Stravinsky: Symphony in C

“As one might expect from these forces, the asceticism of neo-Classical Stravinsky plays second fiddle to the orchestra's natural plushness. But while the textures sound a little weightier than we are used to, Simon Rattle's mastery in orchestral balancing ensures that nothing is compromised. There is some delectable playing here, especially from the woodwind in the Bachian counterpoint at the heart of the Symphony of Psalms, where the Berlin Radio Chorus also excels. And the richness of sound does nothing to dampen the rhythmic vitality that is at the heart of the two purely instrumental works” Matthew Rye, Daily Telegraph, 28th June 2008

“Rattle's performances, all taken from concerts in Berlin's Philharmonie, are as energised and impeccably played as one would expect, with the woodwind contributions a particular delight. Predictably, it's the last of the trilogy, the stark Symphony in Three Movements from 1946, that makes the biggest impression, with Rattle channelling its energy and athleticism uncompromisingly. Yet all three works have a litheness and confidence, a perfect balance between the sections, and, in the Symphony of Psalms, between the orchestra and the superbly groomed choir, that give the music a transparent, "classical" feel. Rattle's performance of the Symphony of Psalms gets the balance between celebratory exuberance and liturgical grandeur exactly right, releasing the energy of the finale in a controlled display of orchestral virtuosity.” The Guardian, 20th June 2008 ****

"This Naxos disc is more than a bargain: it's a find" - Fanfare

"In the music of Stravinsky, Bernstein was indispensable" (Gramophone)

"...in terms of archival importance, [Stravinsky's] discography, especially the Columbia recordings now reissued on Sony Classical, is the greatest landmark in the history of recorded music from the classical tradition." The New York Times, June 1999