Debussy: Beau Soir

This page lists all recordings of Beau Soir, by Claude Achille Debussy (1862-1918) on CD, SACD, DVD, Blu-ray & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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January 2011
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Après Un Rêve - Violin and Piano

Après Un Rêve - Violin and Piano


Debussy:

Préludes - Book 1: No. 12, Minstrels

transcribed by Jascha Heifetz

Beau Soir

transcribed by Jascha Heifetz

Fauré:

Violin Sonata No. 1 in A major, Op. 13

Après un rêve, Op. 7 No. 1

arranged by Pablo Casals

Morceau de lecture

version for violin and piano

Ravel:

Vocalise-étude en forme de habanera

arranged by Georges Catherine

Berceuse sur le nom de Fauré

Violin Sonata in G major


Christian Svarfvar (violin), Roland Pöntinen (piano)

French delicacies and masterpieces for violin and piano. Towards the end of the 19th century, France saw a renaissance for chamber music after a long period largely dominated by opera. Rather than popular demand it was the composers themselves who propelled this development, for instance through the ‘Société nationale de musique’, founded in 1871 by Saint-Saëns with the aim to provide a platform for composers to have their works performed. An early response to Saint-Saëns’ initiative came from a former student, Gabriel Fauré, who in 1876 completed his Violin Sonata in A major and gave it the opus number 13, making it the first instrumental work in his official work list. Premiered at one of the society’s concerts in 1877, the sonata was a resounding success and gave Fauré the confidence to continue to write chamber music. In a similar way, the society became a stepping-stone in the careers of many younger composers, including Claude Debussy and after him Maurice Ravel. Selecting works by these three French composers, the Swedish team of Christian Svarfvar and Roland Pöntinen have put together a recital framed by Fauré’s sonata and that by Ravel, composed some 50 years later and here serving as a reminder of the new influences that reached France in the meantime. With its celebrated second movement, entitled ‘Blues’, the Sonata in G major testifies to Ravel’s interest in Afro-American music and jazz – but also to his ability to incorporate foreign influences into his own, unmistakeable style. Between these, we hear a handful of shorter pieces, including Ravel’s Spanish-perfumed Pièce en forme de habanera and his Berceuse, a tribute to his old teacher Fauré. Svarfvar and Pöntinen also perform Debussy’s arrangement of his own piano prelude Minstrels, another French response to the popular music coming from the U.S.A., but they have chosen to name their disc after what probably remains the most popular piece by Fauré, his early song Après un rêve.

Super Audio CD

Format:

Hybrid Multi-channel

BIS - BIS2183

(SACD)

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Fin de siècle

Fin de siècle

Music for viola and piano


Büsser:

Appassionato, Op. 34

Chausson:

Pièce Op. 39

Debussy:

Beau Soir

Durosoir:

Vitrail pour alto et piano

Enescu:

Concertstück for viola & piano

Hahn, R:

Soliloque et Forlane for viola & piano

Honnoré:

Morceau de concert

Hüe:

Thème varié

Ravel:

Deux mélodies hébraïques: Kaddisch

Vierne, L:

Deux Pièces Op. 7


Lawrence Power (viola) & Simon Crawford-Phillips (piano)

That the names of Hüe and Büsser are now largely forgotten is no reflection on their ability to write music which cannot fail to delight (and did not fail to win the Prix de Rome). Lawrence Power and Simon Crawford-Phillips present a wonderful recital which sets Ravel and Debussy in the context of their lesser-known contemporaries.

“Most of these pieces by Paris-based composers may be unfamiliar...but they merit rediscovery thanks to this duo’s superb playing. They make Henri Büsser’s Appassionato seem like the viola’s miniature answer to Franck’s Violin Sonata.” Sunday Times, 11th September 2016

“The players’ enthusiasm is self-evident, and Power tempers his sweet, full-throated tone...with a lovely inwardness in the quieter music. Crawford-Phillips is very much on the same page; the pair phrase naturally together... consistently enjoyable way to discover some unexpectedly rewardAing music.” Gramophone Magazine, October 2016

“Power and Crawford-Phillips are a superb duo, matching their depth and richness of tone with an energetic, passionate approach, and the warm sound lets them shine.” BBC Music Magazine, December 2016 ****

“There is more than enough in this beautifully played disc to attract viola aficionados and Francophiles alike.” MusicWeb International, 19th December 2016

GGramophone Magazine

Editor's Choice - October 2016

Hyperion & Helios - up to 50% off

Hyperion - CDA68165

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Anne-Sophie Mutter: The Silver Album

Anne-Sophie Mutter: The Silver Album


Beethoven:

Violin Sonata No. 7 in C minor, Op. 30 No. 2

Brahms:

Violin Sonata No. 2 in A major, Op. 100

Hungarian Dance No. 1 in G minor

Hungarian Dance No. 2 in D minor

Hungarian Dance No. 5

Debussy:

Beau Soir

Arr. Jascha Heifetz

Fauré:

Violin Sonata No. 1 in A major, Op. 13

Kreisler:

Schön Rosmarin

Caprice Viennois, Op. 2

Liebesleid

Massenet:

Meditation (from Thaïs)

Transcribed by M. P. Marsick. New Recording

Mozart:

Violin Sonata No. 33 in E flat major K481

Penderecki:

La Follia per violino solo

Dedicated to Anne-Sophie Mutter. First performance 14 December 2013, Carnegie Hall, New York. World-premiere recording

Previn:

Violin Sonata No. 2

Commissioned by Anne-Sophie Mutter and the Klavier-Festival Ruhr. Dedicated To Anne- Sophie Mutter. World-premiere recording

Ravel:

Vocalise-étude en forme de habanera

New Recording


This special 2 CD collection celebrates 25 years of Anne-Sophie Mutter and Lambert Orkis performing and recording together. The celebrated violinist says: “Meeting Lambert was a stroke of luck for me. It quickly became clear how perfectly we breathe and phrase together. With Lambert I can do anything.” Ever since, the two of them have explored the musical worlds of many different composers in a wonderful artistic partnership.

With 40 minutes of new music, which she will be featuring on her tour concerts, and some of her most famous encores this album is a must-have for all Anne-Sophie Mutter fans.

“A glorious selection from the 25-year partnership of Anne-Sophie Mutter and Lambert Orkis - with new recordings of Penderecki's virtuosic violin solo La Follia and Andre Previn's Second Sonata.” BBC Music Magazine, June 2015 *****

“it is possible to say that Orkis finishes Mutter's sentences and that they play as a single voice...it is undeniable that this is a disc of strong identity and integrity.” Gramophone Magazine, August 2014

DG - 4792949

(CD - 2 discs)

$16.50

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The classic archive™ Collector’s Edition - Strings

The classic archive™ Collector’s Edition - Strings


Bartók:

Sonata for Solo Violin, BB 124, Sz. 117

Ivry Gitlis (violin)

Romanian Folk Dances for piano, Sz. 56, BB 68

Henryk Szeryng (violin)

Beethoven:

Violin Concerto in D major, Op. 61

Leonid Kogan (violin)

Violin Concerto in D major, Op. 61

Nathan Milstein (violin)

Cello Sonata No. 4 in C major, Op. 102 No. 1

Pierre Fournier (cello)

Cello Sonata No. 5 in D major, Op. 102 No. 2

Pierre Fournier (cello)

String Quartet No. 4 in C minor, Op. 18 No. 4

Amadeus Quartet

String Quartet No. 6 in B flat major, Op. 18 No. 6

Amadeus Quartet

Cello Sonata No. 3 in A major, Op. 69

Paul Tortelier (cello)

Brahms:

Violin Concerto in D major, Op. 77

Henryk Szeryng (violin)

Piano Trios Nos. 1-3 (Complete)

Istomin-Stern-Rose Trio

Debussy:

Beau Soir

Leonid Kogan (violin)

Franck, C:

Violin Sonata in A major

Christian Ferras (violin)

Handel:

Sonata in E major for violin and continuo, HWV373, Op. 1 No. 15

Leonid Kogan (violin)

Leclair, J-M:

Violin Sonata in D major, Op. 9 No. 3

Henryk Szeryng (violin)

Mendelssohn:

Violin Concerto in E minor, Op. 64

Arthur Grumiaux (violin)

Mozart:

Violin Concerto No. 3 in G major, K216

Isaac Stern (violin)

Violin Concerto No. 5 in A major, K219 'Turkish'

Isaac Stern (violin)

Adagio for Violin and Orchestra in E, K261

Isaac Stern (violin)

Rondo for Violin and Orchestra in C, K373

Nathan Milstein (violin)

String Quartet No. 17 in B flat major, K458 'The Hunt'

Amadeus Quartet

String Quintet No. 4 in G minor, K516

Amadeus Quartet

Adagio for Violin and Orchestra in E, K261

Nathan Milstein (violin)

Paganini:

Caprice for solo violin, Op. 1 No. 14 in E flat major

Arthur Grumiaux (violin)

Prokofiev:

Sinfonia Concertante in E minor for cello & orchestra, Op. 125

Mstislav Rostropovich (cello)

Ravel:

Tzigane

Henryk Szeryng (violin)

Saint-Saëns:

Cello Concerto No. 1 in A minor, Op. 33

Pierre Fournier (cello)

Introduction & Rondo capriccioso, Op. 28

Ivry Gitlis (violin)

Schumann:

Cello Concerto in A minor, Op. 129

Pierre Fournier (cello)

Shostakovich:

Cello Concerto No. 1 in E flat major, Op. 107

Pierre Fournier (cello)

Sibelius:

Violin Concerto in D minor, Op. 47

Christian Ferras (violin)

Stravinsky:

Violin Concerto in D

Christian Ferras (violin)

Tchaikovsky:

Violin Concerto in D major, Op. 35

Ivry Gitlis (violin)


Great performances from legendary artists of the 20th century, the classic archive™

Collector’s Edition – Strings offers unique insights in the world of music interpretation of the golden age.

This first edition is dedicated to some of the most outstanding violinists and cellists of the past.

More than 17 hours of material lovingly restored, the edition includes various concerti, recitals, interesting documentaries, some in colour, some in glorious black and white, as well as comprehensive booklet information.

This collector’s edition makes rare classical archive footage from the years 1957-1975 suitable for Blu-ray disc lovers.

Definition: STANDARD DEFINITION

Picture format BLU-RAY DISC: NTSC 4:3

Sound formats BLU-RAY DISC: Dolby Digital 2.0

Region code: 0

Subtitles: English, German, French, Spanish

Running time: 1045 mins

German FSK: 0

Blu-ray Disc

Region: all

Ideale Audience International Classic Archive - 3073974

(Blu-ray)

$45.25

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Diana Damrau: Recital at Baden Baden & Documentary 'Diva Divina'

Diana Damrau: Recital at Baden Baden & Documentary 'Diva Divina'

From the Festspielhaus Baden-Baden


Debussy:

Nuit d'étoiles

Le Lilas

Fleur des blés (André Girod)

Clair de lune (song)

Mandoline (Verlaine)

Beau Soir

Apparition - song (1884)

Arabesque No. 1

Fauré:

Impromptu No. 6 in D flat major for harp, Op. 86

Après un rêve, Op. 7 No. 1

Clair de Lune, Op. 46 No. 2

Sérénade toscane Op. 3 No. 2

Les berceaux, Op. 23 No. 1

Adieu, Op. 21 No. 3, from Poème d'un jour

Notre amour Op. 23 No. 2

Gounod:

Ave Maria

Schumann:

Lied der Suleika, Op. 25 No. 9

Der Nussbaum, Op. 25 No. 3

Die Lotosblume, Op. 25 No. 7

Er ist's! Op. 79 No. 23 (Eduard Mörike)

Widmung, Op. 25 No. 1

Strauss, R:

Nichts, Op. 10 No. 2

Freundliche Vision, Op. 48 No. 1

All mein Gedanken ... Op. 21 No. 1

Wiegenlied, Op. 41 No. 1

Die Nacht, Op. 10 No. 3

Morgen, Op. 27 No. 4

Kling! Op. 48 No. 3

Ständchen, Op. 17 No. 2


Diana Damrau (soprano) & Xavier de Maistre (harp)

This DVD, centered on the dazzling German soprano Diana Damrau, complements a ravishing recital with a fascinating documentary.

In March 2013, Damrau achieved “a daring victory” (in the words of the New York Times) when the Metropolitan Opera witnessed her first-ever performances of Verdi’s La traviata. In recent years she has made the transition from glittering, stratospheric roles such as Mozart’s Queen of the Night and Strauss’ Zerbinetta to lyrical heroines of greater emotional complexity, such as Gilda in Rigoletto, Adina in L’elisir d’amore and Lucia di Lammermoor. A series of triumphs at the Met have made her a favourite singer in New York – as she is in other leading opera houses around the world.

In the documentary, Diana Damrau – Diva Divina, the soprano explains that, when she was just 12 years old, it was La traviata (in Franco Zeffirelli’s lavish 1982 cinematic version) that inspired her to make a career in opera. The documentary, directed by Beatrix Conrad, follows Damrau over the course of nine months, covering operatic performances and rehearsals in Geneva, New York, Paris and Munich, recitals, recordings and the arrival of her first child, Alexander.

The recital, filmed at the impressive Festspielhaus in Baden-Baden, pairs Damrau with the French harpist Xavier de Maistre in an exquisite selection of songs by Schumann, Fauré, Debussy and Strauss. Among the best-loved items in the programme are: Schumann’s ‘Widmung’; both Fauré’s and Debussy’s settings of Verlaine’s poem ‘Clair de lune’; Fauré’s ‘Après un rêve’; a harp arrangement of Debussy’s piano Arabesque No 1; Strauss’ ‘Morgen‘ and ‘Ständchen’ and, among the encores, the famed Bach-Gounod ‘Ave Maria’.

In the course of 2013, Damrau and de Maistre will also perform together in concert seasons in Washington D.C., Paris, Geneva, Lyon, Reykjavik, Hamburg, Munich and London and at festivals in Menton, Gstaad, Schwarzenberg and Grafenegg.

Reviewing the performance in Baden-Baden – for which the audience joined Damrau and de Maistre on the stage, rather than being distanced from them in the expansive auditorium – the Badische Neueste Nachrichten wrote of Damrau as a recitalist “whose vocal material and abilities as a storyteller approach perfection”, while the Badisches Tagblatt said:” Damrau’s diction is a pleasure, her vocal flexibility amazing. She sings phrases with ample breath, while her nuanced shadings create subtle changes of mood from song to song.” Die Rheinpfalz described the “gentle, sometimes ethereal tones of the harp” as being in perfect harmony with the “exceptionally subtle and detailed vocal art of the soprano … particularly exceptional are the delicate tracery and colours of Diana Damrau’s singing. Her shaping and accenting of the text is meticulous, her phrasing is of great sensitivity and her dynamics are richly nuanced, yet her song performances are never mannered, rather always full of lyrical feeling.”

DVD Video

Region: 0

Format: NTSC

Erato - 9849169

(DVD Video)

$16.75

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The Sea

The Sea

Songs by Debussy, Fauré & Schubert


Debussy:

Trois Mélodies de Verlaine

Beau Soir

Fauré:

Poème d'un jour Op. 21

L'horizon chimérique, Op. 118

Les berceaux, Op. 23 No. 1

En sourdine, Op. 58 No. 2 (Verlaine)

Chanson du pêcheur Op. 4 No. 1

Larmes Op. 51 No. 1

Schubert:

Der Schiffer, D536 (Mayrhofer)

Meeres Stille, D216, Op. 3 No. 2 (Goethe)

Fahrt zum Hades, D526 (Mayrhofer)

Auf der Donau, D553 (Mayrhofer)

Erlafsee D586 (Mayrhofer)

Gondelfahrer, D808

Ruckweg, D476 (Mayrhofer)

Am Strome, D539 (Mayrhofer)

Gruppe aus dem Tartarus, second version, D583 (Schiller)


Henk Neven (baritone), Hans Eijsackers (piano)

The Sea, songs of water and the sea, diverse in colour and emotion. Henk Neven on his new ONYX recording: "During the recordings of my debut album 'Auf einer Burg' in Suffolk, I visited, after a day’s work, the coastal town of Aldeburgh. It was winter-time and at six o’clock pitch dark already. I was walking along the sea. Darkness all around.

Nevertheless I heard, smelt and felt the sea. Not visible but very present.

We sat by the water for ages and indulged in fancies, philosophised, and written poetry lustily about the endless deep of the sea, about the horizon and what is behind it, about the similarity to our spiritual lives, about the currents that are as our lives; about the sea that takes us with it when we are tired of living; about the restless sailor who revives between storm and waves; about the solitary wife who, rocking her baby, is left alone; about the sea in which you pour out your heart… Have all these tears made the seawater so bitterly salt?

The sea and the water have been a source of inspiration for many poets and their poems inspired the composers likewise. The songs that were created that way have inspired me".

Henk’s debut album 'Auf einer Burg', lieder by Loewe and Schumann, ONYX4052, was praised by BBC Radio 3: "songsettings by Loewe, beautifully brought to life by baritone Henk Neven and pianist Hans Eijsackers... A world of fantasies and dreams and reflections on the passing of time and the transience of life. That’s what it says on the sleeve, and that’s exactly what they deliver so successfully. It’s the CD Review Disc of the Week and you’ll find it on ONYX Classics.”

“A delightful recital … Neven’s melodies are every bit as persuasive as his lieder … the recording team does the project proud.” Classical Music, 17th November 2012

“Rarely do you hear, even in the rarefied world of French melodie and German Lieder, a baritone who sings with such subtlety in shading of dynamic and tone as the Dutch baritone Henk Neven...and this latest disc extends my admiration even further in totally exquisite singing...Altogether a most memorable song record.” Gramophone Magazine, February 2013

Onyx - ONYX4102

(CD)

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L'heure Exquise

L'heure Exquise

Melodies Francaises


Chaminade:

La Mouche Mme Segovia: Serenade

Chausson:

Le temps des lilas

Nos souvenirs

Debussy:

Beau Soir

Duparc:

Soupir

Extase

Escaich:

Une vie

Fauré:

Après un rêve, Op. 7 No. 1

Les berceaux, Op. 23 No. 1

Tristesse, Op. 6 No. 2

Gounod:

O ma belle rebelle

Hahn, R:

L'heure exquise

A Chloris

Kosma:

Les feuilles mortes

Deux escargots

Dans ma maison

Marchetti, Fermo:

Fascination

Massenet:

Elégie

Poulenc:

Les chemins de l'amour

Métamorphoses: C'est ainsi que tu es

Violon

Ravel:

Vocalise-étude en forme de habanera

Deux mélodies hébraïques: Kaddisch

Saint-Saëns:

Danse macabre (song)

Satie:

Je te veux


Christian-Pierre La Marca (cello), Amandine Savary (piano)

Sony - 88697881592

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Je n'aime décidément pas le classique, mais ça j'aime bien!

Je n'aime décidément pas le classique, mais ça j'aime bien!


Allegri:

Miserere mei, Deus

Bach, J S:

Toccata & Fugue in D minor, BWV565

Siciliano in G minor from Flute Sonata No. 2, BWV1031

Barber:

Adagio for Strings, Op. 11

Beethoven:

Symphony No. 5 in C minor, Op. 67: 1. Allegro con brio

Berlioz:

Symphonie fantastique, Op. 14 - Un Bal

Brahms:

Waltz, Op. 39 No. 15 in A flat major

Symphony No. 3 in F major, Op. 90: Poco Allegretto

Caccini, G:

Ave Maria

Chabrier:

España

Chopin:

Piano Sonata No. 3 in B minor, Op. 58

Debussy:

Beau Soir

Franck, C:

Panis Angelicus

Mascagni:

Cavalleria Rusticana: Intermezzo

Mendelssohn:

Symphony No. 4 in A major, Op. 90 'Italian': IV. Presto & Finale: Saltarello

Monteverdi:

Duo seraphim a 3 voci

Mozart:

Piano Concerto No. 21 in C major, K467 'Elvira Madigan' - Andante

Poulenc:

Salve Regina

Puccini:

Vissi d'arte (from Tosca)

Nessun dorma (from Turandot)

Rachmaninov:

Piano Concerto No. 2 in C minor, Op. 18: 2 - Adagio sostenuto

Saint-Saëns:

Danse macabre, Op. 40

Schubert:

Piano Trio No. 2 in E flat major, D929 - 2nd movement

Sheremetiev, A:

Now ye heavenly powers

Strauss, J, II:

An der schönen, blauen Donau, Op. 314

Villa-Lobos:

Bachianas Brasileiras No. 5: Aria (Cantilena)


RCA - 88697790372

(CD - 2 discs)

$7.50

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Nuite d’etoiles - Harp music by Debussy

Nuite d’etoiles - Harp music by Debussy

Debussy’s piano music arranged for the harp by Xavier de Maistre


Debussy:

Suite Bergamasque

arranged for the harp by Xavier de Maistre

Préludes - Book 1: No. 8, La fille aux cheveux de lin

arranged for the harp by Xavier de Maistre

Danses sacrée et profane

arranged for the harp by Xavier de Maistre

Nuit d'étoiles

Diana Damrau (soprano)

Beau Soir

Diana Damrau (soprano)


“De Maistre's playing throughout is both robust and delicate; his ability to recall the percussiveness of the piano when necessary… is most impressive. Elsewhere, finely cascading scales and glassy, rippling figurations are offset by sensitively brushed chords...Xavier de Maistre is a virtuoso of the highest order, profoundly musical and capable of realising a remarkable range of nuance” Gramophone Magazine, August 2008

“In many ways, Debussy's piano music finds its rightful home on the harp. Apart from the distinctive textural and colouristic elements in the writing itself, we have contemporary accounts of Debussy's piano-playing that refer to his ability to make you forget a piano even had hammers.
Of course, this doesn't allow for dreamy, 'impressionistic' interpretations; rather, it makes clarity and precision absolute imperatives – which qualities we find in abundance in this recital by Xavier de Maistre and friends.
Perhaps realising that you can have too much of a good thing, de Maistre has chosen to include among the many solo works here a selection of mélodies and the two Danses for harp and strings.
All, with the exception of the Danses and the Deux Arabesques, were transcribed by de Maistre himself.

Soprano Diana Damrau is broadly expressive in the mélodies, if occasionally strident in tone; her 'Mandoline' is suffused with a playful urgency that contrasts nicely with the earnestness of 'Le lilas'. Some of de Maistre's colleagues from the Vienna Philharmonic join him in the two dances; the playing is bold and carefree, the well judged crescendo in the Danse profane a delightful way to end this magical disc.”
Gramophone Classical Music Guide, 2010

RCA - 88697222492

(CD)

$9.50

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Lynn Harrell - Andante Cantabile

Lynn Harrell - Andante Cantabile

Cello Encores


Bloch, E:

From Jewish Life: No. 1, Prayer

(From Jewish Life - No. 1)

Catalani:

Ebben? Ne andrò lontana (from La Wally)

(arr. Vladimir Cosma)

Chopin:

Nocturne No. 20 in C sharp minor, Op. post.

(transc. Piatigorsky)

Debussy:

Beau Soir

(transc. Alexander Gretchaninoff)

Duparc:

Phidylé

Elgar:

Salut d'amour, Op. 12

Falla:

Nana (No. 5 from Siete canciones populares españolas)

(Suite populaire Espagnole)

Fauré:

Après un rêve, Op. 7 No. 1

(arr. Milton Katims)

Glazunov:

Spanish Serenade, Op. 20 No. 2

Granados:

Goyescas (opera): Intermezzo

Handel:

Semele: Where'er you walk

Hillemacher:

Gavotte tendre

Paradis:

Sicilienne

(arranged for violin by S. Dushkim, transcribed for cello by Lynn Harrell)

Ravel:

Vocalise-étude en forme de habanera

Saint-Saëns:

Le carnaval des animaux: Le Cygne

(ed. Leonard Rose)

Schubert:

Moments Musicaux, D780: No. 3 in F minor

An die Musik D547

Nacht und Träume, D827

Schumann:

Kinderszenen, Op. 15: Träumerei

Sullivan, A:

An Idyll

Taki:

Kojo no tsuki (The Moon on the Ruined Castle)


Lynn Harrell (cello) & Bruno Canino (piano)

As he explains in his liner notes for this CD, Lynn Harrell uses the voice as his point of departure for this collection of encores. They are largely reflective pieces, with a bit of fun such as the unfairly forgotten Glazunov Spanish Serenade thrown in for good measure, and this once popular disc now makes a return to the catalogue, at budget price.

Australian Eloquence - ELQ4767487

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$9.25

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