Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Voice of Peter Pears
Berkeley, L: | How Love Came In Benjamin Britten (piano) | Bridge: | Love went a-riding Benjamin Britten (piano) | Britten: | The Holy Sonnets of John Donne, Op. 35 Benjamin Britten (piano) The Plough Boy Benjamin Britten (piano) | Campion: | Shall I come, sweet love, to thee? Julian Bream (guitar) | Copland: | Long Time Ago Benjamin Britten (piano) Simple Gifts (from Old American Songs, Set I) Benjamin Britten (piano) I Bought me a Cat Benjamin Britten (piano) | Dowland: | I saw my Lady weepe Julian Bream (guitar) What if I never speed? Julian Bream (guitar) | Ford, T: | Faire, sweet, cruell Julian Bream (guitar) | Grainger: | Six Dukes Went a-Fishin' Benjamin Britten (piano) | Ireland: | I Have Twelve Oxen Benjamin Britten (piano) | Moeran: | In youth is pleasure Benjamin Britten (piano) | Morley: | It was a lover and his lass Julian Bream (guitar) | Rosseter: | What then is love but mourning? Julian Bream (guitar) | Schubert: | Im Frühling, D882 Benjamin Britten (piano) Auf der Bruck, D853 Benjamin Britten (piano) An die Laute D905 Benjamin Britten (piano) Die Taubenpost, D965A (D957 No. 14) Benjamin Britten (piano) | Warlock: | Yarmouth Fair Benjamin Britten (piano) |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | The Very Best of English Song
anon.: | Willow song | Balfe: | Come into the garden, Maud | Bishop, H R: | Home, Sweet Home | Brahe: | Bless this House | Butterworth, G: | Loveliest of Trees | Byrd: | Lullaby, my sweet little baby Ye sacred muses - an elegy for Thomas Tallis | Carter, S: | Down Below | Dibdin: | Tom Bowling | Dowland: | Can she excuse my wrongs? (First Booke of Songes, 1597) Sorrow, stay Awake, sweet love Woeful heart Shall I sue? Me, me, and none but me Flow my teares (Lacrimæ) | Finzi: | Since we loved Rollicum-rorum | Gurney: | Down by the Salley Gardens Black Stitchel | Ireland: | The Salley Gardens Sea Fever | Johnson, R: | Where the bee sucks Full fathom five | Keel: | Trade Winds (No. 2 from Three Salt-Water Ballads) | Morley: | It was a lover and his lass O mistress mine | Mortimer: | The Smuggler's Song | Parry: | O mistress mine | Peel: | In Summertime on Bredon | Purcell: | Fairest Isle (from King Arthur) Music for a while, Z583 I attempt from love's sickness to fly in vain (from The Indian Queen) If music be the food of love, Z379 An Evening Hymn 'Now that the sun hath veiled his light', Z193 | Quilter: | Love's Philosophy, Op. 3 No. 1 (Shelley) Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) Come away, death | Shield: | The Plough Boy | Stanford: | Drake's Drum The Old Superb | Swann, D: | The Hippopotamus Song (Mud, mud, glorious mud) A Transport of Delight (The Omnibus) The Wart Hog | trad.: | The Foggy, Foggy Dew Greensleeves | Vaughan Williams: | Linden Lea The Lamb The Shepherd Silent Noon | Walton: | Popular Song from 'Façade' | Warlock: | Yarmouth Fair My Own Country Passing By Pretty Ring Time Balulalow | Woodforde-Finden: | Kashmiri Song |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Shakespeare Songs
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Shakespeare - Come Again Sweet Love
anon.: | Willow song | Bennet: | Weep, O Mine Eyes | Dowland: | Come again, sweet love doth now invite Galliard If my complaints could passions move Semper Dowland Semper Dolens | Gibbons, O: | The Silver Swan | Hume, T: | The Virgins Muse | Johnson, E: | Come againe, sweet Nature's treasure Come againe, sweet Nature's treasure reprise | Johnson, R: | Full fathom five Where the bee sucks | Jones, Robert: | Now what is love? Sweet Kate Farewell Dear Love | Morley: | Sweet nymph, come to thy lover It was a lover and his lass | Purcell: | By beauteous softness (from Now does the glorious day appear, Z332) If music be the food of love, Z379 | Robinson, T: | Fantasie & Toye | Wilson, John: | Take, O take those lips away |
Shakespeare – Come again sweet love is a haunting collection of songs and madrigals by some of the great masters of the Renaissance period, including Purcell, Dowland and Gibbons. The theme of the album is “love” in all its many forms, expressed through the poetry of the Shakespearian Era and the music it inspired. Daniel Taylor is joined on the album by the Theatre of Early Music (founded and conducted by Daniel Taylor) and famous soloists Dame Emma Kirkby, Carolyn Sampson, Michael Chance and Charles Daniels. Daniel and the Theatre of Early Music appear in some 30 concerts every year. The ensemble consists of a choir and orchestra that are dedicated to sustain the heritage of magnificent yet neglected choral and instrumental repertoire from four centuries. Their recent performance could be seen on stages in France, England, Argentina, Brazil and China. Daniel Taylor is a prolific recording artist who has worked on numerous albums including Sakamoto’s pop-opera Life with the Dalai Lama and Salman Rushdie, Renaissance duets with actor Ralph Fiennes, and Bach recitals with the Theatre of Early Music to name only a few. “This is deluxe casting, allowing combinations from unaccompanied lute songs to an a cappella duet, and lute solos to five-part madrigals...Taylor - with one of the loveliest countertenor voices in the business - is on nine [tracks], happy it seems to let others into the spotlight, with every other singer getting at least one solo spot.” Gramophone Magazine, Awards Issue 2011 “Vocal leads and arrangements are shared: the results include a four-part madrigal setting of Gibbons' "The Silver Swan"; solo pieces accompanied by theorbo, such as Taylor's poised expression of a woman who "with such sweetness and such justice reigns" in Purcell's "By Beauteous Softness"; and tenor Charles Daniels's extended swoon of ardour through Dowland's "Come Again, Sweet Love Doth Now Invite".” The Independent, 24th June 2011 *** | | | Usually despatched in 3 - 4 working days. |
|
|
| |  | English Song
anon.: | Miserere, my Maker | Berkeley, L: | How Love Came In | Bridge: | Go Not, Happy Day Love went a-riding | Britten: | Let the florid music praise! (from On this Island) | Butterworth, G: | Is My Team Ploughing? | Campion: | Come let us sound with melody Fair, if you expect admiring Shall I come, sweet love, to thee? | Dowland: | I saw my Lady weepe Awake, sweet love Fine knacks for ladies Sorrow, stay If my complaints could passions move What if I never speed? | Ford, T: | Faire, sweet, cruell Come Phyllis come | Holst: | Persephone (No. 1 from 12 Songs Op. 48) | Ireland: | I Have Twelve Oxen | Moeran: | In youth is pleasure | Morley: | It was a lover and his lass O mistress mine Thirsis and Milla I saw my lady weeping What if my mistress now | Oldham, A: | Chinese Lyrics (3) | Pilkington: | Rest sweet Nimphs | Rosseter: | When Laura smiles What then is love but mourning? Sweet come again What is a day? | Warlock: | Yarmouth Fair |
Peter Pears’ voice was undoubtedly one of the finest and most distinctive of the twentieth century and here he collaborates with Julian Bream and Benjamin Britten in performances of English song. Repertoire includes works by Ford, Morley, Rosseter, Dowland, Pilkington, Campion, Bridge, Butterworth, Ireland, Moeran, Warlock, Holst, Berkeley, Oldham and Britten. | | | Usually despatched in 8 - 10 working days. |
|
|
| |  | Tudor & Stuart SpiritMusic for Dancing and Dreaming
anon.: | Bonny Sweet Robin Matthew Spring (lute) | Bull, J: | The Duke of Brunswick's Alman Martin Souter (organ) Dr. Bull's Juel Martin Souter (organ) | Byrd: | All in a Garden Green Martin Souter (harpsichord) | Clarke, Jeremiah: | Trumpet Voluntary 'Prince of Denmark's March' The Brandenburg Consort, Roy Goodman | Dowland: | Pavana Lachrymae (set by William Byrd) Martin Souter (harpsichord) | Grandi: | Domine ne in furore tuo Concertare, Jonathan Wainwright | Lanier: | The Marigold (Mark How the Blushful Morn) Sara Stowe (soprano), Matthew Spring (lute) | Lawes, W: | Gather ye rosebuds while ye may Sara Stowe (soprano), Matthew Spring (lute) | Locke: | Curtain Tune from The Tempest | Morley: | It was a lover and his lass Sara Stowe (soprano), Matthew Spring (lute) | Mundy, J: | Robin Martin Souter (organ) | Newman, m: | Pavyon Martin Souter (clavichord) | Playford: | Under The Greenwood Tree Michelene Wandor | Purcell: | Round'O, ZT 684, from Abdelazer Martin Souter (harpsichord) Thou knowest, Lord The King's Consort, Robert King When I am laid in earth (from Dido and Aeneas) | Rovetta: | Quam pulchra es Concertare, Jonathan Wainwright | Tomkins: | A sad Pavan for these distracted times Martin Souter (virginals) | trad.: | Greensleeves Sharon Lindo (recorder) |
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |  | Songs for William Shakespeare
Sara Stowe (soprano), Matthew Spring (lute, cittern, hurdy-gurdy), Sharon Lindo (Renaissance violin, recorder, pipe, tabor) | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |  | All The World's A StageMusic and dances for Williams Shakespeare
Music from the sixteenth to the eighteenth centuries composed for Shakespeare's plays or to celebrate his work. A wide range of instrumental sounds and some splendid singing create a fascinating programme of dynamic and cheerful English music, performed by one of Britain's leading ensembles. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |  | Shakespeare's EnglandeMusic of his Plays & People
anon.: | O, mistress mine Greensleeves Kemp's jigg (for lute) Willow song Love, love, nothing but love Heartease | Byrd: | Fantasia a 5 | Campion: | It fell on a summer's day | Dowland: | Tarleton's Riserrectione | Farnaby, G: | Jog On | Gibbons, O: | Fantazia | Johnson, R: | Where the bee sucks Full fathom five Care-charming sleep | Lawes, W: | Almain & ayre Pavane | Lupo, T: | Ayre in C | Morley: | It was a lover and his lass | Nicholson, R: | No more, good herdsman | Wigthorpe: | I am not I, of such belief | Wilbye: | Ne reminiscaris |
| | | Usually despatched in 8 - 10 working days. |
|
|
| |  | Elisabeth Schwarzkopf - The Unpulblished EMI Recordings, 1946-1952
Arne: | When daisies pied (from Love's Labours Lost) | Bach, J S: | Cantata BWV51 'Jauchzet Gott in allen Landen' Cantata BWV51 'Jauchzet Gott in allen Landen' | Gounod: | Ave Maria | Morley: | It was a lover and his lass | Mozart: | Exsultate, jubilate, K165 Die Zauberflöte, K620: excerpts Pamina's part only Das Veilchen, K476 | Puccini: | Donde lieta usci (from La Bohème) | Schubert: | Gretchen am Spinnrade, D118 Der Musensohn, D764 (Goethe) Wiegenlied, D498 | Strauss, R: | Hat gesagt - bleibt's nicht dabei, Op. 36 No. 3 Schlechtes Wetter, Op. 69 No. 5 | Verdi: | È strano! è strano!...Ah! fors è lui (from La traviata) | Wolf, H: | Storchenbotschaft (No. 48 from Mörike-Lieder) Epiphanias (No. 19 from Goethe-Lieder) Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch) Du denkst mit einem Fädchen mich zu fangen (No. 10 from Italienisches Liederbuch) Schweig' einmal still (No. 43 from Italienisches Liederbuch) Wer tat deinem Füßlein weh? (No. 30 from Spanisches Liederbuch: Weltliche Lieder) Bedeckt mich mit Blumen (No. 26 from Spanisches Liederbuch: Weltliche Lieder) Mögen alle bösen Zungen (No. 13 from Spanisches Liederbuch: Weltliche Lieder) Elfenlied (No. 16 from Mörike-Lieder) Nixe Binsefuss (No. 45 from Mörike-Lieder) Im Frühling (No. 13 from Mörike-Lieder) Die Spröde (No. 26 from Goethe-Lieder) Die Bekehrte (No. 27 from Goethe-Lieder) Mausfallen-Sprüchlein (from Lieder für eine Frauenstimme) Wiegenlied im Sommer (from Sechs Lieder für eine Frauenstimme) |
Including a talk by Elizabeth Schwartzkopf about The Magic Flute recordings | | | Usually despatched in 4 - 5 working days. |
|
|
| |
|