Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Quel lascivissimo cornettoVirtuoso Solo Music for Cornetto
Bruce Dickey (cornetto), Stephen Stubbs (chitarrone), Erin Headley (viola da gamba), Andrew Lawrence King (double harp) | |
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| |  | The Madrigals in VenicePolitics, Dialogues & Pastorales
Gabrieli, A: | Del gran Tuonante la sorella e moglie Sassi, palae, sabbion, del Adrian lio Felici d'Adria e dilettose rive I'vo piangendo i miei passati tempi Asia felice hor ben posso chiamarmi O beltà rara, o santi modi adorni Laura soave, vita di mia vita O passi sparsi, o pensier vaghi e pronti Amami, vita mia, ch'io t'amo anchora Lasso, Amor mi trasporta ov'io non voglio Amami, vita mia, ch'io t'amo anchora Caro dolce ben mio, perche fuggire Hor ch'a noi torna la stagion novella Sento, sent'un rumor ch'al ciel si estolle Voi non volete, dona Io mi sento morire Mirami, vita mia, miram'un poco Mentr'io vi miro, vorrei pur sapere Chi'nde darà la bose al solfizar Ancor che col partire Fuor fuori a sì bel canto Dunque il comun poter | Gabrieli, G: | Canzon I 'La Spiritata' Sacri di Giove augei sacre Fenici |
“Andrea Gabrieli has always been something of a textbook composer, whose reputation falls under the shadow of his more famous nephew, Giovanni, the composer par excellence of the grand Venetian polychoral manner. Though Andrea's music may not plumb the depths of Giovanni's best pieces, his compositional range displays a versatility that the writing of his more considered relation surely lacks. Whereas Giovanni concentrated on liturgical composition, Andrea explored the gamut of contemporary styles and forms, from madrigals and lighter secular writing to dialect texts, church music, instrumental works, experimental theatre-pieces and music for Venetian festivities. This imaginatively constructed disc, punctuated by instrumental items, presents as a main course a selection of Andrea's settings of Italian texts. These reveal an unexpected emotional complexity, robust and lively works being contrasted with more reflective ones. The former are characterised by an energetic rhythmic drive and bright sonorities in the upper registers, the latter by a mellifluous and sensitive approach. There are also a few oddities, notably 'Asia felice', composed for an outdoor celebration of the Battle of Lepanto in 1571 – suitably enlivened here with unscripted interventions of organ, sackbuts and cornets – and the boisterous rendition of the dialect text 'Chi'nde darà la bose al solfizar', which evocatively breathes the air of the streets and squares of Renaissance Venice. Anyone smitten with the musical traditions of this most fascinating of all cities, shouldn't hesitate to buy this record.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Andrea Gabrieli: Madrigali e Canzoni
Gabrieli, A: | Cantiam di Dio, cantiamo Angel del terzo ciel, sceso fra noi Canzona a 4 I'vo piangendo i miei passati tempi Vostro fui e saro mentre ch'io viva Tirsi, che fai cosi diolente a l'ombra Gratie che'l mio Signor Largo Destina Canzona a 4 Tirsi morir volea Rimanti, Amor, in sempiterno oblio Com' havro pace in terra Caro dolce ben mio, perche fuggire Sento, sent'un rumor ch'al ciel si estolle Mentr'io vi miro, vorrei pur sapere Mentr' la greggia errando Quanti, sepolti giu nel foco eterno Hor che nel suo bel seno La Verginella e simile alla rosa A le guancie de rose Ricercar a 4 (Madrigali et ricercari, 1589) O soave al mio cor dolce catena Piangi pur, Musa, ogn'hor, poi che'l tuo canto O Dea, che tra le selve a chi ti chiama |
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