Saint-Saëns: Mon cœur s'ouvre à ta voix (from Samson et Dalila) (Softly awakes my heart)

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Elīna Garanča: Romantique

Elīna Garanča: Romantique


Berlioz:

La Damnation de Faust: D'amour l'ardente flamme

Donizetti:

L'ai-je bien entendu?… O mon Fernand (from La Favorite)

Gounod:

Ô ma lyre immortelle (from Sapho)

Faites- lui mes aveux (from Faust)

Plus grand dans son obscurité (from La Reine de Saba)

Lalo:

De tous côtes j'apercois...Lorsque je t'ai vu soudain (from Le Roi d'Ys)

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Tchaikovsky:

Da, chas nastal! (from Joan of Arc)

Vaccai:

E questo il loco...Ah! se tu dormi, svegliati (from Giulietta e Romeo)


Elīna Garanča (mezzo)

Filarmonica del Teatro Comunale di Bologna, Yves Abel

In Romantique, Elīna Garanča makes a smashing return to the studio and puts her imprint upon the big Romantic repertory, brilliantly portraying such different heroines as Tchaikovsky’s Joan of Arc (The Maid of Orléans), Gounod’s Sapho and Saint-Saëns’ Dalila

Elīna Garanča’s mezzo-soprano is velvet; she is a stunning figure on stage; her formidable technique encompasses repertoire from Mozart and bel canto to dramatic roles and contemporary music

Conductor Yves Abel’s penchant for the voice and skill at leading an orchestra draws beautiful sound and potent drama from the Filarmonica del Teatro Comunale di Bologna. Elīna Garanča’s rapport with this orchestra is deeper than ever.

“She describes herself as a lyric mezzo, but many roles here suggest considerable power, emphasised by the echoey recording...Her French isn't perfect, but it's very good, and she relishes the lyrical lines of Gounod's little-known Sapho and Queen of Sheba...A fine collection.” BBC Music Magazine, January 2013 ****

“Marguerite's soliloquy, accompanied by an eloquent cor anglais, is movingly done...[as Dalila] Garanca is sensuous without being vampish - quite an achievement in this part...[She] moves effortlessly from top to bottom without ever sacrificing beauty of tone...Fans - and others - need not hesitate.” Gramophone Magazine, January 2013

“She has an intensely lyrical voice, lithe enough for ornamentation but also honing a dusky quality which is immediately appealing in the repertoire selected for this disc...Overall, this is a splendid operatic recital...[and] should appeal to aficionados of fine singing, especially in French repertoire somewhat 'off the beaten track'.” International Record Review, December 2012

“If we needed more evidence that the Latvian mezzo is shaping up to be one of the 21st century’s greatest voices, this superb album of 19th-century arias supplies it in buckets. From top to bottom her timbre is rich and firm and her intonation virtually infallible...Pure vocal bliss.” The Times, 6th October 2012 *****

GGramophone Magazine

Editor's Choice - January 2013

DG - 4790071

(CD)

$16.25

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The Top Ten Opera Classics

The Top Ten Opera Classics


Bizet:

L'amour est un oiseau rebelle 'Habanera' (from Carmen)

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Handel:

Lascia ch'io pianga (from Rinaldo)

Ombra mai fu (from Serse)

Mozart:

Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte)

Puccini:

Nessun dorma (from Turandot)

O mio babbino caro (from Gianni Schicchi)

Che gelida manina (from La Bohème)

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Verdi:

Va, pensiero (from Nabucco)


X5 Music Group - X5CD106

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$7.25

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French & Italian Arias

French & Italian Arias


Bizet:

L'amour est un oiseau rebelle 'Habanera' (from Carmen)

West Australian Symphony Orchestra, Geoffrey Arnold

Donizetti:

O mio Fernando (from La Favorita)

West Australian Symphony Orchestra, Geoffrey Arnold

Gluck:

Che faro' senza Euridice? (from Orfeo ed Euridice)

West Australian Symphony Orchestra, Geoffrey Arnold

Rossini:

Una voce poco fa (from Il barbiere di Siviglia)

West Australian Symphony Orchestra, Geoffrey Arnold

Saint-Saëns:

Printemps qui commence (from Samson et Dalila)

West Australian Symphony Orchestra, Geoffrey Arnold

Amour, viens aider ma faiblesse (Samson et Dalila)

West Australian Symphony Orchestra, Geoffrey Arnold

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

West Australian Symphony Orchestra, Geoffrey Arnold

Thomas, Ambroise:

Connais-tu le pays (from Mignon)

West Australian Symphony Orchestra, Geoffrey Arnold

Me voici dans son boudoir 'Gavotte' (from Mignon)

West Australian Symphony Orchestra, Geoffrey Arnold

Verdi:

Stride la vampa (from Il Trovatore)

West Australian Symphony Orchestra, Geoffrey Arnold

Condotta ell’era in ceppi (from Il Trovatore)

Sydney Symphony Orchestra, Eric Clapham

Nei giardin del bello saracin ostello 'Veil Song' (from Don Carlo)

Narelle Davidson (soprano - Tebaldo)

Sydney Symphony Orchestra, Eric Clapham


Lauris Elms (mezzo-soprano)

ABC Classics - ABC4764431

(CD)

$12.75

Usually despatched in 4 - 5 working days.

Mezzo Soprano Arias Vol. 1

Mezzo Soprano Arias Vol. 1

Complete versions and orchestral backing tracks


Bizet:

L'amour est un oiseau rebelle 'Habanera' (from Carmen)

Près des remparts de Séville (Séguedille) (from Carmen)

Gluck:

Che faro' senza Euridice? (from Orfeo ed Euridice)

Mozart:

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Rossini:

Una voce poco fa (from Il barbiere di Siviglia)

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Verdi:

O don fatale (from Don Carlo)

Re dell’abisso, affrettati (from Un Ballo in Maschera)


Cantolopera Mezzo arias - HLCD95037

(CD)

$23.25

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The Four-Minute Cylinders, Part II

The Four-Minute Cylinders, Part II


Bizet:

Parle-moi de ma mère (from Carmen)

Antoinette Laute-Brun (soprano), Gaston Dubois (tenor)

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Karl Jorn (tenor)

Deciso è dunque...le richezze (from La Figlia del Reggimento)

(sung in Italian)

Frieda Hempel (soprano)

Flotow:

Love proscribed (from Martha)

(sung in English)

Charles Hackett (tenor), Marie Rappold (soprano)

The Last Rose of Summer (Martha)

(sung in English)

Charles Hackett (tenor), Marie Rappold (soprano)

Gounod:

Faites- lui mes aveux (from Faust)

Antoinette Laute-Brun (soprano), Rosa Olitzka (contralto)

Il était un roi de Thule (from Faust)

Antoinette Laute-Brun (soprano), Rosa Olitzka (contralto)

L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette)

Pierre-Aurele Asselin (tenor)

Kneass:

Ben Bolt

Eleanor de Cisneros (soprano)

Mendelssohn:

Heimkehr aus der Fremde, Op. 89: Ich bin ein vielgereister Mann

(sung in English)

Peter Dawson (baritone)

Meyerbeer:

Ah, mon fils! (from Le Prophète)

Maria Delna (contralto)

Puccini:

Si, mi chiamano Mimi (from La Bohème)

Lucrezia Bori (soprano)

Robaudi:

Alla stella confidente

Francesco Daddi (tenor)

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Maria Delna (contralto)

Thomas, Ambroise:

Je suis Titania (from Mignon)

Blanche Arral (soprano)

Wagner:

Blick ich umher in diesem edlen Kreise (from Tannhäuser)

Walter Soomer (baritone)

Nun sei bedankt, mein lieber Schwan (from Lohengrin)

Jacques Urlus (tenor)

Weber:

Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz)

Marie Rappold (soprano)


Symposium - SYMPCD1243

(Sorry, download not available in your country)

Melodies of Love and Death: Opera Senza Parole

Melodies of Love and Death: Opera Senza Parole

Arranged for piano trio by Bob Zimmerman


Bizet:

L'amour est un oiseau rebelle 'Habanera' (from Carmen)

Arranged for pianotrio by Bob Zimmerman

La fleur que tu m'avais jetée (from Carmen)

Arranged for pianotrio by Bob Zimmerman

Carreau! Pique! La mort! (from Carmen)

Arranged for pianotrio by Bob Zimmerman

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Arranged for pianotrio by Bob Zimmerman

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Arranged for pianotrio by Bob Zimmerman

Janacek:

Love duet (from The Cunning Little Vixen)

Arranged for pianotrio by Bob Zimmerman

Massenet:

Pourquoi me reveiller (from Werther)

Arranged for pianotrio by Bob Zimmerman

Puccini:

E lucevan le stelle (from Tosca)

Arranged for pianotrio by Bob Zimmerman

Sola, perduta, abbandonata (from Manon Lescaut)

Arranged for pianotrio by Bob Zimmerman

Tu che di gel sei cinta (from Turandot)

Arranged for pianotrio by Bob Zimmerman

Che gelida manina (from La Bohème)

Arranged for pianotrio by Bob Zimmerman

Un bel di vedremo (from Madama Butterfly)

Arranged for pianotrio by Bob Zimmerman

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Arranged for pianotrio by Bob Zimmerman

Strauss, R:

Ist ein Traum, kann nicht wirklich sein (from Der Rosenkavalier)

Arranged for pianotrio by Bob Zimmerman

Verdi:

Addio del passato (from La Traviata)

Arranged for pianotrio by Bob Zimmerman


Osiris Trio: Ellen Corver (piano), Peter Brunt (violin) & Larissa Groeneveld (cello)

‘Melodies of Love and Death’ features the highly regarded Osiris Trio, a Dutch piano trio that since its formation over 20 years ago has been the recipient of many major awards. Their programme is an unusual but rewarding one, since it is devoted to special arrangements made by Bob Zimmerman of some of the best loved opera arias in the repertoire, from Bizet and Verdi to Puccini and Janacek.

The Osiris Trio was formed in 1988 and over the following years the group has won a number of Dutch awards, including the ‘Philip Morris Finest Selection’ award and the Annie Bosboom Prize. Since 2001 the trio has received financial support by the Dutch Ministry of Culture. The trio’s discography encompasses two centuries of repertoire for piano trio, and includes song cycles and a critically acclaimed recording of Messiaen’s Quatuor pour la Fin du Temps. In 2009 the group released a fine CD featuring the piano trios of Antonin Dvořák.

Composer and arranger Bob Zimmerman is mostly known for his work on the album ‘Fascinating Gershwin’ that was released on the label Pentatone in 2007. He has also collaborated with the great Dutch choreographer Krzysztof Pastor in the 2010 ballet production, “Nijinsky”.

“The Osiris trio play with a classical sensitivity, successfully avoiding any Palm Court, Light music associations, and keep everything on an intimate chamber scale, ensuring that the listener is subtly drawn in rather than pinned to the back of his or her seat...I must confess I had my doubts about this disc, but in the event its winning combination of skilled arrangements and sensitive playing won me over.” Classic FM Magazine, November 2011 ****

Challenge Classics - CC72373

(CD)

$17.75

Usually despatched in 4 - 5 working days.

The Opera Album 2011

The Opera Album 2011


Bizet:

Votre toast je peux vous le rendre 'Toreador Song' (from Carmen)

Bryn Terfel (bass-baritone)

L'amour est un oiseau rebelle 'Habanera' (from Carmen)

Tatiana Troyanos (mezzo)

Au fond du temple saint (from Les Pêcheurs de Perles)

Luciano Pavarotti (tenor), Nicolai Ghiaurov (bass)

La fleur que tu m'avais jetée (from Carmen)

Plácido Domingo (tenor)

Les tringles des sistres tintaient (from Carmen)

Magdalena Kozená (mezzo)

Delibes:

Lakmé: Dôme épais (Flower Duet)

Joan Sutherland (soprano), Jane Berbié (mezzo)

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Juan Diego Flórez (tenor)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Pilar Lorengar (soprano)

Gluck:

Che faro' senza Euridice? (from Orfeo ed Euridice)

Andreas Scholl (countertenor)

Gounod:

Ah! Je veux vivre dans ce rêve (from Roméo et Juliette)

Renée Fleming (soprano)

Gloire immortelle de nos aïeux (from Faust)

Richard Bonynge

Handel:

Lascia ch'io pianga (from Rinaldo)

Cecilia Bartoli (mezzo)

Ombra mai fu (from Serse)

Andreas Scholl (countertenor)

Leoncavallo:

Vesti la giubba (from I Pagliacci)

Jonas Kaufmann (tenor)

Mozart:

Der Vogelfänger bin ich, ja (from Die Zauberflöte)

Hermann Prey (baritone)

La ci darem la mano (from Don Giovanni)

Ingvar Wixell (baritone), Mirella Freni (soprano)

Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte)

Patricia Petibon (soprano)

Offenbach:

Barcarolle (from Les Contes d'Hoffmann )

Joan Sutherland (soprano), Huguette Tourangeau (mezzo)

Le jugement de Pâris - Au Mont Ida (from La Belle Hélène)

Joseph Calleja (tenor)

Puccini:

Quando me'n vo (from La Bohème)

Anna Netrebko (soprano)

E lucevan le stelle (from Tosca)

Andrea Bocelli (tenor)

Humming Chorus (from Madama Butterfly)

Giuseppe Sinopoli

Nessun dorma (from Turandot)

Luciano Pavarotti (tenor)

Vissi d'arte (from Tosca)

Kiri Te Kanawa (soprano)

Si, mi chiamano Mimi (from La Bohème)

Angela Gheorghiu (soprano)

Signore, ascolta! (from Turandot)

Montserrat Caballé (soprano)

Chi il bel sogno di Doretta (from La Rondine)

Renata Tebaldi (soprano)

Rossini:

Una voce poco fa (from Il barbiere di Siviglia)

Teresa Berganza (mezzo)

Largo al factotum (from Il barbiere di Siviglia)

Leo Nucci (baritone)

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Marilyn Horne (mezzo)

Verdi:

Anvil Chorus (from Il Trovatore)

Sir Georg Solti

La donna è mobile (from Rigoletto)

Roberto Alagna (tenor)

Libiamo, ne' lieti calici (from La Traviata)

Plácido Domingo (tenor), Ileana Cotrubas (soprano)

Di quella pira (from Il trovatore)

José Carreras (tenor)

Sempre libera (from La Traviata)

Kiri Te Kanawa (soprano)

Questa o quella (from Rigoletto)

Rolando Villazón (tenor)

Va, pensiero (from Nabucco)

Silvio Varviso

Celeste Aida (from Aida)

Luciano Pavarotti (tenor)

Wagner:

Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde)

Birgit Nilsson (soprano)


This magnificent collection features the some of the greatest opera stars of all time:

Cecilia Bartoli, Anna Netrebko, Bryn Terfel, Renée Fleming, Andrea Bocelli Luciano Pavarotti, Dame Joan Sutherland, Plácido Domingo, Dame Kiri Te Kanawa and José Carreras.

With a carefully chosen selection of perennially popular arias, duets and choruses, this enchanting collection creates the perfect introduction to opera.

With 40 tracks and over 2½ hours of music this collection is outstanding value for money.

Includes Pavarotti’s classic recording of the most popular opera aria of all, Puccini’s ‘Nessun dorma’.

Decca - 4782947

(CD - 2 discs)

$16.25

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Berlin Opera Night

Berlin Opera Night

Recorded live at the Deutsche Oper Berlin, 2003


Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Adrianne Pieczonka (soprano)

Handel:

Music for the Royal Fireworks, HWV351: La Rejouissance

Lehár:

Dein ist mein ganzes Herz (from Das Land des Lächelns)

Charles Castronovo (tenor)

Leoncavallo:

Recitar!...Vesti la giubba (from I Pagliacci)

Vladimir Galouzine (tenor)

Massenet:

Werther! Werther!…Je vous écris de ma petite chambre (from Werther)

Vesselina Kasarova (mezzo)

Mozart:

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Angelika Kirchschlager (mezzo)

Voi che sapete (from Le nozze di Figaro)

Angelika Kirchschlager (mezzo)

Madamina, il catalogo è questo (from Don Giovanni)

René Pape ( bass)

Puccini:

Vissi d'arte (from Tosca)

Michele Crider (soprano)

Nessun dorma (from Turandot)

Salvatore Licitra (tenor)

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Grace Bumbry (mezzo)

Strauss, J, II:

Die Fledermaus: Bruderlein und Schwesterlein

Soloists joined by Jochen Kowalski (counter-tenor), Markus Brüch (tenor)

Strauss, R:

Marie Theres'! ... Hab mir's gelobt (from Der Rosenkavalier)

Adrianne Pieczonka (soprano), Juliane Banse (soprano), Angelika Kirchschlager (mezzo)

Wagner:

Einsam in trüben Tagen (from Lohengrin)

Anne Schwanewilms (soprano)


Major stars of the international opera stage come together with the Chor und Orchester of the Deutsche Oper Berlin, under the baton of the illustrious Kent Nagano, in this opera gala in aid of the German AIDS Foundation.

Highlights from operas by Mozart, Puccini, Leoncavallo, Saint-Saëns, Massenet, Dvorák, Wagner, Richard Strauss, Lehár and Johann Strauss II are performed by world-class musicians from around the globe.

Proceeds from the sales of this title go to support the work of the German AIDS Foundation.

Picture format DVD: NTSC 16:9

Sounds formats DVD: PCM Stereo, DD 5.1, DTS 5.1

Region code: 0

Subtitles: English, German, French, Spanish, Italian

Booklet notes: English, German, French

Running time: 78 mins

FSK: 0

“In a rather mixed bag, there are a number of class acts...the highlight performance of the night in respect of bringing a role alive...[is] Kasarova singing an expressive and beautifully realised Werther!...The audience might have been more thrilled by the tenors at full throttle, but this is the highlight for me - a gold nugget in this collection.” MusicWeb International, June 2011

DVD Video

Region: 0

Format: NTSC

EuroArts - 2053589

(DVD Video)

$34.75

Usually despatched in 2 - 3 working days.

New Year's Eve Concert Gala 2010

New Year's Eve Concert Gala 2010


Berlioz:

Le carnaval romain Overture, Op. 9

La Damnation de Faust: D'amour l'ardente flamme

Elina Garanca (mezzo soprano)

Bizet:

Carmen: Prelude to Act I

L'amour est un oiseau rebelle 'Habanera' (from Carmen)

Elina Garanca (mezzo soprano)

Carmen: Entr'acte to Act III (Intermezzo)

Près des remparts de Séville (Séguedille) (from Carmen)

Elina Garanca (mezzo soprano)

Carmen: Entr'acte to Act IV (Aragonaise)

Les tringles des sistres tintaient (from Carmen)

Elina Garanca (mezzo soprano)

Chapí:

Al pensar en el dueno (from Las Hijas del Zebedeo)

Elina Garanca (mezzo soprano)

Falla:

Three dances from El Sombrero de Tres Picos

Danse Espagnole (from La Vida Breve)

Lara, Augustin:

Granada

Elina Garanca (mezzo soprano)

Saint-Saëns:

Bacchanale from Samson et Dalila

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Elina Garanca (mezzo soprano)


The 2010 New Year’s Eve concert, from Berlin, frames two of the most prominent stars on DG’s roster, Elina Garanca and Gustavo Dudamel.

Recorded live, this gala performance sparkles with a selection of arias and orchestral works that include excerpts from one of Garanca’s most celebrated roles, Bizet’s Carmen, and Marguerite in Berlioz’s Damnation of Faust.

As well as providing world class accompaniment, the Berlin Philharmonic makes a stirring contribution to the program with the overture to Berlioz’s thrilling Roman Carnival and excerpts from Manuel de Falla’s ballet, The Three-Cornered Hat.

Filmed in HD, the gala will be released in 16:9 widescreen with audio in PCM and DTS surround sound .

DVD Video

Region: 0

Format: NTSC

DVDs and Blurays - up to 50% off

DG - 0734631

(DVD Video)

Normally: $21.50

Special: $15.05

Usually despatched in 2 - 3 working days.

Ne me refuse pas: French Opera Arias

Ne me refuse pas: French Opera Arias


Berlioz:

Ah! Je vais mourir (from Les Troyens)

Bizet:

L'amour est un oiseau rebelle 'Habanera' (from Carmen)

Cherubini:

Ah! Nos peines seront communes (from Médée)

Halévy:

Sous leur sceptre… Humble fille des champs (from Charles VI)

Massenet:

Werther! Werther!…Je vous écris de ma petite chambre (from Werther)

Ne me refuse pas (from Hérodiade)

Saint-Saëns:

Mon cœur s'ouvre à ta voix (from Samson et Dalila)

Thomas, Ambroise:

Connais-tu le pays (from Mignon)

Wormser:

Clytemnestre: Qu’Apollon soit loué… Ombre d’Agamemnon


In 2000 the contralto Marie-Nicole Lemieux became the first Canadian to win the First Prize as well as the Special Prize for Lieder at the Queen Elisabeth International Music Competition in Belgium. She has recorded for numerous labels, and now enjoys an exclusive contract with the Naïve label, for which she has recorded the title roles in Vivaldi’s operas Griselda and Orlando furioso. Her first recital CD of French mélodies (L’Heure exquise) was much praised by the critics. In 2008 Naïve released a recording of Vivaldi sacred works in which she sings the famous Stabat Mater. This was followed by the same composer’s La fida ninfa. In 2009 Naïve released a recital of Schumann songs with the pianist Daniel Blumenthal and a programme of Vivaldi arias with the Ensemble Matheus under Jean-Christophe Spinosi.

The programme chosen for this recording by Marie-Nicole Lemieux is dedicated to the finest arias from the French opera, recorded with one of the finest orchestras in this repertoire and featuring both popular and more specialised works by, amongst others, Massenet, Berlioz, Saint-Saëns, and Bizet.

“The programme is formidably intelligent: well-known items are placed alongside some terrific music by composers we rarely hear (Halévy and Wormser, for instance), the aim being to remind us that the dividing line between success and oblivion can sometimes be painfully thin.” The Guardian, 11th November 2010 ***

“This is an attractive record and its appeal may well be felt before a note of it is heard. Many who take a particular interest in singing find themselves drawn to the French repertoire...and this young singer - perhaps still new to some - so provocatively classified as "contralto" also has the kind of name and background that attract the attention of traditional record collectors.” Gramophone Magazine, March 2011

“[In the Letter Scene] Lemieux is awake to the changes of mood as she moves between a lovely quiet opening section to more ecstatic utterances. The interpretation is first-rate...The wistfulness and sense of longing with which Lemieux recalls Mignon's past are feelingly expressed...The playing under Fabien Gabel is fine all through.” International Record Review, March 2011

“This procession of femmes fatales, schemers and innocents has a point to make, and it's not just the singer's ability to get under their skin...it shows them as part of a larger movement: the rise of the 19th-century French mezzo...Marie-Nicole Lemieux is equal to them all, adjusting vibrato and shading an essentially contralto colour according to dramatic demands.” BBC Music Magazine, April 2011 *****

GGramophone Awards 2011

Finalist - Recital

Naive - V5201

(CD)

$16.25

(also available to download from $10.00)

Usually despatched in 3 - 4 working days. (Available now to download.)

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