Rachmaninov: Preludes Op. 23 Nos. 1-10 (complete)

'Perhaps what strikes home most of all is the sheer aristocracy of his playing ... everything is beautifully moulded and proportioned, beautifully balanced and blended. The sonority he draws from the instrument is poetry itself, as for instance the liquid stream of Op.23 nos.8 & 9. His effortlessly strong, brilliant technique is of course an enormous asset in bolder challenges like Op.23 no.2 ... at all times his phrasing suggests acute susceptibility, yet sentiment never degenerates into sentimentality and nothing would have pleased Rachmanimnov more than that. The C sharp minor Prelude is so often murdered that it is a revelation to hear it done with such a fine blend of the imperious and the mysterious; it emerges here as a little masterpiece'. Gramophone February 1976

“undoubtedly a fluent pianist” Gramophone

"magnetically compelling. His control of colouring and dynamics is superb" BBC Music Magazine

“Moura Lympany plays, in my view, superbly; she gives us the music with the pianistic conviction of the person who has written it.” Gramophone July 1951 (Preludes)