Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Rolando Villazon - Tenor
"There are a lot of people who do not go to the opera because they think you need to have special knowledge for that. I believe that you need a heart and sensibility, and everybody has that." Rolando Villazón Villazón has been one of the most in-demand singers on the international opera circuit for almost a decade now, and has firmly established himself in the A-list opera-houses of Paris, Berlin, Los Angeles, Vienna, New York and London. On ‘Tenor', Villazón showcases some of the best-known tenor arias popularised by operatic legends including the 'Three Tenors' Pavarotti, Domingo and Carreras. The greatest tenor arias on this disc vary from sophisticated Handel and emotional operatic greats by Verdi and Puccini through to 20th Century classics from Bernstein’s ‘West Side Story’ and Lloyd Webber’s ‘Phantom of the Opera’. “...the voice sounds as good as ever. 'O sole mio' suggests a complete return to vocal health, 'Maria' from West Side Story is sensitive and relaxed, with a beautiful use of head-voice at the end...the Rigoletto and L'elisir arias go well.” BBC Music Magazine, May 2010 *** “The newly recorded arias by Donizetti, Verdi and Tosti show the extent to which Villazon has vocally and dramatically owned this repertoire in recent years...[The Handel arias] can and should be enjoyed for the way in which he injects these stylised Baroque masterpieces with Romantic warmth and fruitiness of tone, carried out with a thorough mastery of the repertoire’s technical demands.” Charlotte Gardner, bbc.co.uk, 23rd February 2010 | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Giuseppe di Stefano sings Verdi & Puccini
| | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Liebeslieder der KlassikClassical Love Songs
Bizet: | La fleur que tu m'avais jetée (from Carmen) | Brahms: | Liebeslieder-Walzer, Op. 52: excerpts O liebliche Wangen, Op. 47 No. 4 Neckereien, WoO 31 No. 2 Der Gang Zum Liebchen, Op. 31 No. 3 | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) | Flotow: | Ach, so fromm (from Martha) | Kalman: | Zwei Märchenaugen (from Die Zirkusprinzessin) Tanzen Möcht' ich (from Die Csárdásfürstin) | Lehár: | O Mädchen, mein Mädchen (from Friederike) Ich danke fur die Huldigung…Ger, gern wär’ich verliebt Dein ist mein ganzes Herz (from Das Land des Lächelns) Wer hat die Liebe uns ins Herz gesenkt | Lortzing: | Lebe wohl, mein flandrisch Mädchen (from Zar und Zimmermann) | Mendelssohn: | Ich wollt' meine Lieb' ergösse sich, Op. 63. No. 1 | Mozart: | Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Ein Mädchen oder Weibchen (from Die Zauberflöte) Donne mie la fate a tanti (from Così fan tutte) Un'aura amorosa del nostro tesoro (from Così fan tutte) Il mio tesoro intanto (from Don Giovanni) Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail) | Nicolai, C O: | Horch, die Lerche singt im Hain! 'Romance' (from Die lustigen Weiber von Windsor) | Puccini: | Che gelida manina (from La Bohème) Bimba dagli occhi pieni di malia (from Madama Butterfly) O soave fanciulla (from La Bohème) Marcello, finalmente...Mimì è una civetta (from La Boheme) | Raymond: | Schau einer schonen Frau nie zu tief in die Augen (from Maske in Blau) | Rossini: | Dunque io son? (from Il Barbiere di Siviglia) Armida: D'amor al dolce impero | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) | Schumann: | Ich denke dein, Op. 78, No. 3 | Strauss, J, II: | Eine Nacht in Venedig: Komm in die Gondel | Suppe: | Florenz hat schöne Frauen (from Boccaccio) sung in German as 'Florenz hat schöne Frauen' | Tauber: | You are the world to me from Der singende Traum sung in German as 'Du bist die Welt für mich' | Verdi: | La donna è mobile (from Rigoletto) Ah sì ben mio (from Il trovatore) |
2 CDs for the price of 1 This new release entited Classical Love Songs on Profil is a compilation of the most beautiful love songs by Mozart, Schumann, Brahms, Rossini, Donizetti and many more. The songs are sung by an exceptional array of artists including Fritz Wunderlich, Rudolf Schock, Hermann Prey, Richard Tauber, Elisabeth Schwarzkopf, Joseph Schmidt, Anneliese Rothenberger and Heinz Hoppe. | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Divos and Divas
Bellini: | Casta Diva (from Norma) Cecilia Bartoli (mezzo) Orchestra La Scintilla, Adam Fischer | Bizet: | La fleur que tu m'avais jetée (from Carmen) Plácido Domingo (tenor) London Philharmonic Orchestra, Georg Solti | Capua: | O sole mio José Carreras (tenor) English Chamber Orchestra, Edoardo Muller | Catalani: | Ebben? Ne andrò lontana (from La Wally) Angela Gheorghiu (soprano) Orchestra del Teatro Regio di Torino, John Mauceri | Charpentier, G: | Depuis le jour (from Louise) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Juan Diego Flórez (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza Quanto è bella, quanto è cara! (from L'Elisir d'amore) Roberto Alagna (tenor) Orchestre de l'Opera National de Lyon, Evelino Pidò | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Renée Fleming (soprano) London Symphony Orchestra, Georg Solti | Glinka: | Vdali ot milogo (from Ruslan and Lyudmila) Anna Netrebko (soprano) Kirov Orchestra & Chorus, Valery Gergiev | Handel: | Lascia la spina (from Il Trionfo del Tempo e del Disinganno) Cecilia Bartoli (mezzo) Les Musiciens du Louvre, Marc Minkowski Semele: Endless Pleasure Danielle de Niese (soprano) Les Arts Florissants, William Christie | Lara, Augustin: | Granada Juan Diego Flórez (tenor) Fort Worth Symphony Orchestra, Miguel Harth-Bedoya | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) Plácido Domingo (tenor) Orchestra del Teatro dell'Opera di Roma & Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Mozart: | Deh! vieni alla finestra (from Don Giovanni) Bryn Terfel (bass-baritone) London Philharmonic Orchestra, Georg Solti Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Erwin Schrott (bass-baritone) Orquestra de la Comunitat Valencian, Riccardo Frizza Porgi amor (from Le nozze di Figaro) Kiri Te Kanawa (soprano) London Philharmonic Orchestra, Georg Solti | Puccini: | Che gelida manina (from La Bohème) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato Firenze è come un albero fiorito (from Gianni Schicchi) Roberto Alagna (tenor) Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti Addio, fiorito asil (from Madama Butterfly) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly O mio babbino caro (from Gianni Schicchi) Renée Fleming (soprano) London Philharmonic Orchestra, Charles Mackerras Vissi d'arte (from Tosca) Montserrat Caballé (soprano) Orchestra of the Royal Opera House, Covent Garden, Colin Davis Signore, ascolta! (from Turandot) Montserrat Caballé (soprano) London Philharmonic Orchestra, Zubin Mehta Quando me'n vo (from La Bohème) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis E lucevan le stelle (from Tosca) José Carreras (tenor) Orchestra of the Royal Opera House, Covent Garden, Colin Davis | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) Olga Borodina (mezzo) Orchestra of the Welsh National Opera, Carlo Rizzi | Schönberg, C-M: | Stars (from Les Misérables) Bryn Terfel (bass-baritone) Orchestra of the Welsh National Opera, Paul Gemignani | Strauss, J, II: | Nun's Chorus from Casanova Kiri Te Kanawa (soprano) The Mormon Tabernacle Choir, Utah Symphony, Julius Rudel | Verdi: | La donna è mobile (from Rigoletto) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly Pace, pace mio Dio! (from La forza del destino) Angela Gheorghiu (soprano) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | Wagner: | Morgenlich leuchtend im rosigen Schein 'Prize Song' (from Die Meistersinger von Nürnberg) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato |
The greatest opera stars in the world - together in one 2-CD set. A unique collection of all the great genuine opera stars appearing on the world's stages today. A galaxy of great names performing opera's best-loved arias and classic melodies. CD 1 ("The Divos") features celebrated performances from Roberto Alagna, Juan Diego Flórez, Jonas Kaufmann, Plácido Domingo, Bryn Terfel, José Carreras, Josef Calleja and Erwin Schrott CD 2 ("The Divas") features outstanding recordings by Cecilia Bartoli, Renée Fleming, Anna Netrebko, Angela Gheorghiu, Montserrat Caballé, Nicole Cabell, Olga Borodina, and Kiri te Kanawa A fabulous showcase of today's top vocal talent 2 CDs for the price of one | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Royal Concerts Volume 3: Alfredo Kraus Opera Recital
Recorded in concert in Madrid in 1984, Alfredo Krauss sings a predominately opera focused recital of arias from Massent’s “Manon” & “Werther”, Gounod’s “Romeo et Juliette” and Donizetti’s “Lucia di Lammermoor” & “La Favorite”. Krauss is still considered to be one of the finest vocal technicians ever. His superb abilities enabled him to sing the bel-canto repertoire, for which he was so justifiably famous, well into his 70’s. This DVD release is a must for all fans of this great tenor and anyone interested in great singing! | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Giorgio Lamberti - Historical Recital
Giorgio Lamberti is one of the legends of opera with a repertoire of over 80 roles to his credit. This release offers a unique Portrait of this great tenor. | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Giovanni Malipiero
Berlioz: | La Damnation de Faust, Op. 24: Nature immense, impénétrable et fière La Damnation de Faust, Op. 24: Merci, doux crépuscule! | Boito: | Giunto sul passo estremo (from Mefistofele) (two recordings) Dai campi, dai prati (Mefistofele) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Spirto gentil ne' sogni miei (from La Favorita) | Massenet: | Instant charmant … En fermant les yeux (from Manon) Sung in Italian O Nature, pleine de grace (from Werther) Sung in Italian Ah! fuyez douce image (from Manon) | Puccini: | Che gelida manina (from La Bohème) E lucevan le stelle (from Tosca) | Thomas, Ambroise: | Mignon: Ah, non credevi tu; Addio, Mignon, fa core (two recordings) | Verdi: | Questa o quella (from Rigoletto) (two recordings) La donna è mobile (from Rigoletto) Parmi veder le lagrime (from Rigoletto) |
Giovanni Malipiero (tenor) Despite having a voice of reputedly high quality, which could have made him a highly paid global star, Giovanni Malipiero (1906-70) restricted his career almost exclusively to Italy, turning down international engagements. These wonderful recordings were made for the Cetra and Parlophone labels between 1937 and 1941. “Malipiero restricted his repertoire to lyric roles, which he essayed with an unusual timbre and exceptional artistic gifts as captured in these recordings from 1930 to '41.” BBC Music Magazine, June 2009 ***** | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Wookyung Kim - Hugo, Schiller & Goethe
Wookyung Kim (tenor) Kammerensemble Classic der Deutschen Oper Berlin Following his debut solo album earlier this year of Korean Songs, MSM releases the sensational young tenor, Wookyung Kim’s operatic arias album. The selection of the arias derives from operas based on the works of three European literature giants, Victor Hugo, Friedrich Schiller and Johan Wolfgang von Goethe. “Wookyung Kim has a fine tenor voice and he seems to be on a mission to make everyone realise it” International Record Review “Kim possesses an exceptionally beautiful timbre with rich resonance and Italianate lyrical tenor sound that often reminds us of a young Giuseppe Di Stefano.” Opernglas “His youthful voice rang out with joie de vivre, loving the way the Duke’s music lies so high rather than sweating over it like most tenors do.” Financial Times | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Piotr Beczala - Salut!
Piotr Beczala has established himself as one of the most outstanding young lyric tenors. Born in Southern Poland, he studied with Pavel Lisitsian and Sena Jurinac. After his first engagement at the Landestheater in Linz (Austria) he became a permanent member of the Zurich Opera and remains closely associated with this company. He made his Covent Garden debut as the Italian tenor in Rosenkavalier and followed with an acclaimed Faust in 2004 and 2006. He returned as Lensky in Eugene Onegin this April with another Rosenkavalier at the Festival Hall, again with Zurich Opera. He made a sensational role debut, in January of this year, as Riccardo in Verdi's Un ballo in maschera with the Berlin State Opera, where he was enthusiastically celebrated by both audience and press.The last two years has seen a series of successful firsts including Alfredo, in La Traviata, with the Bavarian State Opera, Berlin's Deutsche Oper and also in Tokyo; the Duke in Rigoletto at La Scala and as his debut with the Metropolitan Opera; and Lensky in Eugene Onegin with the San Francisco Opera, where he returned as Tamino last year. In Frankfurt and in Munich he has been acclaimed for his portrayal of Werther, as was his Don Ottavio at Zurich Opera and the Salzburg Festival. In 2007 he added Edgardo in Donizetti's Lucia to his repertoire: singing this role he will return to the New York Met in autumn 2008. His wide concert repertoire ranges from Mozart, Cherubini and Haydn's sacred music, via Rossini's Stabat Mater and Petite Messe Solennelle to Mahler's Das Lied. He has appeared on many recordings and DVDs but this is his first recital disc with excerpts from French and Italian operas, many of which he has already sung on stage. “The voice has body, especially in the upper middle register, and an exciting ring on top.” Gramophone Magazine, Awards Issue 2008 “ … yet its chief glories are musical, not least the sterling performance of the young Polish tenor Piotr Beczala as Riccardo, which has Berliners drawing comparisons to Jussi Björling. He is certainly the best in this challenging role since Pavarotti” International Herald Tribune “Beczala displays throughout not only a tone of liquid gold but also a sensitive engagement with the shape of Gounod’s line as well as the meaning of the words he sings. He caps the performance with a
flawlessly placed top C that is fully integrated into the rest of his voice. It’s a simply glorious sound.” Opera, August 2008 Disc of the Month | | | Usually despatched in 3 - 4 working days. |
|
|
| |  | World Classics MasterpiecesArranged for violin & piano
Maxim Fedotov (violin), Galina Petrova (piano) All tracks arranged for violin & piano DDD | | | Usually despatched in 8 - 10 working days. |
|
|
| |
|