Stravinsky: The Rite of Spring (Le Sacre du Printemps)

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Raskatov: Piano Concerto 'Night Butterflies' & Stravinsky: The Rite of Spring

Raskatov: Piano Concerto "Night Butterflies" & Stravinsky: The Rite of Spring


Raskatov:

Piano Concerto "Night Butterflies"

Tomoko Mukaiyama (piano)

Stravinsky:

The Rite of Spring

(live recordings)


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Seattle Symphony Media - SSM1005

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Stravinsky: The Rite of Spring

Stravinsky: The Rite of Spring


Stravinsky:

The Rite of Spring

Version for Orchestra

Sinfonieorchester Basel, Dennis Russell Davies

The Rite of Spring

Version for Piano Four Hands

Dennis Russell Davies & Maki Namekawa (piano)


As early as spring 1910 Igor Stravinsky had a vision of a "great pagan festival" the climax of which would be the death of a young girl who dies of exhaustion after a frenzied dance, surrounded by the elders of her tribe. A further eighteen months would elapse however, during which Stravinsky consulted with the archaeologist and painter Nikolai Roerich to produce several versions of a libretto, before the composer set about realizing his vision by writing the score for this, his most famous ballet.

Initially, the score bore the working title The great sacrifice, but was then renamed The Rite of Spring, and marked the international career breakthrough for the composer, not yet 32 years old, following his two earlier ballets for Sergei Diaghilev and his Ballets Russes, Firebird and Petrushka. And it has to be said that that breakthrough came with a mighty drumroll: when Le Sacre was premiered on May 29, 1913 at the Théâtre des Champs-Elysées, choreographed by the young Vaslav Nijinsky and under the musical direction of Pierre Monteux, the ballet caused one of the greatest scandals in the history of music and theatre ever – though it has to be said that Nijinsky's choreography, with its stamping, twitching body movements that seem to truly mock the ideal of weightless grace normally expected in dance, was at least as much to blame as Stravinsky's music. That said, this was not a performance suited to those of a nervous disposition, since the composer had transformed the orchestra to a great extent into a gasping, snorting, and above all hammering monster producing a sound that bore no resemblance whatsoever to the elegance of traditional ballet music.

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Zubin Mehta conducts Stravinsky and Mahler

Zubin Mehta conducts Stravinsky and Mahler


Mahler:

Symphony No. 1 in D major 'Titan'

Stravinsky:

The Rite of Spring


Australian World Orchestra, Zubin Mehta

In 2012, conductor Alex Briger brought together for the first time Australia’s orchestral diaspora - musicians born, bred or trained in Australia, now largely working overseas – and the Australian World Orchestra was born. AWO based out of Sydney, is now an annual event and this recording is the result of the orchestra working under Zubin Mehta in 2013. These performances take Briger’s original idea to a whole new level, this musical offering achieving a quality which unites musicial and artistic aspirations. Under Mehta, the AWO produces a richly coloured reading of The Rite of Spring, heard here in a revelatory pairing with Mahler’s first symphony in its original five-movement version. Mahler is a composer synonymous with Mehta. Zubin Mehta has conducted Mahler in concert extensively for over five decades the world over including orchestras sharing a direct hertitage with the composer the New York Philharmonic, of which Mehta has been their longest serving Principal conductor, and Vienna Philharmonic being two such orchestras. Mahler’s Symphony No.1 is the symphony Mehta chose to program when celebrating his 50th anniversary debut with the Berlin Philharmonic in 2012. AWO attracts Australian musicians from far and wide. Notable Australian’s violinist Natalie Chee, concert-master of the SWR Orchestra in Stuttgart, through to violist Toby Lea, principal viola in the Vienna Philharmonic are two of over 50 attracted back along with musical colleagues from the Bavarian Radio, Singapore Symphony, Philadelphia, Osnabruck Symphony, Comiche Opera, Chicago Symphony, and Gewandhaus Orchestras.

To the delirious Sydney Opera House audience at the conclusion of the concert and pointing to the orchestra behind him Mehta said: “Do you realise what you’ve got here?” After a resounding “Yes” from the audience, the 77-year-old maestro added: “Don’t let go of them!”

This whole project is put together in 7 days and if nothing else it is clearly evident that maestro Mehta extracts impressive energy from the assembled forces!

“the sense of occasion in both performances is inescapable, whether you warm to their demonstrably grandiose manner or not. The Rite of Spring throws its credentials down from the get-go...It's a lumbering beast of a performance...The Mahler is writ similarly large but, drawing upon Mehta's Viennese credentials, it has an echt authenticity and turn of phrase that is never less than enticing.” Gramophone Magazine, Awards Issue 2014

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ABC Classics - ABC4810847

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Stravinsky: Le Sacre du Printemps, Petrouchka

Stravinsky: Le Sacre du Printemps, Petrouchka

recreation of the 1913 premiere


Stravinsky:

The Rite of Spring

Petrushka


One of the biggest scandals in the history of music stirred Paris as the Ballets Russes created the new ballet by Igor Stravinsky and Vaslav Nijinsky, 'The Rite of Spring', conducted by Pierre Monteux. To celebrate this anniversary, François- Xavier Roth, with special permission from Boosey & Hawkes and with the assistance of musicologist Louis Cyr, have endeavored to restore the 'Rite' as it was given on the evening of May 29 1913.

“Those who heard Roth and his orchestra perform The Rite of Spring at last year's Promswill remember the lithe transparency they brought to the score...But it's the Petrushka that's the real revelation here. Roth's restraint, and the elegance his woodwind players bring to their contributions, pays real dividends.” The Guardian, 29th May 2014 ***

“It’s certainly hard to imagine the first performance, under Pierre Monteux, being as well played as this...The sound of their French-made turn-of-the-century (mostly 1880s to 1920s) instruments throws fresh light on these modern masterpieces.” Sunday Times

“The textures are more pellucid, the woodwind timbres more characterful, and the music sounds springier and less brutalistic – though François-Xavier Roth could have unleashed more wildness in places.” The Times, 5th July 2014

“plenty to admire in the playing from Les Siecles … this disc is mandatory listening.” International Record Review, September 2014

BBC Music Magazine

Orchestral Choice - September 2014

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Actes Sud - ASM15

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Leonard Bernstein conducts Stravinsky

Leonard Bernstein conducts Stravinsky


Stravinsky:

The Rite of Spring

Capriccio for Piano and Orchestra

Michel Béroff (piano)

Symphony of Psalms

The English Bach Festival Chorus


This memorial concert took place at the Royal Albert Hall in April 1972 on the first anniversary of the death of Igor Stravinsky, ‘the last great father-figure of Western music’ (Leonard Bernstein). Conducted by Bernstein, this electrifying, unique event is now being reintroduced to the public in DVD form.

Bernstein was a regular visitor to the UK, performing with a number of London orchestras, but this glamorous concert – a memorial tribute to Stravinsky given in the presence of the UK prime minister Edward Heath – was a particularly special event. Bernstein called it an homage to Stravinsky’s universality and chose the three featured masterpieces for their suggestion of ‘the extraordinary range of his art’.

Leonard Bernstein was renowned for his passion for Stravinsky’s music, having first conducted The Rite of Spring with the Boston Symphony Orchestra under Serge Koussevitsky in 1947, the only time Koussevitsky ever allowed a guest conductor to appear with his orchestra in that city – it was an indication of the success that was to follow for the young Bernstein. The performance on this DVD takes place twenty-five years later, with the virtuosic LSO on peak form, filmed in colour.

Humphrey Burton, an eminent broadcaster, biographer and director, enjoyed a twenty-year association with Bernstein, during which he directed over 170 concerts and documentaries. The author of the booklet note for this DVD, he also produced and directed the Homage to Stravinsky for television. He recently described the performance of The Rite as ‘the most stunning reportage of Leonard Bernstein’s conducting that I have ever seen’.

A few days after the performance on this DVD, Bernstein conducted the LSO in The Rite at Abbey Road in an experimental studio production.

Michel Béroff is the stunning soloist in Stravinsky’s Capriccio for piano and orchestra. At this time he was already making an international name for himself as an advocate of Stravinsky’s music, amongst other contemporary composers, having won the Messiaen competition five years prior to this performance.

Stravinsky’s Symphony of Psalms is the final work of the programme, a work that Bernstein felt revealed the ‘devotional Stravinsky, the true believer.’ He called it ‘undeniably the greatest musical celebration of the religious spirit to have been written in our century.’

ICA Classics’ previous two DVD releases featuring Leonard Bernstein (ICAD5082 and 5098) have received great critical acclaim. ICAD5082 was awarded a Diapason d’Or by Diapason magazine.

Sound format: Enhanced Mono

Picture format: 4:3

Running time: 82’

Menu languages: English

Booklet languages: E/G

Region code: 0

Territory Restrictions: None

“Burton is excellent...at deftly intercutting the orchestral with Bernstein's riveting conducting, which conveys an amazing range of rhythmic and dynamic distinctions...The performance itself is by turns mesmerisingly textured and blisteringly powerful, and is playing with coruscating brilliance by the orchestra.” BBC Music Magazine, June 2014 ****

“The conductor takes the limelight, animating old Russian tunes from within and giving the music’s primal urge tumultuous momentum.” Financial Times, 2nd March 2014

“a magnetic performance which is full of the primitive savagery and energy of the music but which also reminds us that Stravinsky’s score contains a wealth of subtle detail. On this kind of form I wonder if there has ever been a conductor better equipped to translate Stravinsky’s vision into aural reality.” MusicWeb International, 28th March 2014

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ica classics Legacy - ICAD5124

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Stravinsky: The Rite of Spring & Mussorgsky: Pictures at an Exhibition

Stravinsky: The Rite of Spring & Mussorgsky: Pictures at an Exhibition


Mussorgsky:

Pictures at an Exhibition

arranged for wind ensemble

Stravinsky:

The Rite of Spring

arranged for wind ensemble


Pentaèdre

Pentaèdre wind ensemble tackles the twin peaks of the Russian repertoire, Igor Stravinsky’s The Rite of Spring and Modest Mussorgsky’s Pictures at an Exhibition, in two astonishing transcriptions for wind quintet by Swiss horn player Stéphane Mooser (Mussorgsky) and American clarinetist Michael Byerly (Stravinsky).

A unique ensemble on the Canadian musical landscape, Pentaèdre explores a diversified and original chamber music repertoire, developed in the tradition of music for winds.

Atma - ACD22687

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Stravinsky: The Rite of Spring & The Firebird

Stravinsky: The Rite of Spring & The Firebird

Stravinsky & the Ballets Russes, 100th anniversary collector's edition


Stravinsky:

The Firebird

Ekaterina Kondaurova (Firebird), Ilya Kuznetsov (Ivan Tsarevich), Marianna Pavlova (The Princess) & Vladimir Ponomarev (Kachtcheï the Immortal)

The Rite of Spring

and staged by Millicent Hodson, Kenneth Archer, lighting: Vladimir Lukin

Alexandra Iosifidi (The Chosen One), Elena Bazhenova (300-Year-Old Woman) & Vladimir Ponomarev (Shaman)

The Firebird:

Choreography & libretto: Michel Fokine (1910)

reconstruction Isabelle Fokine, Andris Liepa; Set & costume design:Anna & Anatoly Nezhny after original sketches by Alexander Golovin, Léon Bakst & Michel Fokine

The Rite of Spring

Choreography after Vaslav Nijinsky (1913)

Scene plan: Igor Stravinsky & Nicholas Roerich, reconstructed and staged by Millicent Hodson; Set and costume design: Nicholas Roerich, reconstructed and supervised by Kenneth Archer; Lighting: Vladimir Lukin


In celebration of the creation of 'Le Sacre du printemps' in Paris in 1913, Bel Air present a new edition in a DVD-book of a wonderful Stravinsky night at the Mariinsky with the original Nijinsky version of the 'Rite of Spring' and 'The Firebird' both conducted by Valery Gergiev.

The premiere of 'The Rite of Spring' at the Théâtre des Champs Élysées, Paris, on May 1913 caused a veritable scandal. The audience was shocked by the primitive violence of the ballet. It was so radically rejected that the ballet was taken off after eight performances. Although long forgotten, thanks to the relentless work of Millicent Hodson, Nijinsky’s original choreography was recreated.

'The Firebird' is a Russian folk tale in two scenes commissioned from the young Stravinsky by Diaghilev and premiered at the Paris Opera House in 1910. The ballet was an immediate success. The Ballets Russes enabled the choreographer Fokine to bring to this enterprise the right amount of novelty needed to captivate but not alienate the audience. It was a total success.

CONTENTS: DVD BOOK, 2 ballets 85 min.

Bonus: Documentary on the Ballets Russes (8 min), interviews with Millicent Hodson & Kenneth Archer (30 min), 36pp illustrated in 3 languages

Format: Colour, 16/9, NTSC, Sound: PCM Stereo - Dolby Digital 5.1.

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Bel Air Classiques - BAC241

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Stravinsky: Pulcinella & Le Sacre du printemps

Stravinsky: Pulcinella & Le Sacre du printemps


Stravinsky:

Pulcinella

Ryland Davies (tenor), Teresa Berganza (mezzo-soprano), John Shirley-Quirk (bass)

The Rite of Spring


DG Classikon - 4394332

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Stravinsky: The Rite of Spring

Stravinsky: The Rite of Spring


Michael Tilson Thomas and the San Francisco Symphony present a special Bluray re-issue of their groundbreaking episode of Rite of Spring from the Keeping Score series, commemorating the 100th anniversary of the premiere of Stravinsky's revolutionary ballet score, presented in stunning Dolby TrueHD 96k upsampled audio.

“Funny thing about revolutions, you never know when or where they’re gonna start. They can be social or political or artistic, and very often it's these artistic or cultural revolutions, revolutions in taste, really, that seem to predict other violent changes in society. That's exactly the case with the Rite of Spring.” With these words Michael Tilson Thomas opens the groundbreaking episode from the San Francisco Symphony’s Keeping Score series.

In 1913, with Europe on the brink of war, a fashionable Parisian audience reacted with hostile frenzy to the premiere of Igor Stravinsky’s new work. The ballet’s shocking music and dance provoked a riot that evening and was soon recognised as perhaps the most revolutionary piece of the 20th century, a reputation it maintains to this day.

In this Blu-ray, MTT and SFS take you from the salons of St. Petersburg to the villages where Stravinsky found inspiration in the earthy power of Russian folk music and dance.

MTT then retraces Stravinsky's journey to the cultural crossroads of pre-war Paris. There, in collaboration with the great impresario Diaghilev and his star dancer Nijinsky, Stravinsky developed the shocking, erotic, and violent evocation of pagan Russia that became Rite of Spring.

Presented for the first time on Blu-ray disc, Keeping Score: Stravinsky features a thought provoking documentary and a brilliant live concert performance of Rite of Spring along with music from The Firebird. The documentary is filmed in standard-definition 16:9 widescreen, with concert performances filmed in high-definition 16:9 widescreen, and presented in optional 5.1 surround sound with Dolby TrueHD 96k upsampling.

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Avie Keeping Score - SFS0066

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Yuri Temirkanov conducts Ravel & Stravinsky

Yuri Temirkanov conducts Ravel & Stravinsky


Ravel:

Ma Mère l'Oye

La Valse

Stravinsky:

The Rite of Spring


Contrasting pieces by two masters of orchestral composition, these live performances, from 2009, capture the energy and movement of three much-loved balletic works; Ravel's intricate vignettes of childrens' stories in 'Mother Goose' and symphonic poem 'La valse', and Stravinsky's epoch-defining 'Rite of Spring'.

One of the oldest professional orchestras in Russia, the St Petersburg Philharmonic Orchestra can trace its lineage back to 1882 and its formation by Tsar Alexander III. In a 25-year collaboration, Yuri Temirkanov has been the orchestra's principal conductor since 1988.

Signum - SIGCD330

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