Stravinsky: The Rite of Spring (Le Sacre du Printemps)

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Scandale: Alice Sarah Ott // Francesco Tristano

Scandale: Alice Sarah Ott // Francesco Tristano


Ravel:

La Valse (for 2 pianos)

Rimsky Korsakov:

Scheherazade, Op. 35: The Legend of the Kalendar Prince

arr. for four hands

Schlimé:

A soft shell groove

Stravinsky:

The Rite of Spring

piano duet


Alice Sara Ott (piano) & Francesco Tristano (piano)

For her new recording rising star Alice Sara Ott teams up with Francesco Tristano, who is a guarantor for highly innovative projects.

Fascinated from the idea of Ballets Russes their challenging programme for two pianos centers upon Stravinsky’s extremely rhythmic and avant-garde score of “The rite of spring”, the crowning success de scandale of Ballets Russes and includes the catchy tune of Rimsky-Korsakov’s “Scheherazade”.

The album features an exciting new composition by Francesco Tristano himself "A soft shell groove", which has never been recorded before.

No ballet company influenced the 20th-century intellectual world as did Serge Diaghilev’s Ballets Russes, with its signature conceptualization of dance, music and the fine arts as equal partners in a unified art form.

Diaghilev’s Ballets Russes became one of the most influential ballet companies of the 20th century, in part because of its ground-breaking artistic collaboration among contemporary choreographers, composers, artists, and dancers.

DG and Decca Sale

DG - 4793541

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Stravinsky: Rite of Spring & The Firebird

Stravinsky: Rite of Spring & The Firebird


Stravinsky:

The Firebird

The Rite of Spring


The fifth recording of Tugan Sokhiev and his Toulouse orchestra, now considered one of the best French ensembles, was issued earlier this year as a cd book with extra dvd content. It was given many critical plaudits and is now reissued in digipack just in time to celebrate the end of the 'Rite's' centenary year. Besides his activity as Music Director at Orchestre National du Capitole de Toulouse, Tugan Sokhiev is now Music Director at Deutsches Symphonie Orchestra in Berlin and guest conductor of several prestigious orchestras, including the Philharmonia to which he returns each season. He also enjoys a close association with the Mariinsky Theatre and is in demand from orchestras and opera houses worldwide. The relationship between Sokhiev and his musicians in Toulouse is increasingly celebrated: Le Figaro described the partnership as "at the centre of French musical life", while Le Monde wrote of “Sokhievmania” after a recent performance in Paris.

Naive - V5360

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Stravinsky: Petrouchka & Le Sacre Du Printemps

Stravinsky: Petrouchka & Le Sacre Du Printemps


Stravinsky:

Petrushka

The Rite of Spring


2013 is the 100th anniversary of the first performance of the ballet "Le Sacre du Printemps" at the Théâtre des Champs-Élysées on 29 May 1913. Stravinsky's "Le Sacre du Printemps" became recognised as one of the most influential musical works of the 20th century and is one of the most recorded works in the classical repertoire. Maestro Gatti and the Orchestra National de France performed Stravinsky’s “Le Sacre du Printemps” multiple times already, including the London Proms 2010. On June 13th 2013 Daniele Gatti will conduct the Orchestre National de France performing "Le Sacre du Printemps" at the place where the piece was originally premiered - the Théâtre des Champs Elysées.

“While there is plenty of detail and some fine playing, it is hard to imagine anyone dancing to this music, never mind raising a fist.” BBC Music Magazine, October 2013 **

Sony - 88725442552

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Stravinsky: The Rite of Spring and Suites from Petrushka and The Firebird

Stravinsky: The Rite of Spring and Suites from Petrushka and The Firebird


Stravinsky:

The Rite of Spring

Petrushka - suite

The Firebird Suite


Tremendously virtuosic performances from Stravinsky’s most famous ballet scores – The Firebird, Petrushka and The Rite of Spring – from conductor Ormandy and his "Fabulous Philadelphians".

“Phenomenally played Stravinsky from one of the great conductor-orchestra combinations of the 20th century. The limited mid-1950s mono sound means that this is probably for collectors only.” BBC Music Magazine, August 2013 ****

Sony Originals - 88765454312

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Stravinsky: Le sacre du printemps

Stravinsky: Le sacre du printemps


Stravinsky:

The Rite of Spring

Symphonies of Wind Instruments

Apollon musagète


Sir Simon Rattle and the Berliner Philharmoniker, whose Grammy® award-winning accounts of Stravinsky’s Symphony in C and Symphony of Psalms are among Gramophone magazine’s Top 10 Stravinsky Recordings (2011), return to the composer with a recording of the ground-breaking ballet Le Sacre du printemps, whose premiere a century ago marked a turning point in 20th century music history. The programme on this release also includes new recordings of Stravinsky’s Symphonies of Wind Instruments and Apollon Musagète, another of the Russian master’s breathtaking ballets.

Although the premiere of Igor Stravinsky’s Le Sacre du printemps in Paris on 29th May 1913 famously set off a near-riot, the work quickly became recognised as one of the most influential musical works of the 20th century. The 100th anniversary of the premiere will be commemorated with performances all over the world in 2013 and, no doubt, with some new recordings. On record and in performance, Simon Rattle has championed the orchestral works of Stravinsky with insight and dedication over many years and this latest recording is an important addition to his Stravinsky discography.

Read Presto's complete review of this disc here.

“The performances all have the sense of utter security, tonal depth and fabulous dynamic range that are characteristic of the Berlin Philharmonic in Rattle's era...The Berliners are so much on top of their parts that there is something almost too secure about the result...It's a superbly judged performance, with just the right balance between individuality in the wind playing and immaculate ensemble” The Guardian, 21st March 2013 ****

“Stravinsky famously disliked Karajan’s supersmooth 1960s account with this orchestra, but he surely would have responded more positively to Rattle, who never allows sheer beauty of sound to undermine the rhythmic pulsing...The Berliners’ strings may be plusher than Birmingham’s, and the woodwind soloists are instrumental royalty, but Rattle preserves the visceral barbarism of this ever-astonishing score.” Sunday Times, 31st March 2013

“it is the suavity of the score that startles, especially in Rattle's subtle use of rubato (stolen time) and the cool sensuality of the woodwind solos. Those woodwind players – currently vying with the principals of the Concertgebouw for the title of world's finest – shine again in Stravinsky's Symphonies of Wind Instruments.” The Independent, 30th March 2013 *****

“Beautiful, all beautiful. But beauty is not enough. We also need the primitive and rude: ingredients that Rattle and the suave Berliners tend to deliver wearing kid gloves...If you’re after an interpretation in love with the score’s quieter corners, go for Rattle with confidence; if you want Stravinsky red in tooth and claw, he’s often hard to find.” The Times, 5th April 2013 ***

“You could be forgiven for thinking this was still Herbert von Karajan’s orchestra, such is the depth of colour in The Rite of Spring and weight of string sonority in Apollon Musagète.” Financial Times, 6th April 2013 ***

“the physical impact here of maximum Berlin Philharmonic firepower is part of what the music itself calls for...Compared to the clotted cream sonorities in evidence here, Rattle's CBSO recording is far truer to the music's poised incisiveness and grace. But his new reading of The Rite of Spring with the Berlin Philharmonic is a formidable achievement.” BBC Music Magazine, May 2013 *****

“It’s indecently luxuriant and played with a confidence which almost borders on complacency...This recording is full of...sounds which will have you dusting down your miniature score in disbelief. Rarely has the second half’s intro sounded so decadent and sweaty, and I whooped for joy at hearing a normally inaudible low horn rasp a few minutes near the close.” The Arts Desk, 6th April 2013

“This is a pretty considerable account of Le Sacre. I think there is, at times, a degree of greater urgency than was the case in 1987 - perhaps the presence of an audience helped; perhaps it’s the fact that an even more experienced Rattle is now at the helm of a virtuoso orchestra...a refined and excellent performance of Apollon Musagète which benefits not only from the virtuosity of the Berlin string players but also from the fastidious ear of their conductor.” MusicWeb International, April 2013

“[Stravinsky] would surely have warmed to this new version. Rattle’s sense of pacing and proportion is unerring, and the sound has a startling vividness that makes this familiar piece seem new. One hears thickets of ticking, twittering inner parts that normally stay in the background.” The Telegraph, 19th April 2013 ****

“What struck me most was Rattle’s focus on the work’s sensuality, especially in its early stages. Even the opening bar is seductive rather than primitive...Little details that I often listen for are happily present and correct: the groaning horns come through wonderfully in the section entitled Dances of the Young Girls” James Longstaffe, Presto Classical, 27th May 2013

Presto Disc of the Week

27th May 2013

BBC Music Magazine

Orchestral Choice - May 2013

Warner Classics - 7236112

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Stravinsky: Petrushka, Le sacre du printemps, Eight Instrumental Miniatures & Circus Polka

Stravinsky: Petrushka, Le sacre du printemps, Eight Instrumental Miniatures & Circus Polka


Stravinsky:

Petrushka (1947 version)

Los Angeles Philharmonic Orchestra

The Rite of Spring

Los Angeles Philharmonic Orchestra

Instrumental Miniatures (8)

Los Angeles Chamber Ensemble

Circus Polka

Los Angeles Philharmonic Orchestra


Zubin Mehta’s Decca legacy has extensively been mined by Eloquence and the latest release in this on-going exploration brings together all of his Stravinsky recordings for Decca on one CD for the first time. As one might expect, they are technicolour, sharply-etched performances (from Los Angeles) of two of Stravinsky’s greatest ballet scores – Le sacre du printemps and Petrushka, as well as the cheeky Circus Polka, and, with the Los Angeles Chamber Orchestra (made up of LAPO members) the rarer Eight Instrumental Miniatures. The recording is issued in time for the centenary of the scandalous premiere (May 1913) of Le sacre.

Australian Eloquence - ELQ4805377

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Stravinsky: The Rite of Spring & Firebird Suite

Stravinsky: The Rite of Spring & Firebird Suite


Stravinsky:

The Rite of Spring

The Firebird Suite

Scherzo a la Russe

Symphonic Version

Tango No. 72

Orchestral Version (1940). Orchestration by Felix Guenther, approved by Stravinsky and first performed by Benny Goodman


“A fascinating chance to compare a composer's own interpretation with a brilliant newcomer. Ivan Fischer's new Rite of Spring is lean and hungry, razor-sharp and matches his description of it: "fresh, pagan, scary, new and beautiful"...Quite deliberate in places (Spring Rounds is surely too slow) it is full of piercing, unfamiliar detail and accumulates tremendous weight.” The Observer, 22nd January 2012

“The Rite of Spring remains a seismic event in the history of music, still astounding in a performance as gripping and as powerful as this live account by Fischer’s BFO. These Hungarians manage the remarkable feat of making this familiar music sound ever fresh and new — I love Fischer’s chamber-music textures in Dances of the Adolescent Girls, and his Dance of the Earth sounds positively volcanic.” Sunday Times, 19th February 2012

“This is one of the earthiest, most pagan accounts of the ballet around. It’s also one of the most carefully considered whenever Stravinsky writes in a slow tempo...Whenever the music jerks into high gear — the notes cascading, polyrhythms jabbing — the contrast is doubly thrilling.” The Times, 24th February 2012 ****

“Fischer and his Budapest forces possess the right ingredients: the orchestra is well drilled in an interpretation that's as straight as a Roman road; its strings are searing, and brass and wooodwind play in the clipped manner favoured by Stravinsky. In short, it's what the composer said he wanted from a performance of this music. The problem is that Stravinsky did not practise what he preached.” BBC Music Magazine, April 2012 **

“Fischer's The Rite of Spring is sensual and revealing...There's a elasticity to Fischer's conducting that keeps Stravinsky's score pliable...In a word, this is a 'musical' performance, one where every note seems an inevitable outgrowth of its predecessor. It's not the most viscerally exciting version on disc...[but it] avoids what Stravinsky himself labelled self-glorification.” Gramophone Magazine, May 2012

GGramophone Awards 2012

Finalist - Orchestral

Super Audio CD

Format:

Hybrid Multi-channel

Channel - CCSSA32112

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Stravinsky conducts Stravinsky

Stravinsky conducts Stravinsky

1940 & 1946 Recordings


Stravinsky:

The Firebird Suite

The Rite of Spring

Petrushka - suite


Philharmonic-Symphony of New York, Igor Stravinsky

Mark Obert-Thorn, producer and audio restoration engineer

This programme brings together the three great ballets which Stravinsky composed for Russian impresario Serge Diaghilev. These vibrantly atmospheric scores were all revised after their Parisian premières, and the 1945 version of the Firebird Suite was still brand new at the time of this recording. In what are widely considered to be the best of his commercial recordings of these works, Stravinsky the conductor brings out the expressive and vividly incisive rhythmic strengths of the Philharmonic-Symphony Orchestra of New York.

Producer’s Note:

Igor Stravinsky made three sets of commercial recordings of his three great early ballet scores. The first was made in the late 1920s with rather ragged-sounding French and British ensembles and less conducting experience on the composer’s part. The last set was made in stereo in the early 1960s with a pick-up orchestra of Los Angeles musicians at a time when the conductor was at an advanced age. The present series, made midway between the other two, is generally considered his best. It features an ensemble of high quality (Barbirolli’s New York Philharmonic), and the composer is on his best podium form. These are generally considered to be the best of Igor Stravinsky’s own recorded versions of his great ballets. Collectors will want these historically significant audio documents in the most detailed sound possible, and renowned technician Mark Obert-Thorn’s tremendous work in audio restoration means this is exactly what they will find with this release.

“they certainly are exciting, not least because you sense the virtuosos of their day still struggling to master incredibly demanding new music. Forget the recording quality and revel in the rhythmic pungency.” The Times, 25th February 2012 ***

“Invaluable new transfers of Stravinsky on top form as a conductor. This electrifying performance is the finest of his Rite of Spring recordings, and the 1945 Firebird Suite is gripping.” BBC Music Magazine, August 2012 *****

Building a Library

First Choice - March 2013

Naxos Historical - 8112070

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$6.75

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Stravinsky: The Rite of Spring & Petrushka Ballet Suite

Stravinsky: The Rite of Spring & Petrushka Ballet Suite


Stravinsky:

The Rite of Spring

Petrushka (1947 version)


Alto - ALC1131

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$6.00

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Stravinsky and the Ballets Russes

Stravinsky and the Ballets Russes


Stravinsky:

The Firebird

Ekaterina Kondaurova (Firebird), Ilya Kuznetsov (Ivan Tsarevich), Marianna Pavlova (The Princess) & Vladimir Ponomarev (Kachtcheï the Immortal)

The Rite of Spring

Alexandra Iosifidi (The Chosen One), Elena Bazhenova (300-Year-Old Woman) & Vladimir Ponomarev (Shaman)

The Firebird:

Choreography & libretto: Michel Fokine (1910)

reconstruction Isabelle Fokine, Andris Liepa;

Set & costume design:Anna & Anatoly Nezhny after original sketches by Alexander Golovin, Léon Bakst & Michel Fokine

The Rite of Spring

Choreography after Vaslav Nijinsky (1913)

Scene plan: Igor Stravinsky & Nicholas Roerich, reconstructed and staged by Millicent Hodson;

Set and costume design: Nicholas Roerich, reconstructed and supervised by Kenneth Archer; Lighting: Vladimir Lukin


Subtitles: Fr, Eng, Booklet: 16 pages, Fr, Eng, Ger

Filmed in High Definition at the Mariinsky Theatre June 2008

Duration: 2h03'

Bonus: documentary 1909-2009 Ballets Russes & interviews with Millicent Hodson & Kenneth Archer (38')

Today it is difficult to imagine the impact on audiences at the beginning of the 20th century of Serge Diaghilev (1872-1929) and his Ballets Russes. In celebration of the debut of the Ballets Russes in Paris in 1909, this wonderful Stravinsky evening at the Mariinsky Theatre showcases the original Nijinsky version of The Rite of Spring for the first time on DVD along with The Firebird, both conducted by Valery Gergiev. Thanks to the relentless work of Millicent Hodson, Nijinsky's original choreography has now been recreated, performed by the lead dancers and Ballet Company of the Saint Petersburg's Mariinsky Theatre conducted by Valery Geriev, known the world over for his interpretation of Stravinsky's works.

See also Blu-ray version.

Presto Disc of the Week

27th July 2009

BBC Music Magazine Awards 2010

DVD of the Year

DVD Video

Region: 0

Format: NTSC

Bel Air Classiques - BAC041

(DVD Video)

$22.25

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