All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Calefax Reed Quintet
Kai Wessel (counter-tenor) Calefax Reed Quintet The English Renaissance master William Byrd and the Baltic innovator Arvo Pärt have much more in common than just one-syllable last names. Both draw on the compositional technique of the Middle Ages and Renaissance and are featured together on this recording by the Calefax Reed Quintet, a one-of-a-kind Dutch wind ensemble. Their music also finds a strong vocal advocate in this splendid performance by the countertenor Kai Wessel. Outstanding (BBC Music Magazine) | 
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| |  | Serenity: The Beauty of Arvo Pärt
Pärt: | Spiegel im Spiegel Nicola Benedetti (violin) Cantus in memoriam Benjamin Britten English Chamber Orchestra, Nigel Short Für Alina Alessio Bax My Heart's in the Highlands Stephen Wallace, Matthew Owens Cantate Domino Tenebrae, Nigel Short The Beatitudes English Chamber Orchestra, Nigel Short Nunc dimittis Choir of St Mary's Cathedral, Edinburgh, Matthew Owens Magnificat English Chamber Orchestra, Nigel Short De profundis The Sixteen, Harry Christophers Summa English Chamber Orchestra, Nigel Short Passio Secundum Sancta Johannes (from Passio) Tonus Peregrinus, Anthony Pitts Et Ex Illa Hora Accepit Eam Discipulus In Sia (from Passio) Tonus Peregrinus, Anthony Pitts Festina Lente English Chamber Orchestra, Nigel Short The Woman With The Alabaster Box The Sixteen, Harry Christophers O Weisheit The Sixteen, Harry Christophers Tabula Rasa Gil Shaham, Adele Anthony Göteborgs Symfoniker, Neeme Järvi Spiegel im Spiegel performed on Violin and Harp Gidon Kremer (violin) & Naoko Yoshino (harp) Fratres for Violin, Strings & Percussion Gil Shaham (violin) Göteborgs Symfoniker, Neeme Järvi |
Celebrating the serene mysticism of the music of Estonian composer Arvo Pärt, this 2CD collection brings together his best known works (such as the ever-popular Spiegel im Spiegel) , with lesser known masterpieces (such as the haunting Burns setting My Heart’s in the Highlands). Largely drawn from the Decca and Deutsche Grammophon catalogues, this collection includes seven brand new recordings with Nigel Short conducting the award-winning Tenebrae in Cantate Domino and the English Chamber Orchestra in orchestral works including the famous Cantus in Memoriam Benjamin Britten – an outstanding example of Pärt’s ‘tintinnabulation’ style. | | | In stock - usually despatched within 1 working day. |
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| |  | Tasmin Little plays Brahms, Sibelius & Arvo Pärt
This collection of recordings illuminates two different sides of violinist Tasmin Little’s accomplished playing. While the Brahms and Sibelius Concertos are a testament to her technical skill and breadth of expression, the Pärt works display a more pared-back approach, making full use of Little’s pure and resonant tone. | | | In stock - usually despatched within 1 working day. |
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| |  | David Hill conducts Tavener & Pärt
“Gutsy singing from the Winchester Choir, the measured simplicity of Solveig Kringelborn, and David Dunnett's vivacious organ accompaniments make David Hill's survey of mid '80s to early '90s Tavener a persuasive proposition.” BBC Music Magazine, August 2009 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Avro Pärt - Choral Works
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| |  | The Best Of Arvo Pärt
“An admirable and enterprising collection. In the two works for violin and piano, Tasmin Little holds the listener's attention by the intensity of her commitment and the powerful projection of her playing....Fine, idiomatic performances throughout and excellent recording.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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“With Arvo Pärt the terms of comparison normally used for focusing differences between this or that recording tend to fall redundant. Pärt's mature music responds most readily to luminous textures, carefully timed silences and mastery of line, and only rarely to the more subjective impulses of dramatic conducting. Järvi's performance of the first movement suggests urgent parallels with the fraught confrontations in Nielsen's Fifth. And there's more than a hint of 'the spring water purity of Sibelius's Sixth Symphony' in the finale. Everywhere one senses the hovering spectre of early music, but this Third Symphony is the ideal stepping stone for first-timers who wish to journey from standard symphonic fare to Pärt's cloistered tintinnabulation. The more familiar tintinnabulation pieces work very well, with Järvi opting in the Cantus and Festina lente for warmer textures than some rivals, which usefully underlines Pärt's quietly cascading harmonies. There are those who will still prefer a more chaste sonority, the sort favoured on virtually all the ECM productions. But Paavo Järvi's more central approach will appeal to those who until now have heard in Pärt's music ascetic denial rather than quiet affirmation. Recommended.” Gramophone Classical Music Guide, 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Pärt: Pilgrims' Song
Chamber Choir Voces Musicales & Tallinn Sinfonietta, Risto Joost Chamber Choir Voces Musicales, Tallinn Sinfonietta / Risto Joost Chamber choir Voces Musicales was founded in 1999 by Risto Joost mainly from the students of the Estonian Academy of Music. Audiences received the choir well already during the first season, which was highlighted by prizes from several competitions. In April 2001, as a great acknowledgment Voces Musicales won 1st prize in the category of chamber choirs at the international choir competition Tallinn 2001. Success in the Tallinn choir competition was continued by another victory in 2005, when besides two 2nd prizes in minor categories the choir also won the Grand Prix. The repertoire of the choir includes music from Renaissance polyphonies to contemporary compositions. Voces Musicales has been a guest performer at festivals in France, Israel and Finland and has participated in the performance of several oratorical works. The choir has premièred the compositions of several composers (Toivo Tulev, Helena Tulve, Timo Steiner, Ülo Krigul, etc). Voces Musicales has co-operated with conductors Neeme Järvi, Olari Elts, Arvo Volmer, Andres Mustonen, Jüri Alperten and orchestras such as the Estonian National Symphony Orchestra, Tallinn Chamber Orchestra, Corelli Baroque Orchestra, NYYD Ensemble, Hortus Musicus, Pärnu City Orchestra. In autumn 2009, the choir celebrated their 10th anniversary with a jubilee concert. Arvo Pärt has concentrated on setting religious texts, which have proved popular with choirs and ensembles around the world. Among his champions in the West have been ECM Records who released the first recordings of Pärt’s music outside the Soviet bloc, Hilliard Ensemble who have premièred several of the vocal works, and Neeme Järvi who conducted the première of Credo in Tallinn in 1968, and has, as well as recording the tintinnabuli pieces, introduced Pärt’s earlier compositions through performances and recordings. “he opens the Te Deum with oodles of atmosphere, the rumbling basses and the haunting, distant voices almost creating their own swirling mists and impenetrable fogs to imitate the timelessness of the words, and at every stage both the choral and instrumental forces offer up perfectly uniform and blandly polished sound.” International Record Review, December 2012 | | | Usually despatched in 4 - 5 working days. |
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