Wagner: Huldigungsmarsch, WWV 97

Our series of works by Richard Wagner, performed by the Royal Scottish National Orchestra and Neeme Järvi, continues with a disc of early symphonies, later marches, and an overture.

Early on in his career, Wagner composed two symphonies, both of which are included on this disc. The Symphony in C, which he wrote when he was just nineteen years old, is heavily influenced by Beethoven in its character, mood, and instrumentation. Written two years later, in 1834, the Symphony in E was left unfinished, Wagner completing only the first movement and thirty bars of the second. The completed version recorded here was prepared by the conductor Felix Mottl more than fifty years later at the request of Wagner’s widow, Cosima.

The two marches on this disc are the composer’s most obvious contributions to the genre of pomp and circumstance. The Huldigungsmarsch was written in 1864 for King Ludwig II of Bavaria. The march-like rhythms and brassy colours complement sections in which the strings provide a continuously flowing movement, all leading to a jubilant conclusion. The Kaisermarsch (1871) was a commission from the publishing firm Peters, who requested from Wagner a heroic morale booster at a time when the German countries were at war with France. Having initially composed it for military band, Wagner soon rewrote it for symphony orchestra, the version recorded on this disc.

The Overture to Rienzi, Wagner’s third completed opera (1838 – 40), incorporates the melody of Rienzi’s prayer at the start of Act V, which became the opera’s best-known aria, and ends with a dazzling military march. The Prelude to Act III of Lohengrin (1845 – 47) has the energy, fervour, and brassy sounds of the Overture to Der fliegende Holländer, and displays Wagner’s lasting fascination with creating drama by symphonic means.

This year, we celebrate the thirty-year conducting career of Neeme Järvi with Chandos Records, as well as the conductor’s own seventy-fifth birthday.

We mark the occasion with this two-disc set of highlights, featuring a varied selection of concert hall rarities and core classics, along with some popular showpieces and examples of Järvi’s championing of Estonian and American music.

In the course of his conducting career, Järvi has amassed a distinguished discography of more than 440 recordings, well over 150 of them for Chandos.

Järvi has a rare ability to galvanise an orchestra into giving an interpretation of exceptional vigour and drive. Gramophone said of his recently concluded Halvorsen series (from which La Mélancolie and Bojarernes Indtogsmarsch are taken): ‘Järvi finds in the music a drama and pathos that might come as a revelation even to the composer.’

Also on this disc is the ‘Jester’s Dance’ from Tchaikovsky’s The Snow Maiden, a personal favourite of the conductor’s, and one that Järvi often performs as an encore at his many concerts around the world.

Wagner is, of course, best known for his operas, but he actually wrote music in an unexpectedly wide variety of genres. Encompassing orchestral works, overtures, marches, songs, choral works and piano music, this collection complements Wagner’s great operas, providing fascinating insights into the composer’s emerging style and musical techniques. It also showcases some rousing, moving and powerful music that is well worth discovering.