Mozart: Piano Concerto No. 9 in E-flat major, K271 "Jeunehomme" - CD

The definitive Mozart pianist of our time continues her Grammy Award-winning series of concerto recordings with No. 9 known as “Jeunehomme” and very popular No. 21.

The Concertos Nos. 23 and 24 release in the series was a huge critical and popular success, already selling nearly 30,000 copies and winning a Grammy award.

These extraordinary performances are the result of Mitsuko Uchida’s longstanding association with The Cleveland Orchestra. Unlike her first cycle of recordings for Philips, they feature Dame Mitsuko directing the orchestra herself, from the piano, delighting in a very special musical collaboration.

“No pianist conveys the rapture of Mozart quite like Mitsuko Uchida does” (The Independent)

In 2011 Pacini won the Prix Marguerite Dütschler of the Sommets Musicaux de Gstaad. Born in Munich in 1991, her father an Italian professor of literature and her mother a German physician, Sophie Pacini began to play the piano comparatively late, at the age of six. However, her outstanding talent was recognised quickly: she made her debut with Haydn’s D major Piano Concerto in 2000. In 2002, aged 11, she became a student of Karl-Heinz Kämmerling at the Mozarteum in Salzburg. In 2004 she was admitted to the Mozarteum’s institute for highly talented musicians, where she studied not only the piano but also improvisation, aural theory, harmonics, composition and conducting. Since 2007 she has been studying in Pavel Gililov’s master class.

In 2010 Pacini auditioned for Martha Argerich and, after the Liszt Sonata, Argerich approached her, kissed her on the cheek and said: ‘You are very good. Do you know that?’ Since then their friendship has grown. Argerich recommended Sophie to Fou T’song and invited her to take part in the Progetto Martha Argerich in Lugano. They arrange to meet whenever possible. Martha Argerich and Sophie Pacini worked together on the preparation for this, her debut recording of an Argerich favourite – the Schumann concerto, and also on Mozart’s first great piano concerto, known as ‘Jeunehomme’. Named after a French keyboard player who was in Salzburg over the winter of 1776–7, nothing is known of her today, except that the 21-year-old Mozart wrote this remarkable concerto for her.

Two famous LPs on CD. Excellent sound quality.

“Brendel’s 1968 performance of No. 9 is quite outstanding, elegant and beautifully precise….orchestra is just right…the performance of No. 14 is also first rate… a memorably vivacious finale. Outstanding re-issue with natural sound….clean remastering.” Penguin Guide

“This concerto (K271), described by Brendel as one of the wonders of the world and a vision of everything the classical piano could become, was also a favourite of Busoni. In a recent interview Brendel admitted that he struggled with Mozart in early years but found the key to its interpretation during the Fischer master classes he attended as an 18 year old (playing the K310 Sonata).” James Murray