All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Bel Raggio: Rossini Arias
For her second album, Bel raggio, Aleksandra Kurzak focuses on the bel canto classics of Rossini; offering a beguiling mix of the virtuosic, the lyrical, and the comic. Joining her are Sinfonia Varsovia and Pier Giorgio Morandi. “graceful, finished phrasing and an apparently effortless coloratura technique...Without over-egging the pudding, Kurzak acts vividly for a 'blind' audience, alive to verbal nuance and using coloratura not merely as a vote-catching circus trick, but to enhance character.” Gramophone Magazine, June 2013 | 
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| |  | Maurice Andre: Airs d'opéras(trumpet transcriptions)
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| |  | Great Singers Live: Margaret PriceSelection from three “Sunday Concerts” with the Münchner Rundfunkorchester given in 1977, 1981, 1986 and 1991
These first releases of Margaret Price with the Münchner Rundfunkorchester cover a time period from 1977 to 1991. Her work was largely concentrated on Mozart and Verdi, to which this CD pays ample credit, and also features arias by Bellini, Cilea, Rossini and Weber. Mozartian clarity, a consistently effortless vocal production, histrionic fire and a healthy grounding – these attributes made Margaret Price an internationally revered opera star, especially by Munich audiences. Her relationship with the Bavarian State Opera was so close that Margaret Price settled in Munich for 18 years, not returning to her native Wales until the end of her career. Previously unreleased live recordings from the “Sunday Concerts”. Singer portrait featuring Margaret Price’s core repertoire, including famous arias from Don Giovanni, Così fan tutte, Le nozze di Figaro, Aida, Otello and Norma. Continuing the “Great Singers Live” series with the Münchner Rundfunkorchester under the direction of Heinz Wallberg, Leopold Hager and Thomas Fulton. | | | (also available to download from $10.75) | In stock - usually despatched within 1 working day. |
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| |  | Julia Lezhneva sings Rossini
A star is born! The Russian soprano Julia Lezhneva is the vocal revelation that everyone is talking about. Still only 21, a protégée of Dame Kiri Te Kanawa and the winner of several major awards, Lezhneva makes her solo recital debut with a programme of arias by Rossini, a composer of whom is particularly fond. She is accompanied by the Sinfonia Varsovia conducted by its new artistic director Marc Minkowski. In 2007 Julia Lezhneva won the prestigious Elena Obraztsova International Competition for Young Opera Singers in St Petersburg, for which the judges included Teresa Berganza, Christa Ludwig and Eva Marton. She has sung opposite Juan Diego Flórez at the Rossini Opera Festival in Pesaro, and made her UK debut, aged 19, with the Royal Liverpool Philharmonic Orchestra conducted by Vasily Petrenko, also performing Rossini. Her London debut, introduced by Dame Kiri Te Kanawa, came at the 2010 Classical Brit Awards singing Elena’s Final Rondo from Rossini’s La Donna del Lago in the Royal Albert Hall. In October 2010 she confirmed her status as one of the world’s most exciting talents by winning the First International Opera Competition held at the Theatre des Champs-Elysees in Paris. Her performance in the recent Naïve recording of Vivaldi’s opera Ottone in Villa, conducted by Giovanni Antonini, has been praised to the skies by the international press. Her debut solo concerts at the 2010 Salzburg Festival with the Mozarteum Orchestra and Marc Minkowski likewise achieved extraordinary success. Minkowski has followed the young singer’s career closely; it was he who invited her in 2009 to take part in Bach’s B minor Mass, her first recording, and in summer 2011 she will sing the part of Fiordiligi under his baton in a new production of Mozart’s Così fan tutte at Salzburg. Despite her youth, Julia Lezhneva has a huge and extremely varied repertoire, ranging from the Baroque and bel canto styles to Romantic and contemporary music. “The 21-year-old Russian soprano — winner of Finland’s prestigious Mirjam Helin singing competition in 2009 — is clearly a name to watch. Hers is a bright, high soprano of limpid timbre and an easy coloratura technique” Sunday Times, 3rd April 2011 *** “She has attractively full tone in the lower middle, where much of the music lies, and she possesses the flexibility to negotiate exceedingly challenging coloratura...[Minkowski] should lead Rossini more frequently - his vigour, intelligence and sheer polish are most welcome here.” International Record Review, April 2011 “Lezhneva's voice is perfectly suited to a flamboyant coloratura piece such as "Tanti Affetti", from La Donna del Iago, with her tiptoeing trills teetering delicately along. But the standout here is "Assisa a' piè d'un salice...for which the liquid harp glissandi and subtle strings of the Sinfonia Varsovia provide the most delightful, sensitive setting.” The Independent, 29th April 2011 **** “Her sense of line is unquestionably superb, as is her technique: there are trills and staccatos here, the likes of which we hear all too rarely.” The Guardian, 5th May 2011 *** “there is real flair and talent here, with much of the coloratura neatly despatched, and some stylistic grace that is admirable...Minkowski and his Polish musicians are marvellous, especially in a knockout account of the Cenerentola overture.” BBC Music Magazine, June 2011 *** “a pure, pellucid soprano with an intriguing hint of mezzo plangency, fluent movement between the registers, and scintillating (if faintly aspirated) coloratura...this is a highly enjoyable debut recital, by turns affecting exhilarating, from a soprano of impressive accomplishment and still more exciting potential. Orchestral accompaniments are trim and alert” Gramophone Magazine, July 2011 “she delivers truly heart-stopping versions of the coloratura showpieces...Marc Minkowski's conducting is full of joie de vivre and sparkle too.” Classic FM Magazine, July 2011 *** “Lezhneva’s vibrant pyrotechnics during "Tanti affeti" from La donna del lago are as wittily entertaining as they are musically appropriate...There’s crisp support from the Warsaw chorus and effortless, gossamer-light orchestral backing. Remarkable indeed.” The Arts Desk, 26th June 2011 “she sings with pinpoint accuracy, real elegance and musicality, and the voice itself is warm and round and womanly and beautifully clean...there is a gorgeous relaxed feel to her singing...This lovely disc, neatly accompanied by Marc Minkowski and the Sinfonia Varsovia, is genuinely the herald of a special new voice.” Opera Now, September/October 2011 **** | | | (also available to download from $10.75) | In stock - usually despatched within 1 working day. |
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| |  | Art of the Prima Donna
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| |  | Joan Sutherland: The Voice of the Century
Bellini: | Casta Diva (from Norma) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli Ah! non giunge uman pensiero (from La Sonnambula) Recorded 1962 Orchestra del maggio Musicale Fiorentino, Richard Bonynge Eccomi pronta...Deh, se un'urna (from Beatrice di Tenda) Recorded 1962 London Symphony Orchestra, Richard Bonynge | Bizet: | Vasco da Gama: La marguerite a fermé sa corolle … Ouvre ton coeur Recorded 1969 Orchestre de la Suisse Romande, Richard Bonynge | Coward, N: | This is a changing world (from Pacific 1860) Recorded 1966 Richard Bonynge | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | Donizetti: | Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) Recorded 1962 Rinaldo Pelizzoni (Normanno), Cesare Siepi (Raimondo), Robert Merrill (Enrico) Orchestra dell’Accademia de Santa Cecilia, Rome, John Pritchard Pour ce contrat fatal...Salut à la France (from La fille du régiment) Recorded 1967 Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge Una parola…Chiedi all'aura (from L'elisir d'amore) Recorded 1970 Luciano Pavarotti (Nemorino) English Chamber Orchestra, Richard Bonynge Da tutti abbandonata (from Maria Stuarda) Recorded 1975 Luciano Pavarotti (Leicester) Orchestra del Teatro Comunale di Bologna, Richard Bonynge Figlio, e spento...Era desso il figlio mio (from Lucrezia Borgia) Recorded 1978 National Philharmonic Orchestra, Richard Bonynge Ancor non giunse...Torna, torna, o caro oggetto (from Rosmonda d’Inghilterra) Recorded 1961; bonus track Orchestre de la Suisse Romande, John Pritchard | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli Ah! Je ris de me voir (from Faust) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball Recorded 1966 New Philharmonia, Richard Bonynge | Lehár: | Wär' es auch nichts als ein Augenblick (Eva) Recorded 1966 New Philharmonia, Richard Bonynge | Massenet: | De cet affreux combat…Pleurez, mes yeux ! (from Le Cid) Recorded 1962 London Symphony Orchestra, Richard Bonynge | Offenbach: | Les oiseaux dans la charmille (from Les Contes d'Hoffmann) Recorded 1969 Orchestre de la Suisse Romande, Richard Bonynge | Puccini: | In questa reggia (from Turandot) Recorded 1972 Luciano Pavarotti (Calaf) London Philharmonic Orchestra, Zubin Mehta | Rossini: | Bel raggio lusinghier (from Semiramide) Recorded 1966 London Symphony Orchestra, Richard Bonynge | Strauss, J, II: | Nun's Chorus from Casanova Recorded 1966 New Philharmonia, Richard Bonynge | Verdi: | È strano! è strano!...Ah! fors è lui (from La traviata) Sempre libera (from La Traviata) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli Che! e segnar questa mano potrebbe l’onta mia (from Luisa Miller) Tu puniscimi, o Signore … A brani, a brani, o perfido (from Luisa Miller) Recorded 1963 London Symphony Orchestra, Richard Bonynge È il sol dell'anima (from Rigoletto) Recorded 1971 Luciano Pavarotti (Duca) London Symphony Orchestra, Richard Bonynge Caro nome (from Rigoletto) Recorded 1971 London Symphony Orchestra, Richard Bonynge |
In tribute to one of Decca’s very greatest artists, a 2-for-1 double jewel-case version of Dame Joan Sutherland’s classic ‘The Voice of the Century’ 2-disc compendium is now available for release. The track contents are identical those of the original hardback version of ‘The Voice of the Century’ (4757981), and include arias from Lucia di Lammermoor, La sonnambula, Norma, Lakmé, Semiramide, La Fille du Régiment, Turandot, and many more. | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | The Metropolitan Opera Centennial Gala
Beethoven: | Leonore Overture No. 3, Op. 72b | Debussy: | L'annee en vain...Cependent les soirs (from L'enfant Prodigue) Ileana Cotrubas | Donizetti: | Chi mi frena in tal momento? (from Lucia di Lammermoor) Una furtiva lagrima (from L'elisir d'amore) Nicolai Gedda | Giordano, U: | Vicino a te (from Andrea Chénier) Jose Carreras, Montserrat Caballé | Gounod: | Va! je t'ai pardonné (from Roméo et Juliette) Catherine Malfitano, Alfredo Kraus Alerte, alerte! (from Faust) Katia Ricciarelli, William Lewis, Nicolai Ghiaurov | Mascagni: | Son io! Son io la Vita! (from Iris) | Mozart: | E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Kiri Te Kanawa | Puccini: | In questa reggia (from Turandot) Eva Marton Viene la sera (from Madama Butterfly) Giuliano Ciannella, Leona Mitchell | Rossini: | La calunnia è un venticello (from Il barbiere di Siviglia) Ruggero Raimondi Bel raggio lusinghier (from Semiramide) Joan Sutherland Pria di dividerci da voi, signore (from L'italiana in Algeri) | Saint-Saëns: | Bacchanale from Samson et Dalila Linda Gelinas, Ricardo Costa Mon cœur s'ouvre à ta voix (from Samson et Dalila) Marilyn Horne | Smetana: | The Bartered Bride Overture | Strauss, R: | Mir ist die Ehre widerfahren (from Der Rosenkavalier) Marie Theres'! ... Hab mir's gelobt (from Der Rosenkavalier) | trad.: | Fjorton år tror jag visst att jag var Birgit Nilsson | Verdi: | Dio, mi potevi scagliar tutti i mali (from Otello) James McCracken Surta è la notte...Ernani! Ernani, involami (from Ernani) Anna Tomowa-Sintow Giá nella notte densa (from Otello) Plácido Domingo, Mirella Freni Donna chi sei? (from Nabucco) Renato Bruson, Grace Bumbry Teco io sto (from Un ballo in maschera) Luciano Pavarotti, Leontyne Price | Wagner: | Wie lachend sie mir Lieder singen (from Tristan und Isolde) Birgit Nilsson |
Here are the greatest moments from the “ultimate in galas” (Opera), a “roof-rattling vocal display and the kind of cheering and free-flowing, heartfelt emotion on both sides of the footlights that opera evinces more than any other art form” - New York Times The gala celebration immediately catches the attention with spectacular performances by stars such as Dame Joan Sutherland, Anna Tomowa-Sintow, Mirella Freni, Marilyn Horne, Birgit Nilsson, Luciano Pavarotti, José Carreras, Plácido Domingo, Nicolai Gedda, Alfredo Kraus and many others “The world's most famous opera singers [in] a dazzling sequence of performances” - New York Times “It's always a privilege to sing at the Met, but this is something very special. I don't think there's ever been anything this grand in the history of opera” - Luciano Pavarotti This product features an awesome roster of international star conducters: from James Levine, Leonard Bernstein and Thomas Fulton to Jeffrey Tate, Richard Bonynge 2 DVDs LIVE from the Met from October 22, 1983 | | | In stock - usually despatched within 1 working day. |
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| |  | The EMI Rarities
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| |  | Cecilia & Bryn at GlyndebourneRecorded live in Glyndebourne Opera House, Lewes, Sussex, 24th April 1999.
Note: This Blu-ray Disc (BD) is not compatible with standard DVD players.
PICTURE FORMAT: 16:9
LENGTH: 90 Mins
SOUND: DOLBY SURROUND / LPCM STEREO
SUBTITLES: EN/FR/DE
“Sparkling harmony …the combined talents of Bryn Terfel and Cecilia Bartoli… raise the temperature… Mozart’s Le Nozze di Figaro… is charged with intrigue and sexual tension and they captured the mood with pinpoint vocal interplay and assured comic acting…a formidable display of coloratura technique and lasersharp intonation.” The Guardian ***** | | | Usually despatched in 2 - 3 working days. |
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| |  | Rossini - Heroes and HeroinesThe Spectacular Voice of Marilyn Horne
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