To accompany his performance at the Edinburgh Festival, this complete recording with Zacharias promises to occupy one of the top ranks on internationals lists. He is able to perfectly and seamlessly transfer his inimitable touch and sound culture to the orchestra.
“A "dream world" is how Arthur Hutchings described the Andante of K467. Christian Zacharias begs to differ, the time signature alla breve dictating a fleeter pace than usually heard. Muted strings still underline the harmonic shadows but there is no lingering.”
New York Times
26th November 2010
“his entrances seem especially organic in these crisp, unsentimental readings. The Lausanne players are remarkably precise.”
Click on any of the works listed above for alternative recordings.