Barber, S: Dover Beach, Op. 3

“Mostly a wide-ranging choice of Barber's songs, intense and rather Brittenish in idiom, but polished and often warm-hearted, plus his String Quartet, source of the famous Adagio.” BBC Music Magazine, November 2009 ****

“This is a pretty stunning achievement. At his most mellifluous and focused, Gerald Finley has beauty of tone to spare. But he is also at his most expressive – hollowing out the voice for the hopelessness of the song “Bessie Bobtail”, letting it splinter with anger at the climax of the brief, furious “Sea Snatch”. Throughout, Julius Drake proves a predictably accomplished, thoughtful partner. The pair move easily and logically from the prettiness of the very early songs through the complexities of the Hermit Songs and the pensive Mélodies passagères. It’s a canny move to place Dover Beach as the final track. The introduction of the string quartet to close the disc shifts the mood, sending us off in another direction. It comes as a hopeful reminder of the wonder of love, even with a sting in its tail. Entirely appropriate for a bittersweet, marvellous collection.” Gramophone Magazine

“Performances of this calibre emphasise Barber's stature in the mainstream… The immediate comparison is with the Gramophone Award-winning Thomas Hampson… Most I prefer Finley, and the recording is warmer.” Gramophone Magazine, Janurary 2008

“As on his 2005 Ives collection, the Canadian baritone Gerald Finley is golden in tone, persuasive in phrasing, and unfailingly responsive to the sound and sense of the words. Julius Drake once more proves a strong and imaginative partner, and a quartet from the Aronowitz Ensemble makes a promising recording debut.” BBC Music Magazine, December 2007 *****

“Performances of this calibre emphasise Barber's stature in the mainstream of 20th-century song composers. The tradition is Anglo-American and There's nae lark, written when Barber was 16 to a poem by Swinburne in imitation Scots, could even be by Quilter.
But Barber soon gets into his stride and by the time he reached his Three Songs, Op 10, there's a rare kind of intensity as impressive as anything on this CD. The poems are from James Joyce's Chamber Music; Barber set a few more, such as Inthe dark pinewood included here; but what a tragedy he never set the whole cycle that could have been an American Winterreise. The Hermit Songs, fey and whimsically amusing, are probably the best-known set.
'Sure on the shining shore' is vintage Barber, and Finley and Drake are impeccable (as are the Aronowitz Quartet in Dover Beach). The French songs, to poems by Rilke, who did write in French, have less character, but the single songs are all gems. An outstanding release.” Gramophone Classical Music Guide, 2010

“this is as wide-ranging an anthology of Barber performances as anyone could wish for… the transfers are consistently excellent and the presentation is superb… Barber was one of the most subtle and individual voices of American twentieth-century music and this box is a magnificent celebration of his very personal art.” International Record Review, July/August 2011

“A treasure-trove of historic Barber recordings...A real discovery is the broadcast of the Adagio for strings and the First Essay with the NBC Symphony under Toscanini on November 5, 1938. These were the actual sounds that propelled Barber into the front rank of American composers...This set of CDs is a gold mine for anyone wanting to study Barber's revisions and early performances, many of which are not otherwise available.” Gramophone Magazine, October 2011