Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Dowland - Lute Songs
Campion: | Fair, if you expect admiring I care not for these ladies It fell on a summer's day The cypress curtain of the night | Danyel: | Eyes, look no more Like as the Lute Delights What delight can they enjoy | Dowland: | Come again, sweet love doth now invite Go Crystal tears Can she excuse my wrongs? (First Booke of Songes, 1597) Awake, sweet love Sorrow, stay Shall I sue? Fine knacks for ladies Prelude for lute Lachrimae Pavan, P. 15 lute solo What if I never speed? Me, me, and none but me Flow not so fast, ye fountains When Phoebus first did Daphne love Lady, if you so spite me Shall I strive with wordes to move? Tell me, true Love Semper Dowland Semper Dolens lute solo Lady Laiton's Almain lute solo Captain Candish’s Galliard lute solo | Rosseter: | Sweet come again Whether men do laugh |
“In most respects this makes an ideal introduction to Dowland's art since it includes many of his most popular songs. Moreover they are sung with wonderful artistry by James Bowman, whose countertenor timbre is ravishing, and who brings sensitivity and intelligence to each song.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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| |  | Dowland - Lute Edition Volume 4The Queen's Galliard
Dowland: | Queen Elizabeth, her Galliard The Queen’s Galliard, P. 97 Dowland’s First Galliard John Dowland’s Galliard, P. 21 Complaint Frog Galliard Aloe Walsingham Galliard on Walsingham Coranto, P100 Galliard, P. 27 Come away, come, sweet love new version by Nigel North Sir John Souch’s Galliard The King of Denmark, His Galliard Awake, sweet love Awake, sweet love new version by Nigel North What If A Day My Lord Willoughby's Welcome Home Can she excuse my wrongs? (First Booke of Songes, 1597) Robin Fortune my foe Go From My Window, P. 64 Loth to Depart, P. 69 |
Nigel North’s Dowland Lute Edition has gained him a garland of critical accolades. On this fourth and final volume, North presents a selection of dances and songs by the composer celebrated as the ‘English Orpheus’ “The variations on 'Loth to depart' are teased out with a supple plenitude going straight to the heart of Dowland's sumptuous melancholy, while no two galliards ever sound alike (North one minute full of regal insouciance, the next sonorous and declamatory).” BBC Music Magazine, May 2009 ***** “…North is unhurried yet radiantly flowing both in terms of his ideas and their execution. …listen for example, to the precision and delicacy of Complaint and Aloe or to the crisp, lightly skipping phrases of the Coranto.” Gramophone Magazine, August 2009 | | | (also available to download from $6.00) | In stock - usually despatched within 1 working day. |
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| |  | The Very Best of English Song
anon.: | Willow song | Balfe: | Come into the garden, Maud | Bishop, H R: | Home, Sweet Home | Brahe: | Bless this House | Butterworth, G: | Loveliest of Trees | Byrd: | Lullaby, my sweet little baby Ye sacred muses - an elegy for Thomas Tallis | Carter, S: | Down Below | Dibdin: | Tom Bowling | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) Sorrow, stay Awake, sweet love Woeful heart Shall I sue? Me, me, and none but me Flow my teares (Lacrimæ) | Finzi: | Since we loved Rollicum-rorum | Gurney: | Down by the Salley Gardens Black Stitchel | Ireland: | The Salley Gardens Sea Fever | Johnson, R: | Where the bee sucks Full fathom five | Keel: | Trade Winds (No. 2 from Three Salt-Water Ballads) | Morley: | It was a lover and his lass O mistress mine | Mortimer: | The Smuggler's Song | Parry: | O mistress mine | Peel: | In Summertime on Bredon | Purcell: | Fairest Isle (from King Arthur) Music for a while, Z583 I attempt from love's sickness to fly in vain (from The Indian Queen) If music be the food of love, Z379 An Evening Hymn 'Now that the sun hath veiled his light', Z193 | Quilter: | Love's Philosophy, Op. 3 No. 1 (Shelley) Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) Come away, death | Shield: | The Plough Boy | Stanford: | Drake's Drum The Old Superb | Swann, D: | The Hippopotamus Song (Mud, mud, glorious mud) A Transport of Delight (The Omnibus) The Wart Hog | trad.: | The Foggy, Foggy Dew Greensleeves | Vaughan Williams: | Linden Lea The Lamb The Shepherd Silent Noon | Walton: | Popular Song from 'Façade' | Warlock: | Yarmouth Fair My Own Country Passing By Pretty Ring Time Balulalow | Woodforde-Finden: | Kashmiri Song |
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| |  | English Song
anon.: | Miserere, my Maker | Berkeley, L: | How Love Came In | Bridge: | Go Not, Happy Day Love went a-riding | Britten: | Let the florid music praise! (from On this Island) | Butterworth, G: | Is My Team Ploughing? | Campion: | Come let us sound with melody Fair, if you expect admiring Shall I come, sweet love, to thee? | Dowland: | I saw my Lady weepe Awake, sweet love Fine knacks for ladies Sorrow, stay If my complaints could passions move What if I never speed? | Ford, T: | Faire, sweet, cruell Come Phyllis come | Holst: | Persephone (No. 1 from 12 Songs Op. 48) | Ireland: | I Have Twelve Oxen | Moeran: | In youth is pleasure | Morley: | It was a lover and his lass O mistress mine Thirsis and Milla I saw my lady weeping What if my mistress now | Oldham, A: | Chinese Lyrics (3) | Pilkington: | Rest sweet Nimphs | Rosseter: | When Laura smiles What then is love but mourning? Sweet come again What is a day? | Warlock: | Yarmouth Fair |
Peter Pears’ voice was undoubtedly one of the finest and most distinctive of the twentieth century and here he collaborates with Julian Bream and Benjamin Britten in performances of English song. Repertoire includes works by Ford, Morley, Rosseter, Dowland, Pilkington, Campion, Bridge, Butterworth, Ireland, Moeran, Warlock, Holst, Berkeley, Oldham and Britten. | | | Usually despatched in 8 - 10 working days. |
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| |  | John Dowland: Lute Songs
Damien Guillon (countertenor) & Eric Bellocq (lute) Damien Guillon has chosen for his first solo recital disc a refined, subtle and melancholy repertoire, which he has gone on to explore in depth and polish in genuine chamber style with the lutenist Eric Bellocq, an expert in Renaissance music. Eric Bellocq plays a liuto forte from André Burguete’s conception, an instrument which enables the player to develop a larger sound possibilities creating a true dialogue with the singer and a great freedom in improvisation. Damien Guillon started at an early age as a member of child’s choir Brittany, then at the Versailles Baroque Center while studying organ and harpsichord. In 2004, he was admitted to the countertenor Andreas Scholl’s class at the Schola Cantorum Basiliensis… He was soon spotted by such well-known conductors as Jordi Savall, Vincent Dumestre, Hervé Niquet, Jérôme Correas, Philippe Pierlot, Jean-Claude Malgoire, Christophe Rousset, William Christie, and Philippe Herreweghe. He has founded his own ensemble, Le Banquet Céleste, with which he has performed at Les Nuits Musicales d’Uzès and the Froville Festival. Their repertoire includes Vivaldi’s Nisi Dominus, Pergolesi’s Stabat Mater, and the cantatas for alto and obbligato organ of J. S. Bach, which will be Damien Guillon’s next recording project on Zig-Zag Territoires. | | | Usually despatched in 4 - 5 working days. |
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| |  | English Love Songs
Barlow, S: | If thou would’st ease thine heart | Bridge: | Come to Me in my Dreams Love went a-riding | Britten: | Down by the Salley Gardens Wild with passion (Beddoes) | Butterworth, G: | With rue my heart is laden When I was one-and-twenty | Dowland: | Awake, sweet love Come again, sweet love doth now invite | Finzi: | To Lizbie Browne I Said to Love, Op. 19b | Handel: | Silent Worship (based on an aria from Tolomeo) Semele: Where'er you walk | Haydn: | Piercing Eyes, Hob. XXVIa:35 Pleasing Pain, Hob. XXVIa:29 | Ireland: | If we must part Love is a sickness full of woes | Purcell: | I attempt from love's sickness to fly in vain (from The Indian Queen) If music be the food of love, Z379 | Quilter: | Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) Love's Philosophy, Op. 3 No. 1 (Shelley) | Vaughan Williams: | Silent Noon Love bade me welcome | Warlock: | Take, O take those lips away Thou gav'st me leave to kiss |
This excellent release is a unique collection of English love songs by some of the great English composers of the 20th century including Vaughan-Williams, Purcell, Britten, Dowland, Finzi and Warlock. All of the songs are firm favourites; amongst the most well known are Silent worship, Where’er you walk, If music be the food of love and The salley gardens. Mark Stone has sung at Covent Garden most recently in “Don Giovanni” and is a regular guest at ENO, WNO, Glyndebourne and Opera North. He and Stephen Barlow regularly perform together as a recital duo and often appear on Radio 3 and in concert in the UK and abroad. “..this is not a recital restricted to one vocal hue. Each song is looked at and receives relevant response from both singer and pianist. ….he (Mark Stone) introduces so much by way of nuance and colour to make this a very interesting and fulfilling programme, one which is well recorded.” International Record Review, March 2009 “Stone has made an estimable career as a lyric baritone at Opera North and English National Opera, but he is less familiar as a recitalist. His light, airy baritone is well suited to the more easy-going English love songs, but takes on a nasal, pinched quality when a sense of drama is required, as in Frank Bridge’s galloping Love went a-riding. This attractive miscellaneous programme might have made a stronger impression if the order of songs were not so haphazard: Vaughan Williams (Silent Noon and Love bade me welcome) segues uncomfortably into Dowland’s Awake, sweet love, and Purcell, Handel and Haydn are interspersed pell-mell between Quilter and Ireland, Butterworth and Warlock, Finzu and Britten. Stone’s theme and sequence are too loose to be compelling and his diction, mostly clear, rarely achieves the eloquence of a born song interpreter.” Sunday Times, 15th February 2009 *** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | My Heart's DesireLove songs and ballads form the Elizabethan age
Great romantic ballads and airs from sixteenth century England by Dowland, Campion, Rosseter and Holborne, accompanied by viols, lutes and recorders in an evocative programme full of feeling that brings the Tudor age to life | | | Usually despatched in 2 - 3 working days. |
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| |  | Music For A Great GardenGarden themes from our musical heritage
anon.: | Ah robin Serendipity Roses in bloom Oxford Girls' Choir Sumer is icumen in Richard Vendome (psaltery) Oxford Girls' Choir Quant voi la flor nouvele (When I see fresh blooms appear) Lisette Wesseling (soprano), Michelene Wandor (recorder) Serendipity There is no rose Oxford Girls' Choir Dou way robin Serendipity | Byrd: | All in a Garden Green Sarah Hill (harp) Will yow walke the woods soe wylde Matthew Spring (virginal) | Dowland: | Awake, sweet love Elizabethan Consort | Eberl: | Theme, Variations and Rondo Pastorale (formerly attributed to Mozart): Rondo pastorale Elinor Bennett (harp) | Henry VIII: | Grene growith the holy Sara Stowe (soprano), Matthew Spring (lute), Jon Banks (harp), Matthew Spring (clavichord) Consort No. 3 Matthew Spring (lute) | Hildegard: | Vos Flores Rosarum Oxford Girls' Choir | Holborne: | The Honie-suckle Elizabethan Consort The fruit of love Elizabethan Consort | Johnson, R: | Where the bee sucks Sara Stowe (soprano), Matthew Spring (lute) | Lawes, W: | Gather ye rosebuds while ye may Sara Stowe (soprano), Matthew Spring (lute) | Pearsall: | Lay a garland Cherwell Singers, Julia Craig-McFreely | Philips, P: | Amarilli Martin Souter (piano) | Rosseter: | It fell on a summer's day Elizabethan Consort | trad.: | The rowan tree Sarah Hill (harp) Greensleeves Jon Banks (recorder) |
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Baroque Voices 18 - Dowland: Ayres
These beautiful and melancholy “Ayres” by the English 16th century composer John Dowland may be seen as precursors of the songs of the Romantic period, two centuries later. They are performed here by the renowned combination of Gerard Lesne and the Ensemble Orlando Gibbons. | | | Usually despatched in 3 - 4 working days. |
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| |  | Awake, sweet love
| | In terrors trapp’d with thraldom thrust William Hunnis (attributed) | anon.: | Come tread the paths of pensive pangs | Campion: | Author of Light Oft have I sigh’d for him that hears me not | Danyel: | Eyes, look no more Thou pretty bird, how do I see I die whenas I do not see | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) Flow my teares (Lacrimæ) A Fancy solo lute Sorrow, stay The most sacred Queene Elizabeth her Galliard solo lute Go, nightly cares Now, O now, I needs must part Prelude for lute A Fantasie solo lute Say love if ever thou didst find Frog Galliard solo lute Awake, sweet love Tell me, true Love | Ferrabosco, A I: | Pavin solo lute | Ford, T: | Since first I saw your face | Johnson, E: | Eliza is the fairest Queen |
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