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See Terms & Conditions for p&p rates. | |  | Live Recording - La Scala, 1957
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With her sensational role debut at the Vienna State Opera, superstar diva Anna Netrebko displays a performance of rare vocal and dramatic power. The Russian soprano sings the role of the unjustly accused second wife of British King Henry VIII, ‘veering between indignant fury and tender righteousness’ and demonstrating a new level of confidence in her technique with excellent ‘passagework, particularly in trills, and seamless runs even to the lowest notes’ (Opera News). The performance also stars DG mezzo-soprano Elīna Garanča, in ‘a fantastic display of bel canto’ (Opera News) as Anna's rival Giovanna Seymour. Ildebrando D’Arcangelo brings his beautifully dark tone to the role of Enrico and young Italian tenor Francesco Meli sings the demanding role of Lord Percy with a ‘youthful virility’ (Agence France Press), promising great things for the future. On the podium Evelino Pidò 'drew playing of unusual precision and refinement...making every note matter' (Financial Times). “It's no accident that Netrebko's better forays into bel canto have come with Garanca by her side, inspiring her to some lovely singing. Their voices blend beautifully...I find her a welcome counterpoint to Netrebko's passionate queen...Netrebko emerges from the challenge triumphantly. The sincerity in her performance is admirable, while the darker vocal qualities she possesses suit the character well.” International Record Review, May 2012 “[Netrebko] gives a demonstration of characterisation and bel canto vocal virtuosity that is second to none, Callas included...Garanca’s is a consummate interpretation by an artist at the top of her game...D'Arcangelo is a tall, handsome and seductive Enrico whose smooth singing only lacks a little lower extension... Pidò adds to his reputation in this music with a well-paced and phrased interpretation.” MusicWeb International, May 2012 | | | In stock - usually despatched within 1 working day. |
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With her sensational role debut at the Vienna State Opera, superstar diva Anna Netrebko displays a performance of rare vocal and dramatic power. The Russian soprano sings the role of the unjustly accused second wife of British King Henry VIII, ‘veering between indignant fury and tender righteousness’ and demonstrating a new level of confidence in her technique with excellent ‘passagework, particularly in trills, and seamless runs even to the lowest notes’ (Opera News). The performance also stars DG mezzo-soprano Elīna Garanča, in ‘a fantastic display of bel canto’ (Opera News) as Anna's rival Giovanna Seymour. Ildebrando D’Arcangelo brings his beautifully dark tone to the role of Enrico and young Italian tenor Francesco Meli sings the demanding role of Lord Percy with a ‘youthful virility’ (Agence France Press), promising great things for the future. On the podium Evelino Pidò 'drew playing of unusual precision and refinement...making every note matter' (Financial Times) Subtitles: Italian (Orig. language), English, German, French, Spanish “It's no accident that Netrebko's better forays into bel canto have come with Garanca by her side, inspiring her to some lovely singing. Their voices blend beautifully...I find her a welcome counterpoint to Netrebko's passionate queen...Netrebko emerges from the challenge triumphantly. The sincerity in her performance is admirable, while the darker vocal qualities she possesses suit the character well.” International Record Review, May 2012 “[Netrebko] gives a demonstration of characterisation and bel canto vocal virtuosity that is second to none, Callas included...Garanca’s is a consummate interpretation by an artist at the top of her game...D'Arcangelo is a tall, handsome and seductive Enrico whose smooth singing only lacks a little lower extension... Pidò adds to his reputation in this music with a well-paced and phrased interpretation” MusicWeb International, May 2012 | | | DG - 0734728 (Blu-ray) Normally: $26.25 Special: $19.68 |
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This performance was recorded in Milan on 11th August 1958. | | | Usually despatched in 2 - 3 working days. |
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Dimitra Theodossiou (Anna), Gian Luca Pasolini (Percy), Riccardo Zanellato (Enrico), Sofia Soloviy (Giovanna), Mauro Corna (Rochefort), José Maria Lo Monaco (Smeton), Luigi Albani (Hervey) Orchestra and Chorus of Bergamo Musica Festival Gaetano Donizetti, Fabrizio Maria Carminati (conductor) & Francesco Esposito (director) In the summer of 1830 the impresarios of Teatro Carcano contacted Donizetti and asked him to compose a new opera for the season’s opening. At the moment of signing the contract Donizetti still ignored the subject of the new opera; but he knew that the librettist would be Felice Romani and the female protagonist Giuditta Pasta. Success was resounding and unanimous, also with the critics. Donizetti had indeed reached artistic maturity. Anna Bolena tells of a human drama of solitude and oppression; it is a work of psychological introspection centred. Donizetti’s first great scene of madness is one of the most moving and powerful of the whole history of opera. The new theatrical element introduced by Anna Bolena is that the protagonist’s death is not a consequence of moral duty or divine justice, but a plain act of cruelty. A tragedy through and through, then: intense, deep and profoundly romantic. Anna Bolena is a very significant work in the history of opera, as well as in Donizetti’s own personal history. In this Teatro Donizetti di Bergamo production Dimitra Theodossiou stands out as a fine interpreter both as a singer and as an actress. | | | Usually despatched in 2 - 3 working days. |
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Production directed by Lotfi Mansouri. Live recording 1984. | | | Usually despatched in 4 - 5 working days. |
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Recorded in Philadelphia in 1975 | | | Usually despatched in 2 - 3 working days. |
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It was with this opera, premiered in Milan in 1830, that Donizetti’s reputation as one of the leading opera composers of Europe was cemented. The premiere was quickly followed by performances in London, Paris, and in 1839, in New Orleans. Finally, Donizetti had a good libretto, though one that doesn’t let the facts of the real life of Anne Boleyn get in the way of the story! This recording which dates from 1973 using the uncut version of the opera has been at the top of the critics’ list of recommended versions since its release. The cast is very strong, and the supporting roles each have big-name singers. But the real star of this recording is Beverly Sills, closely followed by Shirley Verrett. ‘Sills puts heart and soul into the drama of what is, after all, a very strenuous role … Shirley Verrett is a superb Giovanna (Jane Seymour).’ Gramophone | | | Usually despatched in 4 - 5 working days. |
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Recorded: Walthamstow, February 1987 “Sutherland crowns her long recording career with a commanding performance. Dazzling as ever in coloratura, above all exuberant in the defiant final cabaletta, she poignantly conveys the tragedy of the wronged queen's fate with rare weight and gravity. Samuel Ramey as the king is outstanding” Penguin Guide, 2010 edition | | | Usually despatched in 2 - 3 working days. |
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Dimitra Theodossiou (Anna Bolena), Sonia Ganassi (Giovanna), Andrea Papi (Enrico), Fabio Sartori (Percy), Sonia Prina (Smeton), Paolo Battaglia (Rochefort), Cristiano Olivieri (Hervey) I Pomeriggi Musicali di Milano, Tiziano Severini Recorded live at the Teatro Comunale of Bergamo, this version of Donizetti’s Anna Bolena is noteworthy for at least two reasons: in addition to being the complete version of this opera, this 3CD-set features, in the main roles, the Greek soprano Dimitra Theodossiou - a splendid and passionate Anne Boleyn - and the fine Sonia Ganassi - giving a very expressive interpretation of Jane Seymour. The recorded sound is excellent. As customary, Dynamic’s booklet includes liner notes in four languages and the English translation of the libretto. Live recording (Bergamo, October 2000) | | | (also available to download from $38.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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Penguin Guide