All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | listen: | | Watch video trailer |  |
| Measha Brueggergosman - Night and Dreams
Brahms: | Ständchen, Op. 106 No. 1 | Chausson: | Le temps des lilas | Debussy: | Beau Soir | Duparc: | Chanson triste Phidylé | Falla: | 7 Popular Spanish Songs: Nana (No. 5) | Fauré: | Notre amour Op. 23 No. 2 Clair de Lune, Op. 46 No. 2 | Hahn, R: | L'heure exquise | Hime, F: | Anoiteceu | Liszt: | O quand je dors (Hugo), S282 | Montsalvatge: | Canción negra No. 4, Cancion de cuna para dormir a un negrito | Mozart: | Abendempfindung an Laura, K523 | Schubert: | An den Mond, D193 | Strauss, R: | Die Nacht, Op. 10 No. 3 Wiegenlied, Op. 41 No. 1 Ständchen, Op. 17 No. 2 | Warlock: | Sleep | Wolf, H: | In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder) |
Measha Brueggergosman (soprano) & Justus Zeyen (piano) Measha Brueggergosman and pianist Justus Zeyen interpret well- and little-known songs of Duparc, de Falla, Hahn, Liszt, Schubert, and others chosen for their soulful depth, variety, and beauty. Measha Brueggergosman about Night and Dreams: “We wanted something that was languid, sexy, romantic, different. Also, it’s repertoire that gives me the chance to really let go.” She projects drama, passion, comedy, or charm as needed in any of the languages she speaks, essential for a Lieder and chanson singer who must make words come alive with meaning, color, and esprit as well as vocal quality The fervent response to her “triumphant DG debut recital” (Gramophone) makes this follow-up album a must for fans of this rising star. “In a programme that moves, as in dreams, from land to land without seeming to notice, this delicately attuned soprano and her ever-wakeful pianist drift wherever Morpheus calls most beguilingly. The lullabies, serenades, evocations of moonlight and invocations to sleep are sweetly voiced and extended to include the tender observations of a lover's repose or (in Fauré's "Notre amour") the lively appreciation of love itself. The "exquisite hour" is not so drowsy as to become merely soporific, and the expressive range is perhaps surprisingly wide.” Gramophone Magazine, February 2010 | 
| DG - 4778101 (CD) Normally: $16.99 Special: $14.49 |
| | In stock - usually despatched within 1 working day. |
|
|
| |  | Lynn Harrell - Andante CantabileCello Encores
Bloch, E: | From Jewish Life: No. 1, Prayer (From Jewish Life - No. 1) | Catalani: | Ebben? Ne andrò lontana (from La Wally) (arr. Vladimir Cosma) | Chopin: | Nocturne No. 20 in C sharp minor, Op. post. (transc. Piatigorsky) | Debussy: | Beau Soir (transc. Alexander Gretchaninoff) | Duparc: | Phidylé | Elgar: | Salut d'amour, Op. 12 | Falla: | 7 Popular Spanish Songs: Nana (No. 5) (Suite populaire Espagnole) | Fauré: | Après un rêve, Op. 7 No. 1 (arr. Milton Katims) | Glazunov: | Spanish Serenade, Op. 20 No. 2 | Granados: | Intermezzo from the opera 'Goyescas' | Handel: | Where'er you walk (from Semele) | Hillemacher: | Gavotte tendre | Paradis: | Sicilienne (arranged for violin by S. Dushkim, transcribed for cello by Lynn Harrell) | Ravel: | Vocalise-étude en forme de habanera | Saint-Saëns: | Le Carnaval des Animaux: Le Cygne (ed. Leonard Rose) | Schubert: | Moments Musicaux, D780: No. 3 in F minor An die Musik D547 Nacht und Träume, D827 | Schumann: | Traümerei (from Kinderszenen, Op. 15) | Sullivan: | An Idyll | Taki: | Kojo no tsuki (The Moon on the Ruined Castle) |
Lynn Harrell (cello) & Bruno Canino (piano) As he explains in his liner notes for this CD, Lynn Harrell uses the voice as his point of departure for this collection of encores. They are largely reflective pieces, with a bit of fun such as the unfairly forgotten Glazunov Spanish Serenade thrown in for good measure, and this once popular disc now makes a return to the catalogue, at budget price. | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Con Amore - Violin Encores
Kyung Wha Chung (violin), Phillip Moll (piano) | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Leonid Kogan
Bach, J S: | Sarabande from Partita No. 2 in D minor | Beethoven: | Violin Concerto in D major, Op. 61 | Brahms: | Hungarian Dance No. 17 in F sharp minor | Debussy: | Beau Soir | Falla: | Suite populaire espagnole | Handel: | Sonata in E major for violin and continuo, HWV373, Op. 1 No. 15 | Leclair: | Sonata for two violins, Op. 3 No. 3 in C major | Paganini: | Cantabile for violin & piano/guitar in D major, Op. 17, MS 109 | Shostakovich: | Prelude for piano, Op. 34 No. 10 in C sharp minor Prelude for piano, Op. 34 No. 15 in D flat major Prelude for piano, Op. 34 No. 16 in B flat minor Prelude for piano, Op. 34 No. 24 in D minor |
Recorded 1962-68 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Mélodies - Airs d’opera
Fernand Faniard (tenor), Heinrich Baumgartner & Pierre Capdevielle South German Radio Symphony Orchestra & Orchestre Radio Symphonique de Strasbourg Faniard made his debut as a heroic tenor in 1926 in Antwerp and in 1930 made his debut at the Paris Opera. He only made two gramophone recordings of Flemish songs on 78s but some of his radio recordings survive. This CD includes Schumann’s Dichterliebe and songs by Fauré, Duparc and Saint-Saëns. | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Hartmann - Miniatures for Violin & Piano
Solomia Soroka (violin) & Arthur Greene (piano) Arthur Hartmann, an American of Hungarian descent was a brilliant violinist who attracted rave reviews throughout his life as soloist and leader of the Hartmann Quartet. Emotionally exuberant and vital, his miniatures are infused with the specific harmonic and rhythmic intonations of Hungarian folklore and skilfully exploit the colours of the different violin strings. His works were performed by artists of the calibre of Heifetz, Menuhin, Kreisler and Thibaud. A child prodigy at age 11 he gave recitals in Europe, meeting and charming Sir Charles Hallé, Saint-Saens, Hans Richter, Paderewski, Benjamin Godard and many others. Hartmann’s sympathetic and subtle transcriptions, particularly of Debussy, won the composer’s approval and are still in circulation today. A pupil of the legendary virtuoso Eugene Ysaÿe, Hartmann was renowned for his interpretation of Bach’s Chaconne for solo violin. This is the first recording of any of Hartmann’s Kreisler-like salon miniatures for violin and piano which, like Elgar’s violin miniatures, speak immediately to the listener with their easy tunefulness. | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Introducing Shannon Lee
Bazzini: | La Ronde des lutins, Op. 25 | Brahms: | Sonatensatz (Scherzo from the F.A.E. sonata), WoO 2 | Chopin: | Nocturne No. 20 in C sharp minor, Op. post. | Debussy: | Beau Soir | Elgar: | Salut d'amour, Op. 12 | Engel, Carl: | Sea-Shell | Ernst, H W: | Der Erlkönig - Grand Caprice Op. 26 | Kreisler: | Tambourin Chinois, Op. 3 Recitative & Scherzo Caprice, Op. 6 | Rimsky Korsakov: | Flight of the Bumble Bee | Scriabin: | Étude Op. 8 No. 10 in D flat major 'Etude in Thirds', arranged by Joseph Szigeti | Vitali, T: | Chaconne in G minor | Wieniawski: | Scherzo-Tarantelle in G minor, Op. 16 |
Shannon Lee is a young violinist who is tipped for great things. In the summer of 2005, she made her stunning orchestral debut at the age of 12 with the Dallas Symphony Orchestra, performing the Chausson “Poeme” and Franz Wexman’s extremely challenging Carmen Fantasy. Later that same year, she was the featured soloist for the Dallas Symphony’s Texas Tour, and in 2006 she made her European debut with the Nuremberg Philharmonic Orchestra. Introducing Shannon Lee is a wonderful collection of pieces that include the well known and the rare. Each of the works spotlights the versatility and musicianship of this young violinist and her ability to work well with accompanist Pamela Mia Paul. Highlights include Wieniawski’s notoriously difficult “Scherzo-Tarantelle”, Elgar’s much-loved “Salut d’amour” and the most weighty work on the disc, Brahms’ “Sonatensatz”. This disc is the first opportunity to hear a young violinist poised to become one of the great artists of tomorrow. As Telarc President Robert Woods puts it “There is a dearth of fantastic talent in young artists today, so why does any one person stand out from another? To a great extent, it’s the preference of the listener – the person who discovers someone’s playing for the first time. When that happened for me with Shannon, I had the sense I was listening to a very old soul in a young person’s body. Shannon’s maturity was well beyond what I had heard from other young performers.” Accompanist Pamela Mia Paul has performed with the world’s great orchestras. She has given concerts throughout the U.S., Europe and Asia, both as soloist and as chamber musician. In the studio, or in the setting of a master class, she is an internationally sought-after pedagogue whose students have participated in and won competitions including the Naumburg International Piano Competition. | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Nuite d’etoiles - Harp music by DebussyDebussy’s piano music arranged for the harp by Xavier de Maistre
“De Maistre's playing throughout is both robust and delicate; his ability to recall the percussiveness of the piano when necessary… is most impressive. Elsewhere, finely cascading scales and glassy, rippling figurations are offset by sensitively brushed chords.” Gramophone Magazine, August 2008 “Xavier de Maistre is a virtuoso of the highest order, profoundly musical and capable of realising a remarkable range of nuance” Gramophone Magazine | | | Usually despatched in 3 - 4 working days. |
|
|
| |  | Great Performances from the Library of Congress, Vol. 24
| | Lead Me To the Water Spiritual I'm Seekin' For a City Spiritual I'm Goin' to tell God All My Troubles Spiritual Ride On, Jesus Spiritual Ev'ry Time I Feel the Spirit Spiritual Were You There Spiritual | Beethoven: | Adelaide, Op. 46 Der Kuss, Op. 128 | Bizet: | Adieux de l'hotesse Arabe | Brahms: | Meine Liebe ist grün, Op. 63 No. 5 | Charpentier, G: | Depuis le jour (from Louise) | Cohen, C: | Epitaph for a Poet | Coleridge-Taylor: | She Rested By the Broken Brook Thou Art Risen, My Belovéd | Debussy: | Beau Soir | Dett: | My Day | Grovlez: | Guitares et mandolines | Handel: | Semele: O, Sleep Why Dost Thou Leave Me? | Schubert: | Ave Maria, D839 | Schumann: | Du bist wie eine Blume, Op. 25 No. 24 | Strauss, R: | Wiegenlied, Op. 41 No. 1 Wie sollten wir geheim sie halten, Op. 19 No. 4 |
Historian Rosalyn M. Story writes, "In the history of American singers, Dorothy Maynor stands out as an artist endowed with the power to exalt, to transport the hearer above the realm of the ordinary and beyond the limits of normal expectation." | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | L'invitation au voyage
Henri Demarquette (cello) & Brigitte Engerer (piano) “Henri Demarquette is a multi-faceted personality whose passionate playing has the power of a blazing forest; every stroke of his bow provokes a response as he stirs the musical subconscious” Le Monde de la Musique | | | Usually despatched in 4 - 5 working days. |
|
|
| |
|