Ravel: Le Tombeau de Couperin

“This recital clearly makes an impression on the Salzburg Festival audience, but the playing is at times aggressive. Wonderful things mixed with bizarre eccentricities.” BBC Music Magazine, Christmas 2012 ***

“Here...is Alexis Weissenberg in all his alternating brilliance and perversity. His declaration that music-making should be contemporary, sweeping away the cobwebs of tradition, is reflected in performances of a bewildering inconsistency, a mix of the hard-bitten and interior.” Gramophone Magazine, February 2013

“Elegant, precise, borderline dry, then suddenly warmed with sunshine, Thibaudet's Ravel is preferred to Grimaud's indulgent Piano Concerto in G. At least her Concerto finale sparkles.” BBC Music Magazine, December 2011 ***

“Steven Osborne, ever a poised, technically impeccable virtuoso, combines clarity with heart. All a shimmering pleasure.” The Observer, 13th February 2011

“His tempos, kaleidoscopic tonal colouring, textual clarity, and amazing dynamic range and variety of touch manifest an innate empathy with the composer...These are inspired performances with Award Winner written all over them. The perfectly-voiced piano, the venue/acoustic, producer and engineer, and an artist who was born to play Ravel combine to make the best complete Ravel cycle on disc.” Classic FM Magazine, April 2011 *****

“[Gaspard] is technically immaculate...and gently seductive before turning on a more sinister pressure..."Alborada" from Miroirs is another striking success, where a trickster's ribaldry and high jinxs explode into violence, and in La Valse (suitably arranged and "orchestrated"), Osborne spins his dancers towards a visceral and devastating oblivion.” Gramophone Magazine, April 2011

“A precise and balanced interpretation” Financial Times, 12th March 2011

“Steven Osborne's survey of [Ravel] is an unqualified delight....His playing...is equally well suited to the delicate classicism of the Sonatine, the scene painting of Miroirs and the nostalgia for the 18th century in Le Tombeau de Couperin as it is to the more extrovert virtuosity of the Valses Nobles et Sentimentales.” The Guardian, 17th March 2011 ****

“Steven Osborne brings his masterly interpretative acumen to bear with a touch and temperament that combine eloquence and deftness. Landmark works are set alongside various less frequently heard miniatures in performances that live and breathe Ravel’s distinctive world of sound, radiating luminous patterns and scintillating colour.” The Telegraph, 25th March 2011 *****

“Ravel essentially reimagined how to write for the piano with each significant work. Osborne is more than up to the task...Throughout, [he] repeatedly demonstrates not merely that these performances stand with the best, but also that comparisons are superfluous in the face of such a compelling vision...His sustaining of the 'Epilogue' is magical, as if not wishing to relinquish the spell of this recital. It is over all too soon.” BBC Music Magazine, May 2011 *****

“Novacek's approach to the Janácek Sonata… externalises the work's emotional urgency. …the strong sense of linkage between expression and form makes this a performance of real power… The juxtaposition with six of Debussy's Preludes (Book 1) in spiky and insightful performances works well... His reading of the Ravel is infectious and often ear-catching... Martinu's Three Czech Dances receive a model performance - from nearly every point of view this is a CD to savour.” BBC Music Magazine, July 2006 ****

“Some blowsy trumpeting and a cavalier treatment of tempos in La valse aside, these performances aim for the old French virtues of transparency and flexibility. Mostly faithful readings.” BBC Music Magazine, April 2006 ***