Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Sandrine Piau: Aprés un Rêve
Bouchot: | Galgenlieder - Mondendinge Der Hecht Die Mitternachtsmaus Das Wasser Galgenkindes Wiegenlied | Britten: | Down by the Salley Gardens There's none to soothe I wonder as I wander | Chausson: | Amour d’antan, Op. 8 No. 2 Dans la forêt du charme et de l’enchantement, Op. 36 No. 2 Les Heures, Op. 27 No. 1 | Fauré: | Après un rêve, Op. 7 No. 1 Clair de Lune, Op. 46 No. 2 Les berceaux, Op. 23 No. 1 | Mendelssohn: | Nachtlied, Op. 71 No. 6 Neue Liebe, Op. 19a No. 4 Hexenlied, Op. 8 No. 8 Schlafloser Augen Leuchte (Byron) | Poulenc: | Montparnasse Hyde Park C Fêtes galantes | Strauss, R: | Die Nacht, Op. 10 No. 3 Das Geheimnis, Op. 17 No. 3 Morgen, Op. 27 No. 4 |
The award-winning pairing of soprano Sandrine Piau and pianist Susan Manoff received unanimous critical acclaim for their previous recital disc Evocation, (V5063). On their new CD Après un rêve they perform a fascinating collection of songs by some of the greatest composers for the voice of the 19th and 20th centuries, including Richard Strauss, Fauré, Mendelssohn, Chausson, Poulenc, Britten and Vincent Bouchot. After initially making her reputation in Baroque music alongside the likes of William Christie, Philippe Herreweghe, Christophe Rousset, and René Jacobs, Sandrine Piau now sings a broad repertoire reflected in her large discography. and she has now confirmed her position at the forefront of the new generation of French singers. Her Handel album with Christophe Rousset and Les Talens Lyriques (E8928), was an Editor’s Choice in Gramophone, and in 2007 she released an award-winning recital CD entitled Évocation (V5063), on which she was accompanied by the pianist Susan Manoff. Après un rêve demonstrates once again the strength of her musical relationship with Manoff, with whom she appears regularly at venues like the Carnegie Hall and the Wigmore Hall. Her solo discography for Naïve also includes a programme of Mozart opera arias with the Freiburger Barockorchester (V4932), and two recent bestselling Handel albums, duets with Sara Mingardo directed by Rinaldo Alessandrini (OP30483) and the solo album Between Heaven and Earth with Accademia Bizantina (OP30484). “Piau brings her limpid tone, refined phrasing and easy, silvery top notes to this eclectic programme, built around the themes of night, dreams and the fantastic...With virtually accent-free English, Piau gives true and touching performances of three Britten folksong arrangements.” Gramophone Magazine, July 2011 “Piau's exquisite voice has a limpid quality all through its range, an evennes of tone which seduces the ear and - art concealing art - she makes her performance sound as easy as breathing...Bouchot's Galgenlieder songs,m with their skewed harmonies, off-centre melodies and dark fairy-tale lyrics, are a fascinating addition to the repertoire too, and Manoff's accompanying is a treat.” Classic FM Magazine, July 2011 **** “surrender to Piau's gifts as a singer, the purity of her tone, with that light silvery quality that we should associate with the best of the French style, and the effortless, so it seems, spinning of a seamless legato...Everything is grist to her mill, it seems, even Britten's most English songs that she delivers with immaculate diction while sounding completely at home in a second language...this is a sophisticated and a fine artist at work.” International Record Review, July 2011 “This celebration of dreams and childhood is, on the purely sensuous level, an unending delight. Piau's sweet, unforced tone, her bright top notes perfectly integrated with her medium and exemplary diction combine to make this in many ways yet another exmaple of how well Baroque vocal technique translates into the later song repertoire.” BBC Music Magazine, July 2011 **** “It's a journey whose darkest depths are reached by Vincent Bouchot's use of Morgenstern's Galgenlieder (Gallow Songs), in which are encountered more surreal images – notably the inhabitants of the moon depicted "show[ing] their teeth to the sulphurous hyena" in "Moonthings".” The Independent, 1st July 2011 *** “there's exquisite playing from Susan Manoff, and no mistaking the beauty of Piau's voice, or her hypnotic way with words. This is singing that sends shivers down your spine.” The Guardian, 7th July 2011 **** | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Diana Damrau - Lieder
Brahms: | Ständchen, Op. 106 No. 1 Ausgewählte Volslieder Wie Melodien zieht es mir, Op. 105 No. 1 | Chopin: | Sliczny chlopiec (Handsome Lad), Op. 74 No. 8 Piosnka litewska (Lithuanian Song), Op. 74 No. 16 Wojak (The Warrior), Op. 74 No. 10 | Liszt: | Drei Lieder nach Victor Hugo | Mendelssohn: | Neue Liebe, Op. 19a No. 4 Der Blumenstrauss (Klingemann) Op. 47 No. 5 Der Mond, Op. 86 No. 5 Hexenlied, Op. 8 No. 8 | Mendelssohn, Fanny: | Bergelust, Op. 10 No. 5 (Text: Joseph Freiherr von Eichendorff) Warum sind denn die Rosen so blass, Op. 1 No. 3 (Text: Heinrich Heine) Zugaben Nach Süden, Op. 10 No. 1 (Text: Anonymous) | Schumann: | Myrthen, Op. 25 | Schumann, Clara: | Das ist ein Tag, der klingen mag Was weinst du Blümlein Ihr Bildnis Die stille Lotosblume Lorelei (Text: Heinrich Heine) |
“Damrau communicates the elusive emotions of wonder, delight and rapture with great warmth, excitement and generosity.” BBC Music Magazine, February 2008 **** “What is so amazing is the restrained, unshowy intimacy she brings to most of this recital.” The Guardian, 8th February 2008 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Mendelssohn & Loewe: Lieder
Loewe, C: | 2 Balladen, Op. 94 3 Balladen, Op. 1 | Mendelssohn: | Neue Liebe, Op. 19a No. 4 Gruß, Op. 19a No. 5 Auf Flügeln des Gesanges, Op. 34 No. 2 Reiselied 'Der Herbstwind', Op. 34 No. 6 Morgengruss (Heine) Op. 47 No. 2 Allnächtlich im Traume (Heine) Op. 86 No. 4 Frühlingslied 'Durch den Wald, den dunkeln', Op. 47 No. 3 An die Entfernte (Lenau) Op. 71 No. 3 Schilflied, Op. 71 No. 4 Auf der Wanderschaft Op. 71 No. 5 Minnelied 'Wie der Quell so lieblich', Op. 47 No. 1 Frühlingslied 'In dem Walde', Op. 19a No. 1 Das erste Veilchen, Op. 19a No. 2 Reiselied 'Bringet des', Op. 19a No. 6 Winterlied (Swedish folksong) Op. 19a No. 3 Minnelied 'Leucht't heller als die Sonne', Op. 34 No. 1 O Jugend, o schöne Rosenzeit (Rhenish folksong) Op. 57 No. 4 Da lieg' ich unter den Bäumen, Op. 84 No. 1 Erntelied (folksong) Op. 8 No. 4 Volkslied, Op. 47 No. 4 Wanderlied 'Laue Luft kommt blau geflossen', Op. 57 No. 6 Nachtlied, Op. 71 No. 6 Das Waldschloss Pagenlied Frühlingslied 'Es brechen im schallenden Reigen' (Klingemann), Op. 34 No. 3 Bei der Wiege, Op. 47 No. 6 Es lauschte das Laub so dunkelgrün (Klingemann) Op. 86 No. 1 Trostung, Op. 71, No. 1 Jagdlied 'Mit Lust tät ich ausreiten', Op. 84 No. 3 Wenn sich zwei Herzen scheiden, Op. 99 No. 5 Der Mond, Op. 86 No. 5 Venetianisches Gondellied, Op. 57 No. 5 'Wenn durch die Piazetta' Der Blumenkranz 'By Celia's arbour all the night' Erster Verlust, Op. 99 No. 1 Andres Maienlied (‘Hexenlied') Op. 8/8 Warnung vor dem Rhein, WoO 16 Altdeutsches Lied (Schreiber) Hirtenlied (Uhland) Op. 57 No. 2 Schlafloser Augen Leuchte (Byron) Scheidend, Op. 9 No. 6 |
As Richard Wigmore notes in his characteristically scholarly and elegant booklet essay, ‘Fischer-Dieskau’s narrative flair, mastery of word-painting and gift for fixing a scene in the mind’s ear made him a natural for the ballads of Carl Loewe, a composer once well described as a 19th-century incarnation of a medieval strolling minstrel’. Digitally remastered in 2007 The great German baritone made these recordings – with Wolfgang Sawallisch at the piano in the Mendelssohn, Gerald Moore in the Loewe – in Berlin in 1970 and 1967 respectively.
This is the first time the LP of Loewe’s Ballads has appeared in its entirety on CD. | | | In stock - usually despatched within 1 working day. |
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| |  | Mendelssohn - Songs & Duets Volume 2
Sophie Daneman (soprano), Stephen Loges (baritone), Engene Asti (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Lieder einer Reise (Songs of Travel)
Martin, F: | Monologues (6) from Hofmannsthal's Jedermann | Mendelssohn: | Erntelied (folksong) Op. 8 No. 4 Andres Maienlied (‘Hexenlied') Op. 8/8 Jagdlied 'Mit Lust tät ich ausreiten', Op. 84 No. 3 Neue Liebe, Op. 19a No. 4 | Schubert: | Der Atlas, D957 No. 8 Aufenthalt D957 No. 5 Das Fischermädchen D957 No. 10 Die Stadt, D957 No. 11 | Schumann: | Melancholie Op. 74 No. 6 (Francisco Saa de Miranda / Emanuel Geibel) Freisinn, Op. 25 No. 2 Aus den hebräischen Gesängen, Op. 25 No. 15 Der Spielmann, Op. 40, No. 4 | Wagner: | Branders Lied (No. 3 from Compositions (7) on Goethe's Faust, WWV15) Melodram Gretchens (No. 7 from Compositions (7) on Goethe's Faust, WWV15) Lied des Mephistopheles, 'Es war einmal ein Konig' (No. 4 from Compositions (7) on Goethe's Faust, WWV15) Der Tannenbaum, WWV 50 | Wolf, H: | Der Musikant (No. 2 from Eichendorff-Lieder) Heimweh (No. 12 from Eichendorff-Lieder) Der Tambour (No. 5 from Mörike-Lieder) Fussreise (No. 10 from Mörike-Lieder) |
The internationally renowned opera singer Franz Grundheber is engaged by all important opera houses from Paris to Barcelona, New York, and Hamburg to Vienna. His overwhelming performances of the most diverse characters have delighted audiences over past decades. On this CD the baritone proves himself to be a sensitive and expressive Lieder interpreter. As the renowned Austrian opera administrator Ioan Holender said: “Franz Grundheber’s quality has influenced the history of the Vienna State Opera – and that’s not all...“ | 
| | | (also available to download from $10.50) | Usually despatched in 8 - 10 working days. (Available now to download.) |
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| |  | Jana Büchner: Thoughts of Love
Lewy: | Freundschaft oder Liebe, Op. 7 | Mendelssohn: | Neue Liebe, Op. 19a No. 4 Auf Flügeln des Gesanges, Op. 34 No. 2 Andres Maienlied (‘Hexenlied') Op. 8/8 | Mendelssohn, Fanny: | Warum sind denn die Rosen so blass, Op. 1 No. 3 (Text: Heinrich Heine) Dämmrung senkte sich von oben (Text: Johann Wolfgang von Goethe) Nacht ist wie ein stilles Meer | Mozart: | Dans un bois solitaire, K308 Das Traumbild, K.530 Als Luise die Briefe, K520 Das Veilchen, K476 Fragment in E flat major, K. 307b (reconstructed by John Humphries): Allegro Abendempfindung an Laura, K523 | Schubert: | Rastlose Liebe, D138 Du bist die Ruh D776 (Rückert) Lachen und Weinen, D777 Erster Verlust, D226 (Goethe) Nähe des Geliebten, D162 Auf dem Strom, D943, Op. post. 119 Lied der Delphine, D857 No. 1 |
Jana Büchner (soprano), Hans-Pieter Fieber (horn) & Eckhart Sellheim & Britta Wideranders (piano) Jana Büchner’s selection of lieder traces the evolution of the song from Mozart and Schubert all the way through to Hensel and Mendelssohn. The works deal with the joys and sufferings of love, hence “Thoughts of Love”. Included are lieder with horn obligato and Lewy’s song (1802 - 1881) is thought to be a premiere recording. | | | Usually despatched in 2 - 3 working days. |
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| |  | Between Life and Death - Songs & Arias
Bach, J S: | Komm süsser Tod, BWV478 | Brahms: | Feldeinsamkeit, Op. 86 No. 2 Wie rafft' ich mich auf Op. 32,1 (v.Platen) | Loewe, C: | Edward, Op. 1 No. 1 (Herder) Der Erlkönig, Op. 1 No. 3 (Goethe) | Mahler: | Urlicht (from Symphony No. 2) Revelge (Des Knaben Wunderhorn) Ich bin der Welt abhanden gekommen (Rückert-Lieder) | Mendelssohn: | Neue Liebe, Op. 19a No. 4 | Mozart: | Abendempfindung an Laura, K523 | Schubert: | Schwanengesang D744 (Senn) Auflösung, D807 Der Jungling und der Tod, D545 (Spaun) Der Tod und das Mädchen, D531 Kriegers Ahnung D 957, No. 2 | Schumann: | Stirb, Lieb’ und Freud! Op.35, No. 2 | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Weber: | Nein! länger trag' ich nicht die Qualen…Durch die Wälder (from Der Freischütz) | Wolf, H: | Denk es, o Seele! (No. 39 from Mörike-Lieder) Anakreons Grab (No. 29 from Goethe-Lieder) Ein Ständchen Euch zu bringen kam ich her (No. 22 from Italienisches Liederbuch) Dereinst, Gedanke mein (No. 22 from Spanisches Liederbuch: Weltliche Lieder) |
The selection of songs and arias on this double SACD set reflect on the fundamental question of life and death and cover a period of almost two centuries, the composers featured ranging from Bach through to Tchaikovsky. They are performed by one of the great lyric tenors of our age Christophe Prégardien, accompanied by the pianist Michael Gees. The common theme in the music of this recording is the most fundamental of all, existence itself, life and death. The composers represented are Bach, Mahler, Schubert, Schumann, Mozart, Brahms, Loewe, Wolf, Mendelssohn, and Tchaikovsky. The songs and arias performed here range over almost two centuries with eleven compositions and many musical forms, the simple song with piano accompaniment, the narrative, expansive ballad, the great opera aria and more. Christoph Prégardien is widely regarded as among the foremost lyric tenors of our time and frequently collaborates with conductors such as Ricardo Chailly, John Elliot Gardiner, Nicolaus Harnoncourt, and Phillipe Herreweghe. He is represented on disc with more than a hundred and twenty titles, including most of his current repertoire. His recordings of German Romantic Lied repertory, particularly his recent releases on Challenge Classics of Schubert’s Die Schöne Müllerin, (CC72292), and Schwanengesang, (CC72302), have been highly acclaimed by the public and press and have received many major international awards. “…far from being depressing, the programming here, both thoughtful and vividly imaginative, serves to stimulate the senses and lift the spirit. A fresh and unmannered introductory performance of Bach's 'Komm, süsser Tod' leads with both tonal and spiritual ease into an equally direct rendering of 'Urlicht' from Mahler's Second Symphony - artfully and beautifully accompanied by Gees. with a quietly impassioned and sensitively paced performance of Mahler's valedictory 'Ich bin der Welt abhanden gekommen', the final track fades into thin air, concluding an anthology to savour slowly, and return to many times.” BBC Music Magazine, February 2010 **** “Such a programme demands exceptional resources in its singer, and there is probably no one presently more suited than Christoph Prégardien. His tenor, always centred as a high baritone, extends into the bass range right down to the low D of "Der Tod und das Mädchen". He can also call upon a silvery spiritual quality which serves well in songs such as Brahms's "Feldeinsamkeit" and as a final blessing over the whole recital in that last phrase of Mahler's "Ich bin der Welt abhanden gekommen". Michael Gees is one with the singer in the dedication of his own skills and in the imaginative sympathy that informs his touch.” Gramophone Magazine, March 2010 | | | Usually despatched in 4 - 5 working days. |
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| |  | Mendelssohn: Auf Flügeln des GesangesLieder
Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 Neue Liebe, Op. 19a No. 4 Gruß, Op. 19a No. 5 Morgengruss (Heine) Op. 47 No. 2 Reiselied 'Der Herbstwind', Op. 34 No. 6 Allnächtlich im Traume (Heine) Op. 86 No. 4 Das Waldschloss Der wandernde Musikant (No. 6 from Lieder für gemischten Chor, Op. 88) Es weiß und rät es doch keiner, Op. 99 No. 6 Wanderlied 'Laue Luft kommt blau geflossen', Op. 57 No. 6 Der Mond, Op. 86 No. 5 Die Sterne schau'n in stiller Nacht (Schlippenbach), Op. 99 No. 2 Altdeutsches Frühlingslied 'Der trübe Winter ist vorbei', Op. 86 No. 6 Jagdlied 'Mit Lust tät ich ausreiten', Op. 84 No. 3 Da lieg' ich unter den Bäumen, Op. 84 No. 1 Hexenlied, Op. 8 No. 8 Das Schifflein (Uhland) Op. 99 No. 4 An die Entfernte (Lenau) Op. 71 No. 3 Schilflied, Op. 71 No. 4 Auf der Wanderschaft Op. 71 No. 5 Des Mädchens Klage Venetianisches Gondellied, Op. 57 No. 5 'Wenn durch die Piazetta' Suleika (Goethe/von Willemer) Op. 34 No. 4 Suleika (Was bedeutet die Bewegung?) Op. 57/3 Erster Verlust, Op. 99 No. 1 Bei der Wiege, Op. 47 No. 6 Nachtlied, Op. 71 No. 6 |
Auf Flügeln des Gesangs (On Wings of Song) is far and away the most popular of Mendelssohn's songs. Heard on this CD with selection of his earlier lieder this is another fine release from Carus. The tenor Hans Jörg Mammel, who enjoys an international reputation for his Lieder singing, offers with this selection, impressive insights into Mendelssohn’s Lieder. He is accompanied by Arthur Schoonderwoerd on a historic pianoforte. | | | Usually despatched in 2 - 3 working days. |
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| |  | Patricia Brooks in Recital
Auber: | Laughing Song (from Manon Lescaut) | Bach, J S: | Cantata BWV21 'Ich hatte viel Bekümmernis': Seufzer, tränen, kummer, not | Debussy: | La flute de Pan Green (No. 5 from Ariettes Oubliées) La chevelure | Mahler: | Wer hat dies' Liedlein Erdacht? (Des Knaben Wunderhorn) Ich atmet' einen linden Duft (Rückert-Lieder) Ablösung im Sommer (Lieder und Gesänge aus der Jugendzeit) Liebst Du um Schönheit (Rückert-Lieder) | Mendelssohn: | Neue Liebe, Op. 19a No. 4 Der Mond, Op. 86 No. 5 Bei der Wiege, Op. 47 No. 6 Frühlingslied 'Durch den Wald, den dunkeln', Op. 47 No. 3 | Meyerbeer: | Robert, toi que j'aime | Mozart: | Ombra felice!...Io ti lascio, K255 | Puccini: | Chi il bel sogno di Doretta (from La Rondine) | Wolf, H: | Das verlassene Mägdlein (No. 7 from Mörike-Lieder) Die Zigeunerin (No. 7 from Eichendorff-Lieder) Im Frühling (No. 13 from Mörike-Lieder) Die Spinnerin (No. 3 from Sechs Lieder für eine Frauenstimme) |
Patricia Brooks (soprano), Harriet Wingreen (piano) New York recital debut, February 28th 1971 | | | Usually despatched in 4 - 5 working days. |
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| |  | Song Recital
Chopin: | Piosnka litewska (Lithuanian Song), Op. 74 No. 16 Gdzie lubi (What She Likes), Op. 74 No. 5 Sliczny chlopiec (Handsome Lad), Op. 74 No. 8 Dumka (Reverie), KK.IVb/9 | Liszt: | O quand je dors (Hugo), S282 Enfant, si j'étais roi (Hugo), S283 | Mendelssohn: | Minnelied 'Wie der Quell so lieblich', Op. 47 No. 1 Frühlingslied 'Durch den Wald, den dunkeln', Op. 47 No. 3 Das erste Veilchen, Op. 19a No. 2 Auf Flügeln des Gesanges, Op. 34 No. 2 Neue Liebe, Op. 19a No. 4 Bei der Wiege, Op. 47 No. 6 | Schumann: | Frauenliebe und -leben, Op. 42 |
Bozena Harasimowicz (soprano), Olga Niecziporenko (piano) | | | Usually despatched in 4 - 5 working days. |
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