Symphony reflects the composer’s ‘solitude and pain’. Renowned Russian conductor Serge Koussevitzky directs Sibelius’s final Seventh Symphony in a famously intense live performance. | 
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| |  | Sibelius: Symphonies Nos. 4-7 & Tapiola
Sibelius: | Symphony No. 4 in A minor, Op. 63 Berliner Philharmoniker, Herbert von Karajan Symphony No. 5 in E flat major, Op. 82 City of Birmingham Symphony Orchestra, Sir Simon Rattle Symphony No. 6 in D minor, Op. 104 Berliner Philharmoniker, Herbert von Karajan Symphony No. 7 in C major, Op. 105 Helsinki Philharmonic Orchestra, Paavo Berglund Tapiola, Op. 112 Berliner Philharmoniker, Herbert von Karajan |
Jean Sibelius (1865-1958) was one of the greatest symphonists of the 20th century and his music is as popular today as it was when he died over 50 years ago. This set contains the final four of Sibelius's seven symphonies, written between the years 1911 and 1924. Although he lived for almost another 30 years Sibelius wrote nothing after 1929. It is reputed that he wrote an Eighth Symphony but this is believed to have been destroyed by the composer. “A mixed Sibelius bag from Karajan: a portentous No. 4, a graceful and purposeful No. 6, and Tapiola of elemental power. Rattle conducts a vividly dramatic No. 5, Berglund a fine, no-nonsense No. 7.” BBC Music Magazine, May 2011 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Sibelius: Symphonies Nos. 1 & 4
Sir Colin Davis' award-winning cycle of Sibelius's symphonies reaches its conclusion with the release of Symphonies Nos 1 & 4. Sibelius was still heavily influenced by Tchaikovsky when he composed his First Symphony although there are clear signs of him developing his own highly individual style. The Fourth Symphony, completed eleven years later consitutes a dark heart at the centre of his symphonic output, written shortly after he underwent treatment for cancer. CONCERT REVIEWS: "What makes Davis's Sibelius compelling is that he manages to have it both ways. He gives these fine players the encouragement to turn individual passages into moments of spineingling magic …But he never loses sight of the bigger objective,which is to pull together, bit by bit,the seemingly disparate themes …I doubt whether I shall ever hear an orchestra and conductor achieve a closer rapport in Sibelius" The Times "Davis made it as taut and purposeful as the later symphonies, and as structurally cogent. It was certainly a vivid account,but Davis made details tell as much as the symphony's big tragic statements,and drew the thematic threads of the finale together with massive assurance” The Guardian “The First is archetypal latter-day Davis, vehemently alive and unafraid to slam on the brakes in the interests of heightened expressivity. The Fourth is even more impressive in its muscular directness, contemplating barren wastelands without the sugar-coating of Romanticism.” Gramophone Magazine, January 2009 “…these reflective, deeply felt performances are among the most penetrating on disc.” BBC Music Magazine, January 2009 **** “Sir Colin Davis and the LSO pair the First and Fourth Symphonies as once they did for RCA. Davis cleaves to the heavier sound and interpretative subjectivity of an earlier age, fiercely engaged and, to some, a tad over-dressed. The First is archetypal latter-day Davis, vehemently alive and unafraid to slam on the brakes in the interests of heightened expressivity. Sir Colin's third commercial recording of this work is taken from live concerts, with the maestro caught humming along to the second movement's languishing Tchaikovskian melody. The Fourth is even more impressive in its muscular directness, contemplating barren wastelands without the sugar-coating of Romanticism. Sir Colin's slow movement redefines slow, here with an awesome Brucknerian weight and dignity. His finale solves the dilemma posed by Sibelius's ambiguous request for glocken by doubling up on glockenspiel and tubular bells, an unusual effect that will catch the ears of ardent Sibelians. Davis's Boston version of No 4 for Philips was always highly regarded and, although LSO Live's SACD encoding cannot transform the impactful if rather shallow sound stage of the orchestra's home base, this second remake preserves an extraordinary evening. There are full notes as throughout what has been a distinguished series, well worth its modest asking price.” Gramophone Classical Music Guide, 2010 “In short, Sibelius conducting of real stature, to which the LSO respond wholeheartedly.” Penguin Guide, 2011 edition “Mature wisdom and beautiful playing from the LSO” The Times, 10th May 2013 | | | In stock - usually despatched within 1 working day. |
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| |  | Sibelius - Symphonies Nos. 4 & 5
“For all the lustrous Berlin playing, this is Karajan at his strangest. His approach to the Fourth Symphony's chiselled spareness is conducting-as-juice-extraction. And in the Fifth, the insistent effect-consciousness soon palls. Really for Karajan fans only.” BBC Music Magazine, April 2008 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Sibelius - Symphonies Nos. 1-4
“Very strong accounts from Berglund's second cycle, especially the vigorous First and gigantic Fourth…” BBC Music Magazine, January 2006 *** | | | In stock - usually despatched within 1 working day. |
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“Of all the cycles of Sibelius's symphonies recorded in recent years this is one of the most consistently successful. Ashkenazy so well understands the thought processes that lie behind Sibelius's symphonic composition just as he's aware, and makes us aware, of the development between the Second and Third Symphonies. His attention to tempo is particularly acute and invariably he strikes just the right balance between romantic languor and urgency. The Philharmonia plays for all it's worth and possesses a fine body of sound. The recordings are remarkably consistent in quality and effectively complement the composer's original sound world.” Gramophone Classical Music Guide, 2010 | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Sibelius - Symphonies Nos. 1 & 4
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| |  | Sibelius - The Complete Symphonies, Volume 1
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