All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Vivaldi & Tchaikovsky: A Year in Music
Herve le Floch (violin) Les Soloistes des Frances, Jean-Claude Hartemann Awarded a Repertoire 10 by Classica Magazine, this 1979 recording of Vivaldi’s Four Seasons is coupled on disc 2 with Tchaikovsky’s The Seasons, and is performed by Herve le Floch with Les Solistes de France directed by Jean-Claude Hartemann. | 
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Ballet Edition - Russian Ballet Music
Khachaturian: | Spartacus (excerpts) London Symphony Orchestra, Aram Khachaturian Gayane Suite Royal Philharmonic Orchestra, Yuri Temirkanov | Rimsky Korsakov: | Scheherazade, Op. 35 Philadelphia Orchestra, Riccardo Muti | Shostakovich: | The Golden Age, Suite from the Ballet, Op. 22a Philharmonia Orchestra, Robert Irving Tahiti Trot (Tea for Two), Op. 16 Radio France Orchestre Philharmonique, Paavo Järvi | Tchaikovsky: | The Seasons, Op. 37b Philharmonia Orchestra, Evgeny Svetlanov |
The splendour of Russia’s ballet tradition is evoked in spectacular scores by Rimsky-Korsakov, Khachaturian and Glazunov, while Shostakovich espouses modernism – and ‘Tea for Two’. The exotic Scheherazade, which inspired a steamy harem scenario from Diaghilev and Fokine, is here entrusted to Riccardo Muti. Aram Khachaturian himself conducts excerpts from Spartacus – including the sweepingly romantic and justly celebrated Adagio; another, contracting highlight comes with the fiery Sabre Dance from the same composer’s Gayaneh. | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Mussorgsky & Tchaikovsky - Works For Piano
“Pletnev dazzles in the Mussorgsky, caressing its sublime poetry with a velvet-gloved sensitivity while throttling its chilling angularities into piano-shattering submission. His Tchaikovsky is no less mesmerising. A real classic.” BBC Music Magazine, May 2005 ***** | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
“There's no denying that Russian orchestras bring a special intensity to Tchaikovsky, and to this Symphony in particular. But, in the past, we have had to contend with lethal, vibrato-laden brass and variable Soviet engineering. Not any more. Pianist Mikhail Pletnev formed this orchestra in 1990 from the front ranks of the major Soviet orchestras, and the result here is now regarded as a classic. The brass still retain their penetrating power, and an extraordinary richness and solemnity before the Symphony's coda; the woodwind make a very melancholy choir; and the strings possess not only the agility to cope with Pletnev's aptly death-defying speed for the third movement march, but beauty of tone for Tchaikovsky's yearning cantabiles. Pletnev exerts the same control over his players as he does over his fingers, to superb effect. The dynamic range is huge and comfortably reproduced with clarity, natural perspectives, a sense of instruments playing in a believable acoustic space, and a necessarily higher volume setting than usual. Marche slave's final blaze of triumph, in the circumstances, seems apt. Pletnev finds colours and depths in The Seasons that few others have found even intermittently. Schumann is revealed as a major influence, not only on the outward features of the style but on the whole expressive mood and manner. And as a display of pianism the whole set is outstanding, all the more so because his brilliance isn't purely egoistic. Even when he does something unmarked – like attaching the hunting fanfares of 'September' to the final unison of 'August' – he's so persuasive that you could believe that this is somehow inherent in the material. This is all exceptional playing, and the recording is ideally attuned to all its moods and colours.” Gramophone Classical Music Guide, 2010 | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
| | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
|
|
| |  | Tchaikovsky: The Seasons & Serenade for Strings
The Seasons and Serenade for Strings were composed in the second half of the 1870s – early 1880s, in a period of the composer’s first creative uplift. Those were the years when the author of Symphony No. 4, Eugene Onegin and Swan Lake stepped into an age of genuine artistic maturity, and not only his large-scale dramatic opuses but also smaller pieces composed for a narrower circle have the seal of that maturity. Pyotr Tchaikovsky’s compositions are performed by the USSR State Academic Symphony Orchestra conducted by Evgeni Svetlanov, a recognized master of interpretation of Russian symphonic music from the 19th and 20th centuries. | 
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Tchaikovsky: The Seasons, Romeo & Juliet & Adagio Lamentoso
Upon the death of Mlle. Boulanger, Naoumoff took over her classes at the summer sessions of the Conservatoire d'Art Americain in Fontainebleau. In 1981, at age 19, he was signed as a composer -- the youngest on their roster -- with the music publisher Schott, Mainz. Naoumoff's reputation as a piano virtuoso dates from 1984 when he substituted without notice for a stricken pianist in a performance of Tchaikovsky's Piano Concerto No. 1 in Monte Carlo. That concert earned him the comparisons to Horowitz and Rubinstein, displaying -- as one critic remarked -- the fire of the former and the poetry of the latter. In the years since, he is regularly invited by the world's premier orchestras: the Los Angeles Philharmonic Orchestra, the Berlin Symphony, the Vienna Symphony, the San Francisco Symphony, National Symphony in Washington, Moscow Symphony, etc…And has collaborated closely with renowned conductors such as Leonard Bernstein, Igor Markevitch, Leonard Slatkin, Mstislav Rostropovich and Eliahu Inbal and others. The Seasons, Op.37a (pubished with the French title Les Saisons) is a set of twelve short character pieces for solo piano by the Russian composer Piotr Ilyich Tchaikovsk. Each piece is the characteristic of a different month of the year in the northern hemisphere. The work is also sometimes heard in orchestral and other arrangements by other hands. Individual excerpts have always been popular - Barcarolle (June) was enormously popular and appeared in numerous arrangements. Romeo and Juliet is an orchestral work styled an Overture-Fantasy, and is based on Shakespeare’s play of the same name. Tchaikovsky was deeply inspired by Shakespeare and wrote works based on The Tempest and Hamlet as well. Although styled an 'Overture-Fantasy' by the composer, the overall design is a symphonic poem in sonata form with an introduction and an epilogue. The work is based on three main strands of the Shakespeare story. Adagio Lamentoso is the fourth movement of the Symphony No. 6, Pathétique. Tchaikovski dedicated it to Vladimir "Bob" Davydov, composer's nephew with whom he was in love. The Pathétique has been the subject of a number of theories as to a hidden program. This goes back to the first performance of the work, when fellow composer Nikolai Rimsky-Korsakov asked Tchaikovsky whether there was a program to the new symphony, and Tchaikovsky asserted that there was, but would not divulge it. | 
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | arr. Gould for piano and orchestra
Morton Gould (piao/director) Morton Gould Orchestra | |
|
| | | |  | Tchaikovsky - The Seasons & Grand Sonata
The Russian/American pianist Vassily Primakov has begun a series of recordings for Bridge that have been highly received by the international press. Writing of his recent Beethoven CD (BRIDGE9251), the International Record Review stated that “Primakov's Beethoven offers thoughtful performances from a young musician who is more than a virtuoso.” Bridge's latest Primakov CD includes music that is close to the heart of the 29-year old pianist—two of Tchaikovsky's major works for piano, The Seasons, Op. 37-bis, and the Grand Sonata in G Major, Op. 37. “The G major Sonata is worlds apart from The Seasons in its grandeur of scale and pianistic demands: bravura and forcefulness of gesture rub shoulders with fleet, delicate detail. It is not an easy piece to bring off, but Primakov does so with terrific élan.” The Telegraph, 7th April 2009 **** | | | Usually despatched in 2 - 3 working days. |
|
|
| |
|