This page lists all recordings of Cello Concerto No. 2 in B flat major, Wq 171, by Carl Philipp Emanuel Bach (1714-88) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
All recordingsEx. VAT prices will be applied automatically for non-EU delivery addresses. See Terms & Conditions for p&p rates. | |  |
Hidemi Suzuki (cello) Bach Collegium Japan | | | In stock - usually despatched within 1 working day. |
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Anner Bylsma (cello) Orchestra Of The Age Of Enlightenment, Gustav Leonhardt | | | In stock - usually despatched within 1 working day. |
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| |  | Cello Concertos
Mstislav Rostropovich (cello) Saint Paul Chamber Orchestra, Hugh Wolff | | | In stock - usually despatched within 1 working day. |
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| |  | C P E Bach - Concerti
Katharina Arfken (oboe), Kristin von der Goltz (violoncello), Michael Behringer (harpsichord), Christine Schornsheim (pianoforte) Freiburger Barockorchester | | | Usually despatched in 3 - 4 working days. |
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| |  | Cello Concertos
Mstislav Rostropovich (cello) Saint Paul Chamber Orchestra, Hugh Wolff | | | Usually despatched in 3 - 4 working days. |
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Tim Hugh (cello) Bournemouth Sinfonietta, Richard Studt "Hugh's bow dances…and is matched by the Bournemouth Sinfonietta" Gramophone | | | Usually despatched in 2 - 3 working days. |
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| |  | Classical Cello Concertos
Bach, C P E: | Cello Concertos Nos 1-3 | Boccherini: | Cello Concerto No. 7 in G major, G 480 Cello Concerto in E flat major (G deest) Cello Concerto No. 6 in A major, G. 475 Concerto for Cello, 2 Trumpets, 2 Oboes and Strings in C No.11 G 573 Cello Concerto No. 2 in D major, G. 479 Cello Concerto No. 9 in B flat major, G 482 Cello Concerto No. 1 in C major, G. 477 Cello Concerto No. 7 in D major, G. 476 Cello Concerto No. 8 in D major, G. 478 Cello Concerto No. 5 in E flat major, G. 474 Cello Concerto No. 4 in C major, G. 481 Cello Concerto No. 10 in D major, G. 483 | Haydn: | Cello Concerto No. 1 in C major, Hob. VIIb:1 Cello Concerto No. 2 in D major, Hob. VIIb:2 (Op. 101) | Leo: | Cello Concertos Nos. 1-6 |
Balazs Mate (cello), Julius Berger (cello) & Miklos Perenyi (cello) Concerto Armenico/Peter Szüts, Südwestdeutsches Kammerorchester Pforzheim/Vladislav Czarnecki, Liszt Ferenc Chamber Orchestra/Janos Rolla | | | Usually despatched in 8 - 10 working days. |
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| |  | Bach Sons - The Complete Symphonies
| | | Usually despatched in 8 - 10 working days. |
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| |  | Mstislav Rostropovich plays Cello Concertos
| | Music for Cello & Organ by Frescobaldi, Marcello, J.S.Bach, Handel, Caix d’Herelois, Rheinberger & Saints-Saën | Bach, C P E: | Cello Concerto No. 2 in B flat major, Wq 171 The Saint Paul Chamber Orchestra, Hugh Wolff | Dvorak: | Cello Concerto in B minor, Op. 104 Boston Symphony Orchestra, Seiji Ozawa | Gagneux: | Triptyque pour violoncelle et orchestre Seiji Ozawa | Halffter, R: | Cello Concerto No. 2 Orchestre National de France, Crist¢bal Halffter | Hoddinott: | Noctis Equi, Scena for cello and orchestra London Symphony Orchestra, Kent Nagano | Honegger: | Cello Concerto London Symphony Orchestra, Kent Nagano | Jolivet: | Cello Concerto No. 2 (1966) André Jolivet | Knaifel: | Chapter Eight (live recording) | Milhaud: | Concerto for Cello and Orchestra No. 1 Op. 136 London Symphony Orchestra, Kent Nagano | Moret: | Cello Concerto Collegium Musicum de Zurich, Paul Sacher | Penderecki: | Cello Concerto No. 2 London Symphony Orchestra, Kent Nagano | Prokofiev: | Cello Concerto in E minor, Op. 58 Boston Symphony Orchestra, Seiji Ozawa | Shchedrin: | Cello Concerto "sotto voce concerto" (1994) Seiji Ozawa | Shostakovich: | Cello Concerto No. 1 in E flat major, Op. 107 London Symphony Orchestra, Seiji Ozawa | Tartini: | Cello Concerto in D major The Saint Paul Chamber Orchestra, Hugh Wolff | Tchaikovsky: | Variations on a Rococo Theme in A, Op. 33 Boston Symphony Orchestra, Seiji Ozawa | Vivaldi: | Concerto for cello, strings & continuo in D minor RV 406 The Saint Paul Chamber Orchestra, Hugh Wolff |
Mstislav Rostropovich (cello) ‘Rostropovich, however, does have the true measure of these works and plays to an appropriate scale with a
beauty of tone unimaginable from a period instrument. His eloquence has a style of its own, beyond the usual
constraints of period and convention. The lyrical slow movements are imbued with a wistfulness and intimacy reflecting a well-known side of his musical personality; the brooding rhetorical quality of the C.P.E. Bach Adagio is especially compelling’ Gramophone on Vivaldi & CPE Bach | 
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